Vicereines of Ireland Buug Akadeemi ah oo uu sameeyey Jurga Rakauskaite-Larkin

Naqshadda Vicereines of Ireland Buug Akadeemi ah oo uu sameeyey Jurga Rakauskaite-Larkin waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Daabacaadda iyo Warbaahinta La Daabacay ee 2022 Abaalmarinta Birta ah ee A' Design Award.

BirDaabacaad· 2022

Vicereines of Ireland Buug Akadeemi ah

Jurga Rakauskaite-Larkin uu sameeyay

Macmiilka: The Office of Public Works

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Daabacaad

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #135430

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Vicereines of Ireland Buug Akadeemi ah

Vicereines of Ireland waa buug akadeemi ah oo ka hadlaya koox haween ah oo taariikhda Ayrishka lagu dhaafay oo aan si buuxda loo tixgelin. Naqshaddu waxay qabataa adduunka hodanka ah ee walxaha maaddiga ah ee dumarkan, waxayna sidoo kale ka tarjumaysaa bini-aadanimada falimahooda. Midabaadka guud waxaa laga soo qaatay rinjiyeynta casaanka jilicsan (blush pink) ee weli ka haray saxanka rinji ee mid ka mid ah dumarkani. Waraaqaha dhammaadka buugga waxaa u dhaliilay noocyo daabacan (notebook) marmar-oobis ah oo Talyaani ah oo qadiimi ah, waxaana lagu sameeyay farsamada dhaqameed ee marmar-oobinta bar-bar (spot marbling), taas oo dabadeed si dhijitaal ah loogu habeeyay. Qaab-dhismeedka dahabka ah (gold foil frame) ayaa lagu daabacay qoolka adag ee buugga gadaashiisa sawirka koobiga, si haweeneyda sawirka ku muuqata ay hore u soo ifato.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

Vicereines of Ireland Buug Akadeemi ah waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. Vicereines of Ireland Buug Akadeemi ah waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, Vicereines of Ireland Buug Akadeemi ah waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Aim of the design was to capture rich material world, and also to reflect these women's humanity. The choice of a simple cover rather than grand portrait, that mainly appear on the covers of art history books, reflects this approach. The gilded frame that usually surrounds many portraits is placed not around the portrait image but behind it, on the hard cover, allowing the image of the woman to come forward. It encourages reader to look beyond the superficial image of women as decorative partners to powerful men.
Cabbirka & Qaabaynta: Size:
21.46 x 2.79 x 24.51 cm portrait,
Cover:
Hardcover with Luxor 220 Gold foil block on the front and spine
Dust jacket with Matt Black foil block on the front and spine,
Printed: 4/4 CMYK,
Binding:
Hardcover, head and tail gold bands, 2.5 mm boards, thread sewn,
Black silk ribbon,
Repro:
Images supplied digitally, image and colour corrections,
One set of digital colour proofs
Summado: book, irishdesign, irishculture,
Tiknoloojiyada Soo Saarka: The making of the book was a dialogue between the written content, the visual material discovered during the research, and current design practices. One of the key sources used in the writing of the book was an old Italian marbled notebook that belonged to one of the women. This inspired the creation of artwork for the book's end papers. The book's colour palette was sent to an artist, who created six bespoke patterns using a traditional spot marbling technique. After selecting the most suitable, the pattern was digitally manipulated to give this traditional pattern a contemporary look.
Caqabadda Naqshadda: As an academic book, there were specific design conventions which had to be followed. The challenge was to strike a balance between meeting these criteria and reflecting the seriousness of the book's content, while also pushing the creative boundaries to modernise the image of the art history book. A bold colour palette, unexpected cover image (and application of it), use of a ribbon bookmark inspired by the diaries of the vicereines and the choice of contemporary serif typography all helped to overcome this challenge.
Cilmi-baadhis: The research for the design grew out of several years of original research for the book. This research was carried out in public and private archives across Ireland, Britain and the USA, and attracted funding from bodies including the Paul Mellon Centre for Studies in British Art. The main sources were the letters and diaries of these women, as well as their private collections of textiles, sketches and personal objects. One of the most inspiring of these objects was the paint palette of one of the women featured in the book. The book's colour scheme was taken from the blush pink paint colours that have survived on the palette since the 1780s.
Dhiirrigelinta: The book tells the untold story of a group of overlooked women in Irish history. As the wives of the countrys rulers, they were the female faces of the British administration in Ireland before independence. Even though their privileged world was one of shimmering fabrics, sparkling pearls and blossoming flowers, many of these women worked hard to relieve crushing poverty, promote Irish fashion and mitigate injustices. Despite their pioneering efforts, they have long been almost entirely forgotten in Irish history. Their story, and the value of telling it for the first time, inspired the project.
Muddada Mashruuca: Project started in 2019 and was finished in 2021 in Dublin, Ireland.
Xubnaha Kooxda: Editor: Myles Campbell
Project Manager: Mary Heffernan
Publisher: Irish Academic Press
Printed: Kopa Print
Amaanta Sawirrada: Image #1 Unknown artist, The Right Hon. The Countess of Buckinghamshire (detail), 1778. Reproduced courtesy of the National Library of Ireland
Image #2 Ausra Lazauskiene, Marbling artist
Image #4 Robert French (photographed by), The vicereine’s boudoir at the Viceregal Lodge, Dublin, Reproduced courtesy of the National Library of Ireland.
Image #5 After Sir Thomas Lawrence, Lady Henrietta Cole, Lady Grantham, later Countess de Grey, National Trust, Florence Court, County Fermanagh
Henri Gascar, Frances Talbot (née Jennings), Duchess of Tyrconnell, Bridgeman Images.
Maria Phipps, Countess of Mulgrave, later Marchioness of Normanby
Montego Bay, Jamaica, Photograph by Scott Wicking, reproduced courtesy of the Marquis and Marchioness of Normanby.

Photographer: Kevin Fox, 'We Shoot'