King Boat Matxafka Dhaqanka oo uu sameeyey Pingtung County Government and C.M.Chao

Naqshadda King Boat Matxafka Dhaqanka oo uu sameeyey Pingtung County Government and C.M.Chao waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qaab-dhismeedka, Dhismaha iyo Qaab-dhismeedyada ee 2026 Abaalmarinta Dahabka ah ee A' Design Award.

DahabQaab-dhismeed· 2026

King Boat Matxafka Dhaqanka

Pingtung County Government and C.M.Chao uu sameeyay

Macmiilka: C.M.Chao. Architect & Planners

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Qaab-dhismeed

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #174503

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan King Boat Matxafka Dhaqanka

King Boat waa matxaf dhaqameed u heellan Xafladda Doonta Boqorka (King Boat Ceremony), oo ku yaal Donggang, Taiwan. Dhismaha shanta dabaq ah wuxuu leeyahay weji hore oo cad oo ka sarreeya saldhig u eg mowjadaha oo xusuusiya badda. Wejiga hore waxaa lagu daboolay shub xoojisan oo fiilo quraarad ah (glass fiber reinforced concrete), oo loo doortay dhismihiisa muuqaalka ah iyo adkeysiga uu u leeyahay milixda iyo qoyaanka. Khadad laalaaban iyo albaabbo gudaha u dhaadhacsan ayaa horseedaya barxad dhexe oo lagu daboolay shabag aluminium ah oo la fidiyay, kaas oo miiraya iftiinka iyo dhawaaqa. Nuqul cabbir-buuxa ah oo ka mid ah Doonta Boqorka ayaa lagu soo bandhigay iftiin dabiici ah, halka barxad saqafka sare ah ay bixiso muuqaallo dekedda ah.

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

King Boat Matxafka Dhaqanka waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. King Boat Matxafka Dhaqanka waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. King Boat Matxafka Dhaqanka waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The building's form is inspired by a traditional king boat, with a five-story white facade atop a wave-like base symbolizing the sea. Folded lines and recessed entries mimic ocean swells, leading to a central atrium with aluminum mesh panels that ripple like waves. Inside, a 1:1 King Boat replica is displayed, bathed in natural light. The rooftop observatory offers views of Donggang Harbor. The museum's five exhibitions invite visitors to explore marine beliefs, parades, and boatbuilding rituals, celebrating Taiwanese folk religion.
Cabbirka & Qaabaynta: The five-story structure includes four levels of exhibition space arranged to follow the ceremonial procession of the King Boat Ceremony, with five permanent thematic galleries: Marine Beliefs, Divine Patrol, Regional Ceremonies, Sacred Boat Building, and The Donggang Festival. The third floor houses the museum's centerpiece 42-foot-long, 12-foot-wide King Boat replica, viewable from a 360-degree elevated viewing platform. The roof features a skylight and observation deck, reinforcing the building's vertical movement and layered storytelling.
Summado: King Boat Culture, Donggang, Cultural Museum, Local Revitalization, King Boat Ceremony, Taiwanese Folk Ritual
Tiknoloojiyada Soo Saarka: The facade is clad in glass fiber reinforced concrete, chosen for its textured finish, durability, and resistance to salinity and humidity, ideal for a coastal climate. Its surface reflects sunlight like shimmering waves, resonating with the harbor context. The atrium is enveloped by expanded aluminum mesh, offering both acoustic and light-filtering functions. A predominantly white color palette, paired with natural materials and glass windows, allows natural light to interact with surfaces, emphasizing the building's temporal and spiritual dimensions.
Caqabadda Naqshadda: The biggest challenge was translating a deeply religious, ritual-based, and localized practice into an architectural language that modern audiences could understand and feel. The architect engaged in continuous dialogue with local elders and cultural scholars, extracting symbolic elements, such as the dragon's eye, wave lines, and procession routes, and converting them into spatial form and lighting gestures. The building had to be more than a container for culture; it had to be a bridge for cultural exchange, making that transformation the core design mission.
Cilmi-baadhis: The Pingtung King Boat Museum, Taiwan's first dedicated to the King Boat Ceremony, reinterprets maritime beliefs as a 'living museum.' Its exterior mimics a king's boat riding waves, with flowing walls and dragon-eye openings that tell spiritual stories day and night. The centerpiece is a 1:1 King Boat replica suspended in the atrium, bathed in natural light. The design blends light, materials, and acoustics with sustainable features like natural ventilation. It’s a cultural, educational, and tourism hub, honoring tradition while inspiring future heritage.
Dhiirrigelinta: The design begins with the traditional maritime faiths of Asia. Located in Donggang, the Pingtung King Boat Museum is Taiwan's first cultural center for the King Boat Ceremony. Inspired by the triennial ritual, the architecture transforms spiritual and oceanic imagery into a vessel of history and faith, linking local identity with future vision. Embracing the idea that 'life is culture, and culture is life,' the museum serves as a living space that bridges religion and daily life, sparking cultural renewal and community vitality.
Muddada Mashruuca: The project finished in December 2024 in Taiwan.
Socodka Hawlgalka: By transforming traditional culture into a modern space, the museum becomes a hub for education, community, and tourism. It welcomed over 200,000 visitors in its first month, becoming a Donggang landmark. Beyond exhibits, it preserves oral history, teaches traditional crafts, and trains festival guides, making culture tangible and engaging. More than design, it's a cultural movement, sparking heritage continuity and innovation rooted in place and tradition.
Xubnaha Kooxda: Pingtung County Government, C.M.Chao. Architect & Planners
Amaanta Sawirrada: C.M.Chao. Architect & Planners