Floral Album Ururinta Moodada oo uu sameeyey Xinyu Zheng

Naqshadda Floral Album Ururinta Moodada oo uu sameeyey Xinyu Zheng waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Fashaniga, Dharka iyo Lebiska ee 2026 Abaalmarinta Birta ah ee A' Design Award.

BirFashani· 2026

Floral Album Ururinta Moodada

Xinyu Zheng uu sameeyay

Macmiilka: Tulip 'n room

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Fashani

10,480

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #177958

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Floral Album Ururinta Moodada

Floral Album waa ururin moodo ah oo waxyi laga qaatay sawirrada qoyska ee sannadihii 1980-aadka. Ururinta waxaa laga sameeyay dharka hadhaaga ah (deadstock) oo lagu daray dhowr farsamo oo farsamo-gacmeed ah. Daabac gacmeed, tolid crochet ah, kuulasho, tolid dhar iyo tolid isdhaafsan (cross stitch) ayaa lagu dabaqay maro velvet ah iyo dharka hufan ee lakab-lakab loo dhigay. Cidhifyada crochet-ka lagu sameeyay iyo qaybaha tolan waxay leeyihiin waxyaabo dhalaalaya (sequin) oo iftiinka qabta marka qofka xiran uu dhaqaaqo. Dhar kastaa si gaar ah ayaa loo dhisay, sidaas darteed ma jiro qayb la soo celceliyay. Dhammaan qaybuhu waa cabbir xor ah oo qof kasta ku haboon. Ururintu waxay isku xirtaa shaqo-gacmeed faahfaahsan iyo dib-u-isticmaalka agabka la dayacay.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

Floral Album Ururinta Moodada waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. Floral Album Ururinta Moodada waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, Floral Album Ururinta Moodada waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Cabbirka & Qaabaynta: All the pieces are free size.
Summado: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Tiknoloojiyada Soo Saarka: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Caqabadda Naqshadda: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Cilmi-baadhis: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Dhiirrigelinta: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Muddada Mashruuca: This project was initiated in April 2023 and completed in September 2024 in New York.
Socodka Hawlgalka: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Shatiyada: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Xubnaha Kooxda: /
Amaanta Sawirrada: Stefy Lin, 2024.