Dizajni Elsewhere Set Enderash nga Yuhua Li është një fitues shumë i vlerësuar i çmimit prestigjioz 2024 Çmimi i Bronztë A' Design Award në Kategorinë e Konkurrimit Dizajni i Enëve të Pjekjes, Tavolinës, Pirjes dhe Gatimit.

BronziPajisje Kuzhine· 2024

Elsewhere Set Enderash

nga Yuhua Li

Klienti: Ke Tong

Fitues i Çmimi i Bronztë A' Design Award në Kategorinë Pajisje Kuzhine

24,841

Fitues i Verifikuar i Çmimit

Verifiko Statusin e Çmimit për #157088

Shikoni në A' Design Award Komunikatë për Shtyp Stema e Çmimit

Ngjyrat

Dizajni

Rreth Elsewhere Set Enderash

Elsewhere është një set enderash prej porceloni që kombinon artin e çajit me artin e luleve. Seti përfshin një vazo, një ibrik çaji, një kuti për çaj, një filxhan dhe një pjatë filxhani. Çdo pjesë është prodhuar me porcelan kockash nëpërmjet derdhjes së baltës së lëngshme dhe kalon nëpër katër pjekje. Një smalt i bardhë jo i shndritshëm i jep sipërfaqeve një teksturë fildishi. Format e ngjeshura me prerje të vogla zbulojnë një shtresë të brendshme, duke krijuar një kontrast mes të plotës dhe të zbrazëtës. Format ndjekin traditën klasike të porcelanit kinez, ndërsa prerjet thyejnë simetrinë e tyre për të sugjeruar një hapësirë brenda hapësirës.

Njohja

Rreth Çmimi i Bronztë A' Design Award

Elsewhere Set Enderash është fitues i Çmimit të Bronztë A' Design Award, një njohje shumë prestigjioze që u akordohet dizajneve të shquara, të dalluara për krijimtari, shpikësi dhe mprehtësi. Fituesit e Bronztë janë objekte shumë të aftë dhe goditëse në krijimtarinë e tyre, që vërtetojnë përvojën e gjerë, imagjinatën dhe shkathtësinë e dizajnerëve të tyre. Elsewhere Set Enderash pritet të jetë një objekt shumë i vlerësuar, i admiruar e i dashur, jashtëzakonisht profesional dhe inovativ. Ky dizajn fitues i Çmimit të Bronztë A' Design Award përfshin praktikat më të mira në art, shkencë, dizajn dhe teknologji dhe shquhet për vëmendjen ndaj detajeve. Elsewhere Set Enderash i plotëson shkëlqyeshëm nevojat, prek dëshirat, magjepson ndjenjat dhe tërheq kureshtjen.

Pas Dizajnit

Paketa për Shtyp

Kreditët, anëtarët e ekipit dhe detajet teknike të ofruara nga dizajneri.

Veçoritë Unike: Elsewhere is a porcelain tableware set that blends tea and floral art. It draws from the Chinese aesthetics and philosophy, but also subverts them with a daring design. The pieces have a white finish and an indented design with small cut-outs showing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. They lure the user to discover the hidden beauty and meaning of the objects, and to flee from the dull reality to a different world. Elsewhere is not just a functional and elegant tableware set, but also a poetic and symbolic expression of the human condition.
Dimensionet & Paketimi: vase:150 mm x 150 mm x 250 mm; teapot: 170mm x 120 mm x 130 mm; tea container: 110 mm x 100 mm x 110 mm; cup: 120 mm x 70 mm x 60 mm; cup plate: 130 mm x 130 mm x 15 mm.
Etiketat: Chinese Tea Ceremony, Ikebana, Bone china, Aesthetics in life, Ceramic design
Teknologjia e Prodhimit: This design is made of bone china using the slip casting technique. It went through four firings: the first one was a high-temperature sintering, the second one was a medium-temperature glazing, the third one was a low-temperature decalcomania, and the fourth one was a low-temperature silver plating. Unlike ordinary bone china glazes, the design chooses to use a non-glossy white glaze with the intention of displaying a kind of ivory texture, and an indented design with small cut-outs revealing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. Wish to express the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off. It drew inspiration from the Chinese traditional aesthetics and philosophy, but also challenged them with a bold and innovative design.
Sfida e Dizajnit: The hardest part of this design were
1. To create a design that matched the Chinese traditional aesthetics and philosophy, but also challenged them.
2. To do in-depth user research to understand the needs, preferences, and experiences of tea and floral art lovers from different cultural backgrounds.
3. To use materials and techniques that suited my design concept and theme.
4. To balance functionality and aesthetics, as well as tradition and innovation.
Kërkimi: Elsewhere is a design research to create a porcelain tableware set that combines tea and floral art, drawing from and subverting the Chinese aesthetics and philosophy. I used a mixed-methods approach with 40 participants from different cultural backgrounds. The results showed that my design was appreciated by both groups, as it enhanced their tea and floral art experience, and created a sense of ritual and elegance. It offers a new way of enjoying tea and floral art.
Frymëzimi: Elsewhere is a fable, a space within a space, a solid nothingness, a reality that is cut off. It is a faithful reproduction of classic Chinese porcelain shapes, embodying the Confucian aesthetics of dignity, fullness, steadiness, and calmness. But Elsewhere also breaks perfection - a part of perfection is cut off, revealing the content of the entity, which is: a person looking away from this world, towards a hard pot or the emptiness in it. The cut-off part is the soul out of the body.
Kohëzgjatja e Projektit: The project started in May 2015 in Nanjing and finished in March 2016 in Nanjing.
Rrjedha e Operimit: This object is a set of porcelain tableware that can be operated by pouring hot water into the teapot and the vase, and adding tea leaves and flowers. The object transforms by creating a visual and aromatic contrast between the tea and the floral art, and by revealing the inner layer of the pieces through the small cut-outs. The interaction happens by inviting the user to appreciate the beauty and meaning of the objects, and to enjoy the tea and the floral art. The key frames are the moments when the user pours the water, adds the tea leaves and the flowers, and sees the inner layer of the pieces. This object deals a better result by adding a sense of ritual and elegance to the normal functionality of the tableware, and by making the tea and the floral art more decorative. It performs better by expressing the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off.