Preludes Mešoviti medijski animacioni film by Matthew Rankin is a highly esteemed winner of the very prestigious 2020 Гвоздена награда A' Design Award in Дизајн филма, видеа и анимације Competition Category.
ГвозденаФилм· 2020
Preludes Mešoviti medijski animacioni film
Client: Matthew Rankin
Гвоздена награда A' Design Award Winner in Филм Category
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About Preludes Mešoviti medijski animacioni film
Preludes je kratak animirani film u mešovitoj tehnici, zasnovan na istoimenoj pesmi T.S. Eliota. Film traje jedan minut i osam sekundi i povezuje Eliotove slike sa originalnom muzičkom kompozicijom. Scene su povezane temom i zvukom, a ne jedinstvenim vizuelnim stilom. Delo kombinuje 2D i 3D animaciju, modelovanu u Cinema 4D programu, renderovanu pomoću Redshift-a i komponovanu u After Effects-u. Pogledi iz vazduha prelaze u perspektivu ulice, gde likovi prolaze jedni pored drugih iza ekrana. Animacija kroz stariji tekst promišlja o savremenom životu.
The Recognition
About the Гвоздена награда A' Design Award
Preludes Mešoviti medijski animacioni film је добитник Гвоздене награде A' Design Award, престижног признања које се додељује добрим дизајнима који испуњавају професионалне и индустријске захтеве очекиване од добро осмишљених творевина. Добитници Гвоздене награде показују велико умеће, високу специјализацију, стручно разумевање и креативне способности својих твораца. Очекује се да Preludes Mešoviti medijski animacioni film буде високо цењена, дивљена и вољена творевина која је практична и иновативна. Овај дизајн награђен Гвозденом наградом A' Design Award уграђује најбоље праксе индустрије и има компетентна техничка својства повезана са знањем и талентом. Захваљујући темељности, Preludes Mešoviti medijski animacioni film заслужује поштовање и осмишљен је да пружи побољшања квалитета живота која помажу да свет буде бољи.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Preludes is a mixed media collaborative animation based on a poem by T.S. Eliot. The process involved the poem being chosen by the producer, who then invited a musician to compose a one-minute piece which was handed off to me to provide to create visuals on both the the words of Eliot and the music.
- Dimensions & Packaging
- Duration: 1-minute, 08-seconds
- Tags
- poetry, animation, motion graphics, 2D, 3D, after effects
- Production Technology
- Preludes utilizes both 2D and 3D animation all composited in After Effects. The scenes with 3D were done in Cinema 4D and rendered using Redshift. It also uses several After Effects plugins such as Video Copilot's Sabre, Rowbyte's Plexus, and Red Giant's Particular and Form.
- Design Challenge
- The challenge became putting the many ways this manifests into only one-minute and matching those visuals to an already created musical composition. And that's how an aerial view helps to alienate us from the tracking signals on the street and we are suddenly shifted to street level view to see faceless people bumping into one another with screens blocking the vision.
- Research
- For this project the research fairly straightforward. It started with a cursory reading of the poem, Preludes by T.S. Eliot, and listening to the soundtrack created by Angus Macrae. I listened to the audio repeatedly to let it sink into my memory and to help with visualizing general concepts. This was followed by seeking out deeper analysis of the poem so that I better understood the themes, ideas, and symbols. While I could certainly have skipped this step it was profoundly important as I went along and was searching for visual fragments to add to the density of the piece.
- Inspiration
- Preludes is based on T.S. Eliot's poem of the same name and a one-minute musical soundscape provided to me and composed by Angus Macrae. The whole project was organized by a group called Campfire Poetry that uses poetry as away to promote collaborations between musicians and animators.
- Project Duration
- The project was started 20 December 2019 in New York City and completed in February 2020.
- Operation Flow
- I was immediately drawn into Eliot's non-narrative and slightly abstract form, even though he was describing a very defined and concrete world. I took that as an opportunity to create scenes that were thematically, but not necessarily aesthetically, connected. Instead, I chose to let Macra's soundtrack be the connective tissue weaving together Eliot’s view with my own as I explore how our modern world looks and feels in the context of Eliot’s ideas.
- Team Members
- Director/Animator: Matthew Rankin
Producer: Max Rothman
Music/Sound: Angus Macrae
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