Kouunji Kyakuden Qolka Martiqaadka Macabadka oo uu sameeyey Hiroaki Iwasa

Naqshadda Kouunji Kyakuden Qolka Martiqaadka Macabadka oo uu sameeyey Hiroaki Iwasa waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qaab-dhismeedka, Dhismaha iyo Qaab-dhismeedyada ee 2025 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasQaab-dhismeed· 2025

Kouunji Kyakuden Qolka Martiqaadka Macabadka

Hiroaki Iwasa uu sameeyay

Macmiilka: Hiroaki Iwasa Architects Workshop

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Qaab-dhismeed

17,280

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #162806

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Kouunji Kyakuden Qolka Martiqaadka Macabadka

Mashruucan wuxuu ahaa dib-u-dhiska qolka martiqaadka ee 140 sano jira, kaasoo ahaa mid ka mid ah xarumaha macabadka Buddhist Kouunji. Qolka martiqaadka hore waxaa muddo dheer jeclayd bulshada deegaanka; si kastaba ha ahaatee, sababtoo ah burburka daran ee sanadihii, wuxuu u baahnayd dib-u-dhis. Naqshadeeye wuxuu xalliyay arrimmadaas isagoo cusbooneysiinaya oo isku dhameystiraya, sidoo kale abaabulaya habab lagu dhaafinayo xusuusta bulshada deegaanka jiilka soo socda. Natiijada ahaan, qolka martiqaadka cusub wuxuu gaaray ma ahan oo keliya dareen xusuus qaba, laakiin sidoo kale joogitaan xagga macnaha taariikheed.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Kouunji Kyakuden Qolka Martiqaadka Macabadka waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Kouunji Kyakuden Qolka Martiqaadka Macabadka waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Kouunji Kyakuden Qolka Martiqaadka Macabadka si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Cabbirka & Qaabaynta: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Summado: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Tiknoloojiyada Soo Saarka: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Caqabadda Naqshadda: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Cilmi-baadhis: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Dhiirrigelinta: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Muddada Mashruuca: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Socodka Hawlgalka: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Amaanta Sawirrada: Photographer Kozo Takayama