Changes Cycles and Shapes Farshaxanka Dijitaalka by Yuko Suzuki

Changes Cycles and Shapes Farshaxanka Dijitaalka by Yuko Suzuki is a highly esteemed winner of the very prestigious 2025 Abaalmarinta Dahabka ah ee A' Design Award in Naqshadeynta Abuuriska, Algoriidamka, Halbeegga iyo Caawinta AI Competition Category.

DahabAbuuris· 2025

Changes Cycles and Shapes Farshaxanka Dijitaalka

by Yuko Suzuki

Client: Feral File

Abaalmarinta Dahabka ah ee A' Design Award Winner in Abuuris Category

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Colors

The Design

About Changes Cycles and Shapes Farshaxanka Dijitaalka

Shaqadan waxay sahamisaa su'aasha, Maxaa sawiriddu tahay? iyada oo muujinaysa wareegga muujintooyinka aragga. Waxaa dhiirigeliyay isbeddelka ku jira sawirrada Mondrian, waxayna ku salaysan tahay jaantuska qaybaha sawiridda, halkaas oo qaabku u dhaqaaqo inta u dhexaysa muuqaalka iyo mid aan muuqaal lahayn, iyo inta u dhexaysa buuqda iyo toosnaanta xariiqda - fikrad lagu dabaqay midabka. Shaqadu waxay soo bandhigtaa xaaladda isbeddelka ah ee maaddada dijitaalka, iyada oo xoogga saarta in qaababka ku dhex jira isbeddelku ay yihiin ujeeddada asaasiga ah. Marka lagu daro dareemayaasha dusha ee lagu daabaco baren, waxay ka muuqataa aqoonsiga farshaxanaha sida soo-saare daabacaad oo qaab dijitaal ah.

The Recognition

About the Abaalmarinta Dahabka ah ee A' Design Award

Changes Cycles and Shapes Farshaxanka Dijitaalka waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. Changes Cycles and Shapes Farshaxanka Dijitaalka waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Changes Cycles and Shapes Farshaxanka Dijitaalka waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensions & Packaging: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tags: Generative Art, Coding
Production Technology: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Design Challenge: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Research: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiration: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Project Duration: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Operation Flow: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Image Credits: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.