Clay Moulded Naqshadaynta Gudaha Tiyaatarka oo uu sameeyey Marius Mateika

Naqshadda Clay Moulded Naqshadaynta Gudaha Tiyaatarka oo uu sameeyey Marius Mateika waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qolalka Gudaha iyo Bandhigyada ee 2025 Abaalmarinta Dahabka ah ee A' Design Award.

DahabGudaha· 2025

Clay Moulded Naqshadaynta Gudaha Tiyaatarka

Marius Mateika uu sameeyay

Macmiilka: Mama architects

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Gudaha

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #171457

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Clay Moulded Naqshadaynta Gudaha Tiyaatarka

Clay Moulded waa naqshadaynta gudaha ee tiyaatar muusik oo ku yaal Klaipeda, Lithuania. Dhoobo ayaa daboolaysa derbiyada iyo saqafyada, waxaana gacanta lagu mariyay in ka badan 30 tan oo ah walxahan. Naqshadda hoolka weyn waa mid isku xiran oo ka bilaabmaysa hal dhinac ilaa dhinaca kale ee booska. Habka dahaarka oo ka kooban toddobo marxaladood ayaa loo sameeyay mashruucan, oo ay ku jiraan buufinta, naqshadaynta, qallajinta, xoqidda, dhalaalinta iyo ilaalinta. Derbiyada iyo saqafyada way furmi karaan wayna xirmi karaan si loo xakameeyo dib-u-dhaca dhawaaqa, sidaas darteed booska wuxuu la qabsadaa riwaayadaha muusikada, masraxiyadaha iyo shirarka. Hoolka daawashada wuxuu qaadaa 700 oo qof.

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

Clay Moulded Naqshadaynta Gudaha Tiyaatarka waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. Clay Moulded Naqshadaynta Gudaha Tiyaatarka waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Clay Moulded Naqshadaynta Gudaha Tiyaatarka waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Cabbirka & Qaabaynta: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Summado: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Tiknoloojiyada Soo Saarka: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Caqabadda Naqshadda: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Cilmi-baadhis: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Dhiirrigelinta: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Muddada Mashruuca: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Socodka Hawlgalka: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Xubnaha Kooxda: Architects: Marius Mateika
Amaanta Sawirrada: Photographer: Leonas Garbačauskas