Device of Perception Xarun Dhaqameed oo uu sameeyey Yuting Zhang

Naqshadda Device of Perception Xarun Dhaqameed oo uu sameeyey Yuting Zhang waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qaab-dhismeedka, Dhismaha iyo Qaab-dhismeedyada ee 2022 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasQaab-dhismeed· 2022

Device of Perception Xarun Dhaqameed

Yuting Zhang uu sameeyay

Macmiilka: Yuting Zhang

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Qaab-dhismeed

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #138650

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Device of Perception Xarun Dhaqameed

Aaladda Aragtida waa xarun dhaqameed ku taal Mexico City, oo u dhexeysa xaafad taariikhi ah oo dhismayaal gaaban leh iyo horumar ganacsi oo dhismayaal dhaadheer leh. Xarunta waxay dabooshaa ilaa 4500 mitir oo laba jibaaran, waxayna ka kooban tahay hoolal muxaadaro, tiyaatar yar, meel bandhig, xafiisyo, bakhaar iyo kafateeriyo. Barxad gasho oo hoos u dhaadhacsan ayaa ka soocaysa dhismaha wadada mashquulka badan, waxayna u adeegtaa sidii fidin ah oo ka mid ah masraxa gudaha. Dabaq kasta oo ka mid ah munaaraddan gaaban waxaa lagu leexiyaa rubuc wareeg, taasoo abuurta suuq sawir-gacmeed (gallery) dadweyne oo qaab wareersan leh, kaas oo leh muuqaallo magaalada oo si gaar ah loo qaabeeyay. Waxaa la isticmaalay bir-konkiriit adkaysan (reinforced concrete) iyo bir hufan oo hawada la qabsata (weathering steel).

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Device of Perception Xarun Dhaqameed waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Device of Perception Xarun Dhaqameed waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Device of Perception Xarun Dhaqameed si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Cabbirka & Qaabaynta: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Summado: cultural center, gallery, theater, exhibition
Tiknoloojiyada Soo Saarka: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Caqabadda Naqshadda: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Cilmi-baadhis: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Dhiirrigelinta: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Muddada Mashruuca: 2017 in Mexico City
Socodka Hawlgalka: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Xubnaha Kooxda: Yuting Zhang
Amaanta Sawirrada: Yuting Zhang