Elsewhere Shaandhada Miiska oo uu sameeyey Yuhua Li

Naqshadda Elsewhere Shaandhada Miiska oo uu sameeyey Yuhua Li waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qalabka Dubista, Saxanka, Koobabka iyo Qalabka Karinta ee 2024 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasQalabka Jikada· 2024

Elsewhere Shaandhada Miiska

Yuhua Li uu sameeyay

Macmiilka: Ke Tong

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Qalabka Jikada

24,176

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #157088

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Elsewhere Shaandhada Miiska

Meel Kale waa qalab miis oo porcelain ah kaas oo isku daraya farshaxanka shaaha iyo ubaxa. Qalabku wuxuu ka kooban yahay weel ubax, weel shaah, sanduuq shaah, koob iyo saxan koob. Qayb kastaa waxaa laga sameeyaa bone china iyadoo la adeegsanayo habka slip casting, waxaana lagu kululeeyaa afar jeer. Rinji cad oo aan dhalaalin ayaa dusha siiya muuqaal midab foore ah oo la mid ah kan iviri-ga. Qaabab dhuuban oo leh godad yaryar oo jarjaran ayaa muujinaya lakab gudaha ah, taasoo abuurta kala duwanaan u dhexeeya waxa adag iyo waxa bannaan. Qaababku waxay raacayaan dhaxal-gal Shiinaha ee porcelain-ka caanka ah, halka godadka jaran ay jebiyaan isu-dheelitirkooda si ay u muujiyaan bannaan gudaha bannaanka ku jira.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Elsewhere Shaandhada Miiska waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Elsewhere Shaandhada Miiska waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Elsewhere Shaandhada Miiska si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Elsewhere is a porcelain tableware set that blends tea and floral art. It draws from the Chinese aesthetics and philosophy, but also subverts them with a daring design. The pieces have a white finish and an indented design with small cut-outs showing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. They lure the user to discover the hidden beauty and meaning of the objects, and to flee from the dull reality to a different world. Elsewhere is not just a functional and elegant tableware set, but also a poetic and symbolic expression of the human condition.
Cabbirka & Qaabaynta: vase:150 mm x 150 mm x 250 mm; teapot: 170mm x 120 mm x 130 mm; tea container: 110 mm x 100 mm x 110 mm; cup: 120 mm x 70 mm x 60 mm; cup plate: 130 mm x 130 mm x 15 mm.
Summado: Chinese Tea Ceremony, Ikebana, Bone china, Aesthetics in life, Ceramic design
Tiknoloojiyada Soo Saarka: This design is made of bone china using the slip casting technique. It went through four firings: the first one was a high-temperature sintering, the second one was a medium-temperature glazing, the third one was a low-temperature decalcomania, and the fourth one was a low-temperature silver plating. Unlike ordinary bone china glazes, the design chooses to use a non-glossy white glaze with the intention of displaying a kind of ivory texture, and an indented design with small cut-outs revealing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. Wish to express the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off. It drew inspiration from the Chinese traditional aesthetics and philosophy, but also challenged them with a bold and innovative design.
Caqabadda Naqshadda: The hardest part of this design were
1. To create a design that matched the Chinese traditional aesthetics and philosophy, but also challenged them.
2. To do in-depth user research to understand the needs, preferences, and experiences of tea and floral art lovers from different cultural backgrounds.
3. To use materials and techniques that suited my design concept and theme.
4. To balance functionality and aesthetics, as well as tradition and innovation.
Cilmi-baadhis: Elsewhere is a design research to create a porcelain tableware set that combines tea and floral art, drawing from and subverting the Chinese aesthetics and philosophy. I used a mixed-methods approach with 40 participants from different cultural backgrounds. The results showed that my design was appreciated by both groups, as it enhanced their tea and floral art experience, and created a sense of ritual and elegance. It offers a new way of enjoying tea and floral art.
Dhiirrigelinta: Elsewhere is a fable, a space within a space, a solid nothingness, a reality that is cut off. It is a faithful reproduction of classic Chinese porcelain shapes, embodying the Confucian aesthetics of dignity, fullness, steadiness, and calmness. But Elsewhere also breaks perfection - a part of perfection is cut off, revealing the content of the entity, which is: a person looking away from this world, towards a hard pot or the emptiness in it. The cut-off part is the soul out of the body.
Muddada Mashruuca: The project started in May 2015 in Nanjing and finished in March 2016 in Nanjing.
Socodka Hawlgalka: This object is a set of porcelain tableware that can be operated by pouring hot water into the teapot and the vase, and adding tea leaves and flowers. The object transforms by creating a visual and aromatic contrast between the tea and the floral art, and by revealing the inner layer of the pieces through the small cut-outs. The interaction happens by inviting the user to appreciate the beauty and meaning of the objects, and to enjoy the tea and the floral art. The key frames are the moments when the user pours the water, adds the tea leaves and the flowers, and sees the inner layer of the pieces. This object deals a better result by adding a sense of ritual and elegance to the normal functionality of the tableware, and by making the tea and the floral art more decorative. It performs better by expressing the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off.