Flava Alwaax Alwaax Ah Iyo Qolka-Muuska Dahaarka Ah oo uu sameeyey Silambarasan Ganapathy

Naqshadda Flava Alwaax Alwaax Ah Iyo Qolka-Muuska Dahaarka Ah oo uu sameeyey Silambarasan Ganapathy waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qolalka Gudaha iyo Bandhigyada ee 2023 Abaalmarinta Lacagta ah ee A' Design Award.

LacagGudaha· 2023

Flava Alwaax Alwaax Ah Iyo Qolka-Muuska Dahaarka Ah

Silambarasan Ganapathy uu sameeyay

Macmiilka: Flava

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Gudaha

16,973

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #145543

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Flava Alwaax Alwaax Ah Iyo Qolka-Muuska Dahaarka Ah

Isku dhafka kala soocida iyo isku xirnaanta. Iyadoo la ilaalinayo furfurnaanta sagxadda, dhammaan astaamuhu waxay si xeeladaysan u qorsheeyeen inay abuuraan jeebab wada hadal oo taxane ah. Bakhaarku waxa loo nashqadeeyay hab-dhaqanka jaban kaas oo sahaminaya fikradda isku xigxiga booska taas oo ah mid is dhexgal ah iyo mid farshaxan. Meeshu waxay kor u qaadaysaa dareen aad u xoogan oo naqshadeyn ah iyadoo ka tagaysa marxaladda alaabta la soo bandhigay.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Flava Alwaax Alwaax Ah Iyo Qolka-Muuska Dahaarka Ah waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Flava Alwaax Alwaax Ah Iyo Qolka-Muuska Dahaarka Ah waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Flava Alwaax Alwaax Ah Iyo Qolka-Muuska Dahaarka Ah waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: FLAVA is a Plywood & Veneer showroom, located in the midst of an industrial hub primarily allocated to the Timber & Plywood business of Bangalore, India.
The concept involves a blend of segregation and connectivity. Keeping the openness of the floor intact, all feature elements are strategically planned to create series of discussion pockets. The whole Interior is sculpted in a Monochromatic canvas that meticulously varies in surfaces & forms, while dissolving the boundaries between all the surfaces (Wall, Floor & Ceiling). The space promotes a very strong sense of design while leaving a stage for the products that are being displayed.
Cabbirka & Qaabaynta: The design brief was to create a two level showroom with distinguishable Visual identity providing a clean & flexible space to accommodate maximum display at any given point while focusing on their core product (Birch Plywood). The 3500.Sq.ft showroom spreads across two stacked floors & a stockyard at the rear. The whole Voronoi surface at the Ground floor & Feature Elements were made out of Birch Plywood. The retail space has been specifically designed for the display of veneer and interior products, utilising a narrow selection of materials including Birch plywood for the walls and ceiling, as well as grey Epoxy for the flooring, which have been consistently incorporated throughout the project.
Summado: #retaildesign #interiordesign #showroom #parametric #greyinterior #Contemporarydesign #computationaldesign #lasercut #furnituredesign
Tiknoloojiyada Soo Saarka: “FLAVA” proved to be immensely advantageous, allowing for greater control over the design process and the potential to iterate quickly and efficiently.
The ability to map the Voronoi cells on the ceiling is a great example of how the use of parametric design tools can enable architects to explore complex geometries that may not be possible through traditional design methods. The focus is kept on materials and fabrication techniques, and by prioritising these aspects, we were able to create a design that was both feasible to fabricate and aesthetically pleasing.
The use of parametric design also allowed for precise control over the fabrication process, which is essential for ensuring that the final product meets the desired specifications.
Caqabadda Naqshadda: Due to the complex geometry, Innovative point co-ordinate system for construction on site was used. The subdivision of each surfaces was controlled and optimised to fit material sizes and costs. The project vision called for a complex space to be constructed by a local team. But, the project timelines and budgetary constraints proved to be a hurdle, as they were not in sync with the project's vision. To overcome this challenge, a high level of technological expertise was required for design, resolution, development, fabrication, and assembly of the space.
Cilmi-baadhis: The design of the project demanded innovative and sustainable solutions that could improve spatial performance by considering intrinsic environmental geometries, social behaviours, urban implications, and programmatic flows. In order to achieve an organic aesthetic, the ceiling employed Voronoi tessellations at various scales. To facilitate this design, a form-generation process was developed that was grounded in natural forms. This process involved the use of algorithms to compute Voronoi diagrams, which presented a challenge in terms of concretising mathematically abstract forms.
Dhiirrigelinta: Our main aim was to detach “FLAVA” experientially from its harsh industrial surrounding & to create a space with assertive architectural presence while being elegant & enabling a flexible space for the products to be displayed. The approach to the design was experimental in nature, with the aim of providing end users with an immersive and sculptural experience.
Muddada Mashruuca: Flava Started in December 2021 in Bangalore, India and completed in May 2022.The store design has received recognition across various platforms.
Socodka Hawlgalka: “A mix of segregation & connectivity”. Keeping the openness of the floor intact, all feature elements are strategically planed to create series of discussion pockets. The store is designed on fractal behaviour that explores the concept for sequencing the space that is both immersive and sculptural. The “Fractal Voronoi” was imagined in the ceiling as a system that divides the space into sub-spaces in an organic way. The whole Interior is sculpted in a Monochromatic canvas that meticulously varies in surfaces & forms, while dissolving the boundaries between all the surfaces (Wall, Floor & Ceiling). The ceiling engages a tessellated dynamic geometry that spreads all along the main space at the lower level, further taking over other areas near reception and even upper level. The integrated lighting system elegantly concealed in the tessellated ceiling embraces the unexpected experience. The inter connected first floor leads in to a lounge area with a characteristic backdrop acting as the focal point of the space. This dramatic sculptural birch plywood installation with the fractal pattern in a much simplified version, and the wooden lattice detailed ceiling above it provides a physical & tactile connection to the customers. A limited palette of materials comprised of Birch plywood for wall & ceiling, grey Epoxy for flooring are used through out the project.
Amaanta Sawirrada: Photographer : Yash Jain
Fabrication : Imagineering