Jinglan Bay Art Xarunta Iibka oo uu sameeyey Nic Lee

Naqshadda Jinglan Bay Art Xarunta Iibka oo uu sameeyey Nic Lee waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qolalka Gudaha iyo Bandhigyada ee 2024 Abaalmarinta Lacagta ah ee A' Design Award.

LacagGudaha· 2024

Jinglan Bay Art Xarunta Iibka

Nic Lee uu sameeyay

Macmiilka: China Resources Land South China Guangxi Co.

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Gudaha

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #152974

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Jinglan Bay Art Xarunta Iibka

Jinglan Bay Art waa qaabeyn gudaha ah oo xarun iib ah oo ku taalla Liuzhou, oo ah gobol buuraley ah oo leh biyo qalloocan. Gudaha wuxuu daboolayaa 1705 mitir oo laba jibbaaran, wuxuuna ka kooban yahay aagagga soo dhaweynta, iibka, bandhigga, warbaahinta dhijitaalka ah iyo martida sharafta leh (VIP). Halkii muuqaalka dabiiciga ah lagu koobiyeyn lahaa qaabab, iftiin iyo hoos ayaa loo isticmaalay si loogu tilmaamo buuro dhaadheer iyo biyo qoto dheer. Terrazzo madow ayaa la safeeyay ilaa uu noqdo mid muraayad u eg, si muuqaalka dibadda iyo dhaqdhaqaaqa booqdayaashu ay uga muuqdaan. Dhagax cayriin ah oo albaabka laga soo galo ku yaal ayaa abuuraya qoto-dheerida dooxo. Alaabta kale waxaa ka mid ah marmar la qoray, rinji macdan ah, alwaax madow iyo geed oak ah.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Jinglan Bay Art Xarunta Iibka waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Jinglan Bay Art Xarunta Iibka waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Jinglan Bay Art Xarunta Iibka waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Cabbirka & Qaabaynta: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Summado: sales center, landscape, museum, indoor architecture, interior design
Tiknoloojiyada Soo Saarka: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Caqabadda Naqshadda: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Cilmi-baadhis: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Dhiirrigelinta: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Muddada Mashruuca: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Socodka Hawlgalka: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Amaanta Sawirrada: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.