Ching Ming Kyoto Enterijer restorana by Takuji Kamio is a highly esteemed winner of the very prestigious 2022 Бронзана награда A' Design Award in Дизајн ентеријера и изложбених простора Competition Category.
БронзанаЕнтеријер· 2022
Ching Ming Kyoto Enterijer restorana
by Takuji Kamio
Client: Miyoshi Corporaiton
Бронзана награда A' Design Award Winner in Ентеријер Category
Verified Award Winner
Verify Award Status for #132066The Design
About Ching Ming Kyoto Enterijer restorana
Ching Ming Kyoto je enterijer kineskog restorana koji se nalazi u zgradi železničke stanice u Kjotu, Japan. Površina prostora iznosi 110 kvadratnih metara. Propisi su ograničavali intervencije na plafonu, pa je osvetljenje obešeno i tretirano kao umetničko delo. Linijska svetla su formirana u obliku trouglova i povezana su u neprekidnom nizu koji okružuje prostore za sedenje. Plafon je obojen u crno da bi se naglasile lebdeće linijske i kuglaste svetiljke. Zidovi su prekriveni uljanim slikama starih kineskih priča, u kombinaciji sa geometrijskim šarama i grafički obrađenim pločicama na podu.
The Recognition
About the Бронзана награда A' Design Award
Ching Ming Kyoto Enterijer restorana је добитник Бронзане награде A' Design Award, високо престижног признања које се додељује изванредним дизајнима који се одликују креативношћу, домишљатошћу и оштроумношћу. Добитници Бронзане награде у потпуности су вешти и упечатљиво креативни артефакти који потврђују велико искуство, машту и снаљажљивост својих дизајнера. Очекује се да Ching Ming Kyoto Enterijer restorana буде високо цењен, дивљен и вољен предмет, запажено професионалан и иновативан. Овај дизајн награђен Бронзаном наградом A' Design Award уграђује најбоље праксе у уметности, науци, дизајну и технологији и одличан је по пажњи према детаљима. Ching Ming Kyoto Enterijer restorana сјајно задовољава потребе, дотиче жеље, очарава осећања и привлачи радозналост.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
- Dimensions & Packaging
- Floor Area : 110 square meter
- Tags
- Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
- Production Technology
- For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
- Design Challenge
- Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
- Research
- The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
- Inspiration
- Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
- Project Duration
- From September 2018 to March 2019 in Kyoto, JAPAN
- Operation Flow
- Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
- Patents
- Ichii Kamiodesign
- Team Members
- Takuji Kamio
Ray Keida - Image Credits
- Satoru Umetsu, nacasa and partneres
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