Orbit A Collection Kolekcija nakita by Suyu Chen is a highly esteemed winner of the very prestigious 2022 Гвоздена награда A' Design Award in Дизајн накита Competition Category.
ГвозденаНакит· 2022
Orbit A Collection Kolekcija nakita
by Suyu Chen
Client: Suyu Chen
Гвоздена награда A' Design Award Winner in Накит Category
Verified Award Winner
Verify Award Status for #131168The Design
About Orbit A Collection Kolekcija nakita
Orbit A kolekcija je serija ručno izrađenog nakita koja uključuje brošu i dve ogrlice. Svaki komad je unikatan i kombinuje srebro (sterling silver) sa plastičnim cevima, smolastom glinom (resin clay) i bojom. Isti plastični element se ponavlja kao osnovni modul za stvaranje raznovrsnih nosivih i skulpturalnih formi. Koriste se tradicionalne metalurške tehnike poput lemljenja, oblikovanja i izrade lanaca, zajedno sa zavarivanjem plastike, brušenjem i bojenjem. Kolekcija odražava odnos između tradicionalnog zanata i moderne masovne proizvodnje.
The Recognition
About the Гвоздена награда A' Design Award
Orbit A Collection Kolekcija nakita је добитник Гвоздене награде A' Design Award, престижног признања које се додељује добрим дизајнима који испуњавају професионалне и индустријске захтеве очекиване од добро осмишљених творевина. Добитници Гвоздене награде показују велико умеће, високу специјализацију, стручно разумевање и креативне способности својих твораца. Очекује се да Orbit A Collection Kolekcija nakita буде високо цењена, дивљена и вољена творевина која је практична и иновативна. Овај дизајн награђен Гвозденом наградом A' Design Award уграђује најбоље праксе индустрије и има компетентна техничка својства повезана са знањем и талентом. Захваљујући темељности, Orbit A Collection Kolekcija nakita заслужује поштовање и осмишљен је да пружи побољшања квалитета живота која помажу да свет буде бољи.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
- Dimensions & Packaging
- Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm - Tags
- jewelry, necklace, brooch, craft, mixed material, art jewelry
- Production Technology
- The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.
Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin) - Design Challenge
- Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
- Research
- By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
- Inspiration
- By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
- Project Duration
- The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
- Operation Flow
- This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
- Team Members
- Suyu Chen
- Image Credits
- Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020
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