Pinnannousu Performancë e Skulpturës Robotike të Akullnajt nga Jussi Angesleva

Dizajni Pinnannousu Performancë e Skulpturës Robotike të Akullnajt nga Jussi Angesleva është një fitues shumë i vlerësuar i çmimit prestigjioz 2024 Çmimi i Artë A' Design Award në Kategorinë e Konkurrimit Dizajni i Instalacioneve.

AriInstalacion· 2024

Pinnannousu Performancë e Skulpturës Robotike të Akullnajt

nga Jussi Angesleva

Fitues i Çmimi i Artë A' Design Award në Kategorinë Instalacion

194,655

Fitues i Verifikuar i Çmimit

Verifiko Statusin e Çmimit për #158890

Vizitoni Faqen Shikoni në A' Design Award Komunikatë për Shtyp Stema e Çmimit

Ngjyrat

Dizajni

Rreth Pinnannousu Performancë e Skulpturës Robotike të Akullnajt

Një performancë skulpturore që shkrihet ngadalë, ku një robot industrial gdhend një bllok të madh akulli në një lente kompjuterike që thyen dritën e reflektorit në grafika në mur, duke shkruar plus dy gradë celsius, një paralajmërim i zymtë i rritjes së temperaturës globale. Vepra artistike vendos krah për krah optimizmin e teknologjisë së lartë me sfidat globale kalimtare që nuk njohin kufij. Ndërhyrja vetëm përshpejton procesin.

Njohja

Rreth Çmimi i Artë A' Design Award

Pinnannousu Performancë e Skulpturës Robotike të Akullnajt është fitues i Çmimit të Artë A' Design Award, një njohje tejet prestigjioze që u akordohet dizajneve të klasit të parë, të mrekullueshme dhe të shquara. Fituesit e Artë janë krijime tejet inovative, vizionare dhe verbuese në shkëlqimin e tyre, që pasqyrojnë gjeninë, urtësinë dhe aftësinë e dizajnerëve të tyre. Pinnannousu Performancë e Skulpturës Robotike të Akullnajt pritet të jetë një shpikje shumë e lavdëruar, prirëse dhe monumentale, që sjell vlerë të paprecedentë. Ky dizajn fitues i Çmimit të Artë A' Design Award është një projekt spektakolar e i respektuar që sjell dobi të madhe dhe zgjeron kufijtë e artit, shkencës, dizajnit dhe teknologjisë. Pinnannousu Performancë e Skulpturës Robotike të Akullnajt ngjall ndjenja të forta dëshire, zgjon pasionin, nxit krijimtarinë dhe na magjeps.

Pas Dizajnit

Paketa për Shtyp

Kreditët, anëtarët e ekipit dhe detajet teknike të ofruara nga dizajneri.

Veçoritë Unike: A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
Dimensionet & Paketimi: Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display.
Etiketat: performance, computational design, robotics, new media, caustics, sculpture
Teknologjia e Prodhimit: An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
Sfida e Dizajnit: Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
Kërkimi: Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
Frymëzimi: I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
Kohëzgjatja e Projektit: The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
Rrjedha e Operimit: The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
Patentat: Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Kreditë e Imazheve: IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,

PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton