Daxi Daxi Bandhiga Dhaqanka Deegaanka oo uu sameeyey BIAS Architects and Associates

Naqshadda Daxi Daxi Bandhiga Dhaqanka Deegaanka oo uu sameeyey BIAS Architects and Associates waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Munaasabadaha iyo Dhacdooyinka ee 2021 Abaalmarinta Lacagta ah ee A' Design Award.

LacagMunaasabad· 2021

Daxi Daxi Bandhiga Dhaqanka Deegaanka

BIAS Architects and Associates uu sameeyay

Macmiilka: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Munaasabad

45,374

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #123023

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Daxi Daxi Bandhiga Dhaqanka Deegaanka

Laga soo bilaabo 2018, BIAS waxa ay samaysay oo ay hirgelisay iidda magaalooyinka si ay uga caawiso magaalada Daxi isu diyaarinta xaflada diimeed ee muhiimka ah ee meesha. Caadi ahaan, xafladaha Taiwanese waa muxaafid waxayna ku saleysan yihiin dhaqamada miyiga ee tilmaamaya xeerar adag. Si loola wadaago soo jiidashada caqiidada dadwaynaha dadweynaha magaalada, BIAS waxay dhexdhexaadinaysay caadooyinka iyada oo la raacayo qaabaynta istiraatijiyadeed ee faragelinta iyo nashaadaadka kuwaas oo siinaya dareenka dhaqanka pop-ka ee dhacdada. Gaar ahaan, BIAS waxay u dhaqantay sidii curator waxayna ku casuuntay fanaaniin iyo naqshadeeyayaasha da'da yar ee kala duwan inay la shaqeeyaan kuwa ilaalinaya dhaqamadii hore.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Daxi Daxi Bandhiga Dhaqanka Deegaanka waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Daxi Daxi Bandhiga Dhaqanka Deegaanka waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Daxi Daxi Bandhiga Dhaqanka Deegaanka waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Cabbirka & Qaabaynta: Total event area: 121,000 sqm
Summado: festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Tiknoloojiyada Soo Saarka: The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Caqabadda Naqshadda: The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Cilmi-baadhis: The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Dhiirrigelinta: Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Muddada Mashruuca: The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Socodka Hawlgalka: The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Xubnaha Kooxda: Main Curator: BIAS Architects & Associates
Amaanta Sawirrada: Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018