Stone Plant Sculpture Shaqada Ugu Muhiimsan: Farshaxan Beerta oo uu sameeyey Udo Hubert Dagenbach

Naqshadda Stone Plant Sculpture Shaqada Ugu Muhiimsan: Farshaxan Beerta oo uu sameeyey Udo Hubert Dagenbach waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Farnijarka Jidadka ee 2017 Abaalmarinta Lacagta ah ee A' Design Award.

LacagFarnijarka Jidadka· 2017

Stone Plant Sculpture Shaqada Ugu Muhiimsan: Farshaxan Beerta

Udo Hubert Dagenbach uu sameeyay

Macmiilka: Glasser and Dagenbach

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Farnijarka Jidadka

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #54950

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Stone Plant Sculpture Shaqada Ugu Muhiimsan: Farshaxan Beerta

Qoraalka Buugga: Farshaxanka Dhagaxa Dhirta waa beer aad u yar oo loo qaabeeyay sida jaad afar-gees ah (cube) oo dhererkiisu yahay 130 santimeetir, ballaadhkiisu yahay 130 santimeetir, iyo dhererkiisu kor u dhaqaaqaa 130 santimeetir. Nuska hore waa gabal dhagax nooca Jurassic limestone ah, oo laga jaray god dhagax ka mid ah kuwa ku yaal koonfurta Jarmalka. Dusha dhagaxa ee muuqata waxaa lagu qoray oo lagu tumay qalabyo si loo siiyo muuqaal duugoobay. Nuska kale waxaa ka sameysan afar geed oo nooca yew ah, kuwaas oo la jarjaray si ay u gaadhaan cabbirka ugu dambeeya ka dib markii la beeray. Xariiq u dhow diagonal ayaa calaamadeeya isku-xirka ka dhexeeya dhagaxa iyo dhirta. Naqshaddani waa fasiraad Yurub ah oo ku saabsan beeraha Zen ee Japan. Jaadka afar-geesku wuxuu ku taagan yahay caws siman, waxaana loo baahan yahay dayactir hoose oo yar.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Stone Plant Sculpture Shaqada Ugu Muhiimsan: Farshaxan Beerta waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Stone Plant Sculpture Shaqada Ugu Muhiimsan: Farshaxan Beerta waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Stone Plant Sculpture Shaqada Ugu Muhiimsan: Farshaxan Beerta waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Two companies asked for a series of gardens, objects which show the possibilties combining their products. Jurrasic limestones and plants. So we created the idea for the most minimalistic garden, a european interpretation of Japanese Zen Gardens. Forming a cube with a pruned yew and a limestone. The joint between both is defined by an almost diagonal line through the cube.
Two materials - plant and stone - a simple shape.
Cabbirka & Qaabaynta: The stone plant sculpture forms a cube of 130 x130 x 130 cm. It consists of Lime stone and Yew hedge plants which are planted close to the stone to form the intended cube together. The stone is placed on a concrete foundation.
Summado: minimal garden, minimalistic garden, garden sculpture, cube garden, plant stone, land art, minimal art, jurrasic marble, limestone, yew
Tiknoloojiyada Soo Saarka: One part of the garden cube is produced from a piece of Jurrasic marble, also called limestone. It was produced in a South German Quarry of the Franken Schotter Company. It was cut out of a raw block. The standing side and the side facing the plants are diamond saw cut. The visible surfaces are chisselled and brushed, what gives it a aged look. The other half is planted from four Taxus baccata, yew, from Bruns Nursery which have been properly pruned to the final size after planting.
Caqabadda Naqshadda: It was a challenge not to choose a solution which looked too natural and showed expectable designs. So we have struggled to be maximum minimalistic, showing a clear, simple solution that immediately could be understood by the international guests of the nursery and the United World College. To do less than could be possible is the most challenging step. Our fear that strong frosts could cool down the stone so much that the plants will be harmed and killed by it did not come true even in the high mountains of Armenia
Cilmi-baadhis: The request of two companies to do a work with the products they produce needed a research on similar projects. We found that doing this in a expectable and already common way would not give a good impression. So we found that the solution should be reduced to message they want to tell their clients with this action: "Our products fit together very well". By keeping it simple the impression is stronger.
Dhiirrigelinta: Since long time I searched for a European equivalent of Japanese Garden designs. Finally the minimalistic ideas of the Bauhaus period gave a hint what could be possible. The suggested project is one out of a series of projects which we have done in this way. Whilst Japanese Gardens often use the scale 1:3 to reflect a real landscape in a new and abstract way, this project does not reflect any landscape and does not use any scale. It is the maximum reduction of a garden ending up as a sculpture.
Muddada Mashruuca: The project started in 2002 as a joint venture between the Franken Schotter Quarry and the Bruns nursery. After its realization in 2003 it stood in Bad Zwischenahn, North Germany, in front of the adminitrative office of Bruns Nursery. In 2015 the project was moved to The United World College in Dilijan Armenia, where it is installed now permanently at the Prince of Wales avenue.
Socodka Hawlgalka: The garden cube needs low maintenance. The hedges should be properly pruned 3 times a year to show a perfect impression.
The stone needs a yearly cleaning with simple water by using a high pressure cleaner. The placement on a flat piece of lawn is essential to make it work visualy.
Shatiyada: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
Xubnaha Kooxda: Draftswoman: Katrin Weincke
Installation: Bruns Nursery
Stone works: Franken Schotter Quarries
Amaanta Sawirrada: Image #1 Udo Dagenbach, garden cube, 2007
Image #2 Udo Dagenbach, garden cube, 2007
Image #3 Udo Dagenbach, garden cube, 2007
Image #4 Udo Dagenbach, garden cube, 2007
Image #5 Udo Dagenbach, garden cube, 2007