The Opposite Kolekcija pletenine — аутор Yishu Yan

Дизајн The Opposite Kolekcija pletenine аутора Yishu Yan је високо цењени добитник веома престижне награде 2024 Сребрна награда A' Design Award у категорији такмичења Дизајн моде, одеће и одевних предмета.

СребрнаМода· 2024

The Opposite Kolekcija pletenine

аутор: Yishu Yan

Добитник награде Сребрна награда A' Design Award у категорији Мода

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Верификовани добитник награде

Верификујте статус награде за #157237

Посетите сајт Погледајте на A' Design Award Саопштење за медије Значка награде

Боје

Дизајн

О дизајну The Opposite Kolekcija pletenine

The Opposite je uniseks kolekcija pletenine dizajnirana tako da se može nositi na više načina. Kolekcija je izrađena metodama bez krojenja i bez otpada, tako da se nijedan komad tkanine ne baca. Digitalno pletenje se koristi za formiranje fleksibilnih trodimenzionalnih struktura i promenljivih konstrukcija odevnih predmeta. Komadi iz dva kompleta mogu se međusobno zamenjivati i kombinovati na različite načine, što svakom nosiocu omogućava da kreira lični stil. Univerzalna veličina odgovara većini osoba prosečne građe. The Opposite preispituje uobičajene predstave o muškoj i ženskoj odeći.

Признање

О награди Сребрна награда A' Design Award

The Opposite Kolekcija pletenine је добитник Сребрне награде A' Design Award, изузетно престижног признања које се додељује врхунским, предивним и импресивним дизајнима. Добитници Сребрне награде неизмерно су бриљантна и изузетно креативна дела која илуструју изузетну стручност, таленат и оштроумност својих дизајнера. Очекује се да The Opposite Kolekcija pletenine буде дивно, узорно дело, запажено професионално и дубоко иновативно. Овај дизајн награђен Сребрном наградом A' Design Award веома је запажен, дивљен изум који користи и помера границе уметности, науке, дизајна и технологије. The Opposite Kolekcija pletenine је творевина којој многи завиде, која буди жеље, доноси позитивна осећања и изазива чуђење и дивљење.

Иза дизајна

Комплет за медије

Заслуге, чланови тима и технички детаљи које је обезбедио дизајнер.

Јединствене карактеристике: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Димензије и паковање: This garment is an all-size design and will fit most people of average build.
Ознаке: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Технологија производње: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Дизајнерски изазов: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Истраживање: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Инспирација: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Трајање пројекта: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Ток рада: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Чланови тима: Academic adviser: Kinor Jiang & Jinyun Zhou
Заслуге за фотографије: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova