Дизајн Oruha Stolica аутора Yuya Nakazawa је високо цењени добитник веома престижне награде 2026 Златна награда A' Design Award у категорији такмичења Дизајн намештаја.
ЗлатнаНамештај· 2026
Oruha Stolica
аутор: Yuya Nakazawa
Клијент: Yedit
Добитник награде Златна награда A' Design Award у категорији Намештај
Верификовани добитник награде
Верификујте статус награде за #178435Дизајн
О дизајну Oruha Stolica
Dizajn predstavlja sedište zamišljeno kao javna tajna baza, koje nudi lično utočište unutar zajedničkih prostora. Njegova struktura uravnotežuje skulpturalno prisustvo sa funkcionalnom udobnošću, podržavajući dugotrajnu upotrebu i društvenu interakciju. Zakrivljene površine i pažljivo proporcionisani elementi stvaraju osećaj zatvorenosti uz istovremeno očuvanje otvorenosti. Prirodne obrade poboljšavaju trajnost, lakoću održavanja i graciozno starenje, omogućavajući komadu da se integriše u svakodnevne životne prostore uz očuvanje taktilne topline.
Признање
О награди Златна награда A' Design Award
Oruha Stolica је добитник Златне награде A' Design Award, огромно престижног признања које се додељује првокласним, дивним и изванредним дизајнима. Добитници Златне награде изузетно су иновативне, визионарске и блиставо задивљујуће творевине које одражавају геније, мудрост и умеће својих дизајнера. Очекује се да Oruha Stolica буде високо хваљен, трендсетерски и монументалан изум који доноси беспримерну вредност. Овај дизајн награђен Златном наградом A' Design Award спектакуларно је, поштовано дело које у великој мери користи и помера границе уметности, науке, дизајна и технологије. Oruha Stolica ствара интензивна осећања жеље, буди страст, подстиче креативност и фасцинира нас.
Иза дизајна
Комплет за медије
Заслуге, чланови тима и технички детаљи које је обезбедио дизајнер.
- Јединствене карактеристике
- Oruha Chair proposes the idea of a private sanctuary within a public space.
While functioning as a sculptural object that shapes the surrounding environment, the chair transforms into an intimate personal zone when occupied.
The form could not have been achieved through linear or parametric design logic. Instead, it emerged through an iterative process of continuous adjustment between visual intensity and physical comfort. The armrests, which receive the most direct contact, maintain sharp visual edges while offering a gentle and secure tactile experience.
This balance allows the chair to exist simultaneously as spatial sculpture and functional furniture. - Димензије и паковање
- Width 740mm Depth 550mm Height 760mm Seated height 430mm
- Ознаке
- Chair, Furniture, Sculptural Design, Wood, Handmade, Emotional Design, Armchair, Spatial Object
- Технологија производње
- Due to its complex organic geometry, Oruha Chair is extremely difficult to reproduce through industrial manufacturing or automated processes.
The chair was realized almost entirely by hand, using traditional Japanese planes and hand tools.
Rather than imposing a fixed form onto the material, the final shape emerged through direct dialogue with the wood, prioritizing tactile quality, structural integrity, and sculptural coherence. This process positions craftsmanship not as decoration, but as a design methodology. - Дизајнерски изазов
- After extensive sketching and the creation of five clay models, translating the form into wood presented a fundamental challenge. There was no established woodworking methodology capable of directly realizing the intended geometry.
Through repeated trial and error, two full-scale prototypes were abandoned before completing this third iteration.
Because of the organic form, conventional symmetry, reference points, and measurement systems proved ineffective. Ultimately, the process required trusting sensory judgment and material feedback over numerical precision. This approach became inseparable from the final outcome. - Истраживање
- The designer’s background in video editing strongly influenced the conceptual framework of this project. Video editing is a practice of shaping emotional perception by controlling sequence, rhythm, and context.
Oruha Chair applies this editorial thinking to three-dimensional form.
Personal emotions and experiences were deconstructed and reassembled, not as narrative, but as physical tension, curvature, and spatial presence. The result is a chair that communicates emotionally through form rather than explanation. - Инспирација
- Oruha Chair was inspired by the concept of waves, representing continuous transitions between tension and release.
Rather than designing a chair solely from ergonomic data or predefined typologies, this project approaches seating as an emotional and spatial experience shaped by contrast.
The form was developed as a response to the designer’s belief that emotions, like waves, can be edited, reorganized, and translated into physical presence. These transitions were carved directly into solid wood as flowing yet controlled organic curves.
Although the chair presents an edgy, sculptural appearance, sitting in it reveals a smooth, enveloping comfort. This intentional reversal between visual tension and bodily softness defines the core experience of Oruha Chair. - Трајање пројекта
- The project began in Kanagawa in January 2025 and ended in October 2025.
- Ток рада
- Despite its expressive form, Oruha Chair provides stable and comfortable seating suitable for extended use.
Structural stability and load distribution were carefully examined through repeated physical testing, ensuring that the sculptural design does not compromise safety or usability.
Unlike many sculptural chairs that discourage everyday use, Oruha Chair is intended to be touched, sat on, and lived with. - Заслуге за фотографије
- Photography: Photographer Mitsuaki Takahashi, 2025
Video credit: Video editor Yuya Nakazawa, 2025
Sound: Soundtrack Composer Heitaro Ashibe, 2025
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