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Bio Fotelja by Vladimir Zagorac
Bio Fotelja by Vladimir Zagorac
Bio Fotelja by Vladimir Zagorac
Bio Fotelja by Vladimir Zagorac
Bio Fotelja by Vladimir Zagorac

Бронзана Намештај · 2022

Bio Fotelja

by Vladimir Zagorac

  • Бронзана награда A' Design Award 2022 in Намештај
  • CLIENT: Vladimir Zagorac
  • Estimated Number of Design Views: 16,024
  • Verification code 4A89E5C223 · Verify this award
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About Bio Fotelja

Bio je kolekcija niskih fotelja dizajniranih za upotrebu u modernim enterijerima. Otvor na naslonu podseća na list ili školjku, a oblik se pri spoljnoj ivici menja u formu sličnu cvetu biljke Calla aethiopica. Ova ivica se blago savija unazad i uzdiže na jednoj strani, stvarajući asimetričnu siluetu. Asimetrija se javlja samo u spoljašnjim delovima forme, tako da su udobnost i ergonomija očuvane. Materijali uključuju kalupljene termoplastike, čelik, livenu aluminijumsku leguru, hrastovo drvo i kožu.

About the Бронзана награда A' Design Award

Bio Fotelja је добитник Бронзане награде A' Design Award, високо престижног признања које се додељује изванредним дизајнима који се одликују креативношћу, домишљатошћу и оштроумношћу. Добитници Бронзане награде у потпуности су вешти и упечатљиво креативни артефакти који потврђују велико искуство, машту и снаљажљивост својих дизајнера. Очекује се да Bio Fotelja буде високо цењен, дивљен и вољен предмет, запажено професионалан и иновативан. Овај дизајн награђен Бронзаном наградом A' Design Award уграђује најбоље праксе у уметности, науци, дизајну и технологији и одличан је по пажњи према детаљима. Bio Fotelja сјајно задовољава потребе, дотиче жеље, очарава осећања и привлачи радозналост.

Press Kit

Unique Properties
The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Dimensions & Packaging
Width / Depth: up to 680mm, Height: 849mm (medium)
Tags
Asymmetry, Natural, Bio-form, Growth, Stylization
Production Technology
Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Design Challenge
The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Research
The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Inspiration
Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Project Duration
The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Operation Flow
Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Patents
Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Image Credits
Vladimir Zagorac, Faculty of Applied Arts in Belgrade

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