Matsu Biennial 2023 Munaasabad Fanka oo uu sameeyey Chun Ming Wang, Hou ching Lee and Han Wu

Naqshadda Matsu Biennial 2023 Munaasabad Fanka oo uu sameeyey Chun Ming Wang, Hou ching Lee and Han Wu waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Munaasabadaha iyo Dhacdooyinka ee 2024 Abaalmarinta Birta ah ee A' Design Award.

BirMunaasabad· 2024

Matsu Biennial 2023 Munaasabad Fanka

Chun Ming Wang, Hou ching Lee and Han Wu uu sameeyay

Macmiilka: Lienchiang County Government and The General Association of Chinese Culture

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Munaasabad

42,145

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #155697

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Matsu Biennial 2023 Munaasabad Fanka

Matsu Biennial waa qorshe 10 sano oo 5 qaybood ka kooban oo hammaasad leh si loo dhiso saldhig waara naqshadeynta bulshada. 70ka shaqadiisa oo ka kooban farshaxan isku-dhafan iyo hal-abuur xirfado kala duwan oo ku faafsan 9 mashruuc maamul-farshaxaneed ayaa wajahaya caqabadaha horumarka gobolka sii jiraya. Godadkii xilligii Dagaalkii Qaboobaa ee Matsu, kaydka aagga dagaalka, dhaqankii Bariga Min, naqshadaynta dhismaha, iyo luqaddu waxa ay muujinayaan 200 qoys oo ku dhaqma dhaqanka sameynta khamriga, taasoo dhiirrigelisay mawduuca 'Yaqyaaqa Casaan Xagaaga Kadib'. Munaasabaddu waxay fanka u beddelaysaa xamiir si ay u soo saarto codadka la ciribtiyey oo ay Matsu uga dhigto saldhig fanka iyo naqshadaynta.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

Matsu Biennial 2023 Munaasabad Fanka waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. Matsu Biennial 2023 Munaasabad Fanka waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, Matsu Biennial 2023 Munaasabad Fanka waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Cabbirka & Qaabaynta: Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Summado: Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Tiknoloojiyada Soo Saarka: Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Caqabadda Naqshadda: The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Cilmi-baadhis: The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Dhiirrigelinta: UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Muddada Mashruuca: The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Socodka Hawlgalka: Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Shatiyada: Copyrights belong to Matsu Biennial
Xubnaha Kooxda: Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Amaanta Sawirrada: Matsu Biennial