Raices Dahabka Waara oo uu sameeyey Mayte Ossorio Domecq

Naqshadda Raices Dahabka Waara oo uu sameeyey Mayte Ossorio Domecq waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Dahabka iyo Xardhanka ee 2022 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasDahab· 2022

Raices Dahabka Waara

Mayte Ossorio Domecq uu sameeyay

Macmiilka: Maison Domecq

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Dahab

17,703

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #139361

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Raices Dahabka Waara

Naqshadeynta khadka Raices waxay ka soo ifbaxdaa baahida loo qabo in dib loo isticmaalo kumanaan goynta oval ah ee maqaarka cusub ee warshadda kabaha badbaadada, oo la tuuro maalin kasta iyada oo aan lahayn tasiilaad. Si dib loogu isticmaalo, naqshadeeyuhu wuxuu diiradda saaray raadinta farsamooyinka u oggolaanaya inay helaan quruxdooda iyo shaqeyntooda ugu weyn, helitaanka dhiirigelinta baalasha shimbiraha, miisaaman, isdaba-joog ah iyo is-kordhinta. Si loo ballaariyo palette midabka, waxaa sidoo kale la go'aamiyay in dib loo isticmaalo hargaha shirkadaha kale.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Raices Dahabka Waara waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Raices Dahabka Waara waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Raices Dahabka Waara si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The design of the Raices line was conceived from a sustainable point of view, through the reuse of the oval left over from the Ombu safety boots.
The goal: the generation of unique pieces through craftsmanship, maximizing its use and the ability to generate different patterns from color changes.
We sought to minimize the reading of the difference between the ovals.
The staggering allowed to minimize the differences and to take the thicknesses as a fundamental part in the generation of value and also to generate rigidity, greater solidity to the proposed pieces.
Cabbirka & Qaabaynta: dimensions depending on the piece
Hoops 75 x 85mm
Bracelet 255 x 70mm
Necklace 400 x 65mm
Headband 135 x 65 mm
Packaging 200 x 150 cm
Summado: sustainability, leatherjewelry, sustainablejewelry, ecofriendly, sustainable, slowfashion, zerowaist
Tiknoloojiyada Soo Saarka: The elaboration of this entire collection is done manually, reusing small leather ovals left over from Ombu safety boots, as well as small remnants from different local leather goods companies.
It is done by hand cutting and gluing, as can be seen in the video and in some cases the incorporation of studs or rivets that add light and reinforce its character.
Caqabadda Naqshadda: It is always a challenge to work from a given shape. The work concentrates on finding its beauty and functionality. Finding the latent message of these materials, their proportion and then, the design.
The boots are made in black, brown and white. This color limitation, led us to take as an opportunity the use of small scraps from other companies, thus expanding the palette and the saleability of the pieces.
Integrating the concept of corporate social responsibility and rescue of crafts.
Cilmi-baadhis: This line emerged in response to the need to reuse small scraps of discarded leather, for which its development was limited to direct experimentation.
Technique used: scaling, a resource that can be assimilated to the natural structures already known, minimizing the differences in size between the ovals and, in turn, taking the thicknesses as a fundamental part of the generation of value.
The objective: the generation of unique, handcrafted and durable pieces. Making the most of scraps. Expand the offer of the same piece through changes in the possible patterns by means of color changes.
Dhiirrigelinta: The inspiration for this line comes from the scales on the wings of birds. That overlapping that gains character with changes in color and depth. It was the technology of the use of a certain raw material, the leftover ovals from the manufacture of boots, which led us to look for the latent language in this material and its possible uses for the formal generation. The colors would appear later when this resource allowed us to recover very small scraps of leather from other companies.
Muddada Mashruuca: This process of recovering materials began in 2012, incorporating new pieces and new colors year after year. Different pieces of this collection have been exhibited at the Fairs: Expocomer Panama 2014 Maison et Objet 2014-2015-2016-2017 They have been sold to the SF MOMA, Japan and France until today
Socodka Hawlgalka: This object is easy to access, easy to use and does not require help to handle it. Although this material requires certain care: do not wet, do not use alcohol and take care of it with bitumen or wax to increase its durability.
Shatiyada: no yet
Amaanta Sawirrada: Image No 1 PH Maru Somoza
Image No 2 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare
Image No 3 PH Mayte Ossorio Domecq
Image No 4 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare