Arrival Farshaxan Rakibaad, Rakibaadda Iftiinka oo uu sameeyey Daisuke Nagatomo and Minnie Jan

Naqshadda Arrival Farshaxan Rakibaad, Rakibaadda Iftiinka oo uu sameeyey Daisuke Nagatomo and Minnie Jan waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Mashruucyada Iftiinka iyo Farshaxanka Nalka ee 2026 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasMashruucyada Iftiinka· 2026

Arrival Farshaxan Rakibaad, Rakibaadda Iftiinka

Daisuke Nagatomo and Minnie Jan uu sameeyay

Macmiilka: MisoSoupDesign

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Mashruucyada Iftiinka

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #180159

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Arrival Farshaxan Rakibaad, Rakibaadda Iftiinka

Arrival waa rakibaad iftiin ah oo ku meel gaar ah oo laga dhisay laba weel oo xamuul oo dib loo warshadeeyay oo si toosan isugu dul saaran. Weelashu waxay sameeyaan marin cidhiidhi ah oo la dhex socon karo oo leh dusha bir qalloocan oo laga dhaxlay muuqaalka hore ee markab dekedda soo galaya. Muraayado ku yaalla labada daraf ayaa dib u muujiya magaalada, badda, iyo soo booqdayaasha, iyagoo mugdi geliya xadka u dhexeeya meesha dhabta ah iyo muuqaalka muraayadda. Nalal LED ah oo isku dhafan iyo nidaam ceeryaamo ah ayaa marinta shaqeysiiya saacadaha fiidkii. Arrival waxay muujinaysaa sida agabka warshadaha ee hawlgab noqday loogu beddeli karo farshaxan dadweyne oo qofka dhex geliya.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Arrival Farshaxan Rakibaad, Rakibaadda Iftiinka waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Arrival Farshaxan Rakibaad, Rakibaadda Iftiinka waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Arrival Farshaxan Rakibaad, Rakibaadda Iftiinka si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Cabbirka & Qaabaynta: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Summado: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Tiknoloojiyada Soo Saarka: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Caqabadda Naqshadda: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Cilmi-baadhis: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Dhiirrigelinta: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Muddada Mashruuca: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Socodka Hawlgalka: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Xubnaha Kooxda: Jenny Yeh, Sugar Hu
Amaanta Sawirrada: Kaohsiung Art Museum