The Opposite Ururinta Dharka Tolan oo uu sameeyey Yishu Yan

Naqshadda The Opposite Ururinta Dharka Tolan oo uu sameeyey Yishu Yan waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Fashaniga, Dharka iyo Lebiska ee 2024 Abaalmarinta Lacagta ah ee A' Design Award.

LacagFashani· 2024

The Opposite Ururinta Dharka Tolan

Yishu Yan uu sameeyay

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Fashani

662,508

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #157237

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan The Opposite Ururinta Dharka Tolan

The Opposite waa ururin dhar tolan ah oo loogu talagalay labka iyo dhedigga labadaba, waxaana loo naqshadeeyay in loo xirto siyaabo kala duwan. Ururintan waxaa lagu sameeyay hab aan wax gooyn ahayn oo aan wax qashin ah lahayn, sidaas darteed dhar la tuuro ma jiro. Tolidda dhijitaalka ah ayaa loo isticmaalay in lagu abuuro qaab-dhismeedyo saddex-geesood ah oo dabacsan iyo dhismayaal dhar ah oo la beddeli karo. Alaabta labada isku-dhaf waa la is-weydaarsan karaa, laguna dari karaa habab kala duwan, taas oo u oggolaanaysa qof kasta oo xiran inuu abuuro qaab u gaar ah. Naqshadda cabbir-kasta ah waxay ku habboon tahay dadka badankood ee jirkoodu dhexdhexaad yahay. The Opposite waxay su'aal geliyaa fikradaha caadiga ah ee ku saabsan dharka ragga iyo dharka dumarka.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

The Opposite Ururinta Dharka Tolan waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. The Opposite Ururinta Dharka Tolan waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. The Opposite Ururinta Dharka Tolan waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Cabbirka & Qaabaynta: This garment is an all-size design and will fit most people of average build.
Summado: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Tiknoloojiyada Soo Saarka: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Caqabadda Naqshadda: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Cilmi-baadhis: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Dhiirrigelinta: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Muddada Mashruuca: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Socodka Hawlgalka: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Xubnaha Kooxda: Academic adviser: Kinor Jiang & Jinyun Zhou
Amaanta Sawirrada: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova