Интервјуи са Marina Khalil

I have been in the design industry since 2007, giving me over 17 years of experience. Throughout my career, I've had the privilege of working with several prominent companies and esteemed clients. My educational background includes a degree in business of design in BMI and Project management in London business school and finance, which laid the foundation for my professional journey.

I've always been passionate about design, drawn to drawing and creating from a young age. My father, an interior designer, greatly influenced me with his passion for transforming spaces. Although we took different paths in design, I was determined to create my own identity.A pivotal moment for me was when a child compared me to a fairy who could transform ugly spaces into something wonderful. This reinforced my belief in my abilities and fueled my drive to excel in design. My journey has been driven by a deep passion for creating beautiful, functional spaces and a desire to make a positive impact through design.

When designing, my top three priorities are functionality, aesthetics, and sustainability.

Functionality: Ensuring that the space or product meets the practical needs of its users is paramount. I focus on creating designs that are intuitive, efficient, and enhance the user experience.

Aesthetics: I strive to create visually appealing designs that evoke emotions and tell a story. Each project incorporates a central theme that aligns with the client's vision while maintaining a unique and cohesive style.

Sustainability: I prioritize sustainable practices, using eco-friendly materials and energy-efficient solutions to minimize environmental impact.

In terms of technique, I rely on a blend of traditional and digital tools. I start with hand sketches to brainstorm and conceptualize ideas, then transition to computer-aided design (CAD) software for detailed plans and renderings. Physical models and mock-ups are also integral to my process, allowing me to explore and refine designs in a tangible way.

Approaching a new project involves thorough research and understanding of the client's needs and the project's context. I engage in collaborative discussions to gather insights and ensure that the final design aligns with the client's vision and goals.

Designing fulfills me by allowing me to express my creativity, solve complex challenges, and create spaces or products that enhance people's lives. It provides a deep sense of happiness and accomplishment, knowing that my work can inspire and positively influence others. The pleasure I derive from designing comes from this combination of creative expression, technical execution, and the tangible impact of the finished product.

Several non-design skills have been crucial:

Communication: Ensures clear client and team collaboration.

Problem-Solving: Helps overcome design challenges.

Project Management: Keeps projects on time and within budget.

Cultural Sensitivity: Enriches designs with diverse perspectives.

Empathy: Focuses on user-centric and functional designs.

My father, an interior designer, greatly influenced my passion for design.

My growth path focuses on continuous learning and expanding my expertise, particularly in sustainable design and new technologies. I dream of designing a large-scale cultural center that blends modern architecture with historical elements, emphasizing sustainability and community engagement. I plan to design eco-friendly residential communities, smart urban spaces, and impactful public art installations. I aspire to be remembered as a designer who created innovative, sustainable, and impactful spaces.

My advice to young designers is to embrace failure as a learning opportunity, continuously learn and expand their knowledge, build a strong network, seek feedback, stay persistent, and find their unique design voice. The best advice I received was to stay true to myself and my vision. I grow my knowledge by actively seeking learning opportunities through education, workshops, and networking with peers.

Stay Authentic: Maintain your unique style and vision.

Continuous Learning: Keep updated on industry trends and best practices.

Collaborate: Work with other creatives for new perspectives.

Seek Feedback: Embrace constructive criticism to grow.

Manage Time Effectively: Prioritize tasks and avoid overcommitting.

Embrace Failure: Learn from setbacks as part of growth.

Focus on Impact: Design with purpose and intentionality.

Stay Inspired: Surround yourself with sources of creativity.

Adapt to Change: Be open to new ideas and technologies.

Stay Humble and Grateful: Recognize the importance of collaboration and share your knowledge generously.

A day in my life as a designer is always dynamic and filled with new experiences. I start my day by taking my child to nursery, which sets a positive tone for the morning. After a refreshing meditation session, I head to the office, where no two days are ever the same. From brainstorming sessions with my team to client meetings and design work, each day brings new opportunities and challenges. Whether I'm crafting design concepts, meeting with clients, or exploring the city for inspiration, I love the variety and excitement that comes with being a designer. It's this ever-changing nature of my work that keeps me motivated and engaged every single day.

I believe in finding a balance between staying informed about current design trends and maintaining my own personal design style. While I do keep an eye on the latest trends through industry publications, design blogs, and attending design events, I prioritize developing a timeless aesthetic that reflects my unique vision and values. I'm more inclined towards creating designs that have longevity and resonate with users beyond fleeting trends. However, if a particular trend aligns with my design philosophy and enhances the project's concept, I'm open to integrating it thoughtfully. My inspiration comes from a variety of sources, including nature, art, architecture, and cultural influences. Ultimately, I strive to create designs that are not only visually appealing but also functional, sustainable, and meaningful.

For me, good design is defined by its ability to seamlessly blend form and function, enhancing the user experience while also considering aesthetic appeal and practicality. When evaluating products or projects, I look for several key aspects that indicate a well-designed outcome. Firstly, functionality: does the design effectively fulfill its intended purpose? Secondly, aesthetics: is the design visually appealing and cohesive? Thirdly, innovation: does the design offer a fresh perspective or solve a problem in a unique way? Additionally, I consider factors such as sustainability, usability, and emotional resonance with users.

One particular thing that I look for in all products or projects is a sense of balance and harmony between various elements. Whether it's the proportions of a furniture piece, the layout of a space, or the choice of materials, achieving a harmonious composition is essential.

Some common mistakes to avoid for making good design include neglecting user needs, prioritizing style over functionality, and failing to consider the broader context in which the design will exist.

Ultimately, what makes a design good for me is its ability to inspire and delight while also serving a practical purpose. The main criteria I use to judge a design as good are its functionality, aesthetics, innovation, sustainability, usability, and emotional impact.

Deciding if a design is ready is a nuanced process that involves a combination of intuition, experience, and practical considerations. While perfection may be elusive, there comes a point in the design process where I feel confident that the design meets the project brief, fulfills user needs, and aligns with my vision and objectives.

For me, a design is ready when it achieves a balance between meeting functional requirements and embodying aesthetic appeal. I assess if the design effectively addresses the problem it set out to solve and if it resonates with the intended audience.

While there may always be room for refinement and improvement, there comes a time when further iterations yield diminishing returns. At this stage, I make a conscious decision to finalize the design and move forward. However, I remain open to feedback and opportunities for iteration even after a design is implemented, as continuous improvement is key to staying relevant and successful in the dynamic field of design.

I was working on museum. It was amazing experience

Zaha Haddid

My lifestyle and cultural background greatly influence my approach to design. Having lived in diverse cities like Dubai and Europe, I've been exposed to a blend of cultures, which has enriched my design perspective. I find inspiration in the vibrant energy of cities like Dubai, where diverse cultures converge to create a dynamic melting pot of creativity.

Music plays a significant role in my creative process, serving as a source of inspiration and motivation. The rhythm and mood of music often influence the atmosphere I aim to create in my designs.

I believe that culture deeply influences design projects, shaping our aesthetic preferences, values, and perceptions. My multicultural background allows me to draw from a rich tapestry of influences, resulting in designs that resonate with a diverse audience. In my own life, design has led to small yet positively incremental changes, such as adopting sustainable practices, embracing minimalism, and prioritizing functionality and aesthetics in my everyday surroundings. These changes have enhanced my quality of life and fostered a deeper appreciation for the impact of design on society and culture

My work culture is centered around collaboration, innovation, and integrity. Whether working alone or with partners, I believe in fostering an environment of mutual respect, open communication, and creativity. While I value autonomy, I also recognize the importance of teamwork in achieving our goals.

When selecting business partners or hiring team members, I look for individuals who share similar values, possess a strong work ethic, and demonstrate creativity, adaptability, and a passion for design. Trust and reliability are essential traits that I prioritize in any professional relationship.

In terms of corporate culture, a commitment to excellence, continuous learning, and social responsibility are fundamental aspects that cannot be overlooked. Upholding ethical standards and promoting diversity and inclusivity are also integral to our work ethos.

The core challenges of my profession include balancing creativity with practicality, navigating tight deadlines and budgets, and staying abreast of evolving trends and technologies. As a designer, my responsibilities include conceptualizing, designing, and overseeing the implementation of projects, while also liaising with clients, suppliers, and other stakeholders to ensure successful outcomes.

In terms of characteristics and personal traits, a good designer, artist, or architect should possess a blend of creativity, technical proficiency, problem-solving skills, attention to detail, and effective communication abilities. Adaptability, resilience, and a willingness to learn and evolve are also crucial traits for success in this dynamic field.

As a designer, I believe in the power of design to make a positive impact on society, and I actively seek opportunities to give back to the community. One way I contribute is by participating in pro bono design projects for non-profit organizations or community initiatives. These projects allow me to use my skills to benefit those in need and create meaningful spaces that enhance quality of life.

I also support young designers by mentoring and providing opportunities for growth and development. This includes participating in design events, conferences, and workshops where I share insights and knowledge with aspiring designers. Additionally, I collaborate with local organizations and schools to promote design education and awareness.

Moreover, I strive to incorporate principles of sustainability and social responsibility into my design practice, advocating for environmentally-friendly and inclusive design solutions. By creating spaces that prioritize people and planet, I aim to contribute to a more equitable and sustainable future for all.

Attending the A’ Design Award was an enriching experience that provided valuable opportunities for networking, learning, and recognition. One of the main benefits of participating in design awards like A’ Design is the exposure and visibility it offers, both within the design community and to potential clients and collaborators. Being recognized for my work by esteemed judges and peers boosted my confidence and credibility as a designer.

Another positive experience was the chance to connect with fellow designers from around the world and exchange ideas, insights, and experiences. Collaborating with like-minded professionals and learning from their perspectives enriched my own design practice and expanded my horizons.

Furthermore, receiving feedback and critique from the jury panel helped me identify areas for improvement and growth, encouraging me to push the boundaries of my creativity and innovation. Overall, participating in design awards like A’ Design has been instrumental in advancing my career, enhancing my design skills, and fostering a sense of community and camaraderie within the global design industry.

As for being recognized as the Designer of the Day, it was truly an honor and a highlight of my career. It reaffirmed the value of my work and motivated me to continue striving for excellence in my design practice.

The main principle behind the design of the Amar Beirut project is to honor the historical and cultural heritage of the site while seamlessly blending it with contemporary aesthetics. The idea was to transform the space into a distinctive restaurant that pays homage to its industrial past, particularly its former role in cutlery production, while introducing modern design elements that create a captivating and immersive atmosphere.

In designing the Amar Beirut project, my main focus was to create a space that seamlessly integrates the historical significance of the Norblin Factory with modern design elements, ensuring a harmonious blend of past and present. The goal was to achieve a distinctive and immersive environment where guests can appreciate the rich industrial heritage while enjoying contemporary aesthetics and comfort.

My future plans for the Amar Beirut project are multifaceted. Firstly, I aim to expand the concept by adapting the design principles to other historic industrial sites, creating unique spaces that celebrate both local heritage and modern aesthetics. Additionally, I plan to enhance the visitor experience by incorporating advanced technologies and interactive elements, such as augmented reality and smart lighting, to create an even more immersive environment.

Sustainability is also a key focus. I intend to integrate more sustainable practices and materials, striving for energy efficiency and environmental responsibility in future projects. Furthermore, I want to engage more with local communities by collaborating with local artists, historians, and residents to ensure each project reflects the unique cultural narrative of its location.

In summary, my goal is to expand the reach of this design philosophy, enhance the immersive experience, promote sustainability, and involve the community more deeply in the design process.

Around 1 month

The design for Amar Beirut was inspired by a combination of factors. While the project was commissioned, the concept itself emerged from a deep appreciation for the site's historical significance and a desire to creatively blend it with modern design elements.

The Norblin Factory's rich industrial heritage, particularly its cutlery production history, served as a profound source of inspiration. I wanted to create a space that not only preserves this heritage but also reimagines it in a way that resonates with contemporary audiences. The artistic elements, such as ceiling sculptures depicting cutlery and walls adorned with decorative jugs, were designed to honor this legacy while adding a unique and modern touch.

In essence, the design concept was a response to both the commission's requirements and a personal inspiration to celebrate and innovate upon the historical narrative of the site.

Yes, it is used by our client

I wanted to design a venue that tells a story, where every detail serves as a connection to the site's history while offering a modern, eclectic atmosphere. The challenge of blending these elements to create an immersive and engaging experience for visitors was a significant motivator. My goal was to honor the industrial legacy while making it relevant and appealing to contemporary audiences, resulting in a space that is both historically rich and visually captivating.

The design of the Amar Beirut project was a collaborative effort of beg team, drawing inspiration from various sources such as the site's history, contemporary design trends, and client preferences. We were inspired by a collective appreciation for historical preservation and innovative design concepts. Our goal was to create a space that seamlessly integrates the past with the present, resulting in a unique and compelling final product.

The target customer for the design of Amar Beirut is diverse and inclusive. We aim to attract individuals who appreciate both historical heritage and modern aesthetics. This includes locals interested in exploring their city's history, tourists seeking unique cultural experiences, as well as patrons looking for a vibrant and immersive dining or entertainment venue. By catering to a broad audience, we hope to create a welcoming and engaging environment that appeals to a wide range of tastes and interests.

The meticulous attention to detail, from the ceiling sculptures depicting cutlery to the walls adorned with decorative jugs, creates an immersive journey through history and innovation. Additionally, the incorporation of interactive elements and advanced technologies enhances the visitor experience, setting it apart from more traditional approaches.

Furthermore, the design's adaptability and scalability allow it to be applied to various historical sites and cultural contexts while maintaining its distinct character. Overall, it is this combination of historical reverence, contemporary flair, and versatility that sets the design of Amar Beirut apart from others in its class.

The name "Amar Beirut" was chosen collaboratively with the client. "Amar" means "moon" in Arabic, symbolizing elegance, while "Beirut" represents the vibrant soul of the Lebanese capital, reflecting the restaurant's Arabic cuisine and cultural inspiration. Together, the name embodies a fusion of elegance and cultural richness, inviting patrons to experience the luminous charm of Beirut under the moonlight.

During the development of the Amar Beirut project, our design team used a variety of tools including CAD software for floor plans and 3D models, graphic design software for renderings and presentations, project management tools for organization, VR technology for virtual tours, and hand sketches for initial concepts. These tools helped us streamline the design process and deliver a compelling final product.

it is this balance between historical reverence and contemporary innovation that makes our design for Amar Beirut truly unique.

yes, we worked with big team

In the design of Amar Beirut, technology plays a crucial role in enhancing the guest experience. Interactive displays offer insights into the site's history, smart lighting adapts the ambiance, and virtual reality tours provide immersive previews. We prioritize sustainability with energy-efficient solutions and utilize digital platforms for effective communication and reservations. Overall, technology enriches every aspect of our design, enhancing functionality, ambiance, and sustainability while engaging our guests.

Yes, our design for Amar Beirut is heavily influenced by data and analytical research. We conducted market research to understand current trends and customer preferences in restaurant design. Historical research into the Norblin Factory's industrial heritage informed our design decisions, while user experience research guided layout and circulation patterns. Additionally, environmental analysis helped optimize lighting and sustainability measures. Regular client consultations ensured alignment with their vision and goals. Overall, our design integrates insights from various research avenues to create a compelling and functional space.

During the design and realization of our concept for Amar Beirut, we encountered various challenges. Balancing historical preservation with modern design, integrating technology seamlessly, and meeting sustainability goals were some key hurdles. Additionally, managing client expectations and logistical constraints required careful navigation. However, through teamwork and creativity, we overcame these challenges to deliver a captivating and functional space that exceeds expectations.

The decision to submit our design for Amar Beirut to an international design competition was driven by a desire to showcase our work on a global stage and gain recognition within the design community. After completing the project, we recognized its unique blend of historical homage, contemporary innovation, and sustainability as qualities that set it apart and made it worthy of recognition.

Submitting to an international competition provided an opportunity to receive valuable feedback from industry experts, benchmark our design against other innovative projects, and potentially gain exposure to new clients and collaborators. Additionally, winning or being recognized in such a prestigious competition would validate our efforts and elevate our reputation within the design community.

Ultimately, the decision to submit was a strategic one, driven by our confidence in the quality of our work and a desire to showcase our talents and capabilities to a broader audience.

Designing Amar Beirut was not only a testament to my design skills but also a journey of personal and professional growth. I emerged from the process with a deeper understanding of historical preservation, sustainable design, and client collaboration, positioning myself as a more versatile and accomplished designer.

I'd like to express my gratitude for the opportunity to discuss the Amar Beirut project. In addition to the points covered, I want to highlight the importance of interdisciplinary collaboration, cultural appreciation, and ongoing learning in design. Working with diverse teams enriched the project, and celebrating cultural influences was integral to its success. Moving forward, I'm committed to continual innovation and pushing the boundaries of design excellence. Thank you again for the opportunity to share my insights on this project.

I have a master's degree in architectural design and have studied the business of design at the Berlin Management Institute. I also completed project management at the London Business School and have a background in finance. This diverse education helps me approach design projects with both creativity and strategic insight.

I have always been passionate about design. Since I was a kid, I was attracted to drawing. My father was also an interior designer, and his passion was transmitted to me. I was always fascinated by his work, but each of us took a different path in design, allowing me to create my own identity. What made me believe more in myself was when a little child compared me to a fairy who could transform any ugly space into something wonderful and outstanding.

I chose to become a designer while I was still in school. I was very determined, and whenever consultants asked me about my career choice, I always gave the same answer.

I specialize in designing hospitality projects, including restaurants and hotels. I love creating inviting and memorable spaces for guests. In the future, I wish to design more innovative and sustainable hospitality environments that enhance the overall guest experience.

"Legend" is an exaggerated word. Design is something you learn as you go. Designers should be driven by passion, and once they embrace that passion, they will keep evolving and progressing.

A great designer is distinguished by their ability to lead, work under pressure, and always support their team members. It's not just about individual talent but also about fostering a collaborative and resilient team environment.

A good design is first and foremost about how well it works and its functionality. Once these fundamentals are in place, the creative touch is what elevates the design, making it truly outstanding. I evaluate good design based on its effectiveness in solving a problem and its aesthetic appeal.

Good design adds immense value by enhancing user experience, fostering brand recognition, driving innovation, and promoting sustainability. Investing in good design isn't just about aesthetics; it's an investment in creating products and experiences that resonate with users, differentiate brands, and drive long-term success.

I would love to design a museum, but it's so rare and exclusive.

My dream is to create my own boutique hotel and have my own hosting space. Since I love people and enjoy hosting, it would be great to establish MK Boutique Hotels.

My secret ingredient is love what you do and do it with passion

I love Kelly Westler / Patricia Urquiola… these women are inspirational on a global level

I love Philippe Starck design because he is bold creative, and he dares to be different

A design is great when it works well and its functional creative out of the box

You keep moving forward and work on yourself it’s a continuous job

A dermatologist because I love skin care and all the cream products

Design is a way of thinking and how you see things from different perspective

My family first of all and then my husband he is amazing and because of him I was able to excel specially as a mother he was taking care of our son and we were splitting tasks, despite his heavy schedule in work he always managed to empower me

Persistence and never wanting to give up

In many countries where I've worked, women aren't empowered, and access to information is limited

To effectively convey information to contractors and designers, drawings should be properly structured and exhibit a certain level of clarity and explicitness.

My next design project is a hotel in Romania Bucharest

My ultimate goal is to create my own brand in boutique hotels, focusing on a small niche.

They expect you to be always creative and always on top of things

Design helps create a better society by enhancing the way of living for others. In the retail sector, it creates comfortable setups and pleasant experiences for customers. In homes, it fosters more relaxing environments, allowing individuals to function better.

Each project requires a certain level of concentration and attention to detail, but the projects that excite me the most are in the F&B sector

F&B design projects have given me the most satisfaction because they serve the public and can attract many customers. By enhancing and elevating the dining experience, each project creates a unique setup and atmosphere.

I would like to see the design industry adapt to the rise of AI in the coming years. If we use AI in the right way, it can help facilitate our work. Looking back, designers started with paper and pen, and now we use software that speeds up our work. This evolution has greatly benefited the industry, and AI can be the next step in this progression.

The design field is headed towards augmented reality, where we will experience a blend of the physical and virtual worlds, essentially living a double life. This integration will revolutionize how we interact with our environment and perceive reality.

The time it takes to finalize a design project depends on the project's scale, client requirements, and any changes. Typically, it takes around two months to complete a full design package, including back-and-forth communication.

When starting a new design project, I begin by analyzing the project and assessing the list of requirements. Then, I start brainstorming around the layout. Sometimes, inspiration comes from small details.

My life motto as a designer is: "Design is not just how it looks; it's how it works."

Design and trends have a symbiotic relationship, influencing each other in a continuous cycle. Designers often set trends by introducing innovative concepts, materials, and aesthetics. However, trends also emerge from societal, cultural, and technological changes. Ultimately, it's a dynamic interplay where design both sets and responds to trends.

Technology plays a crucial role in the design process, enabling designers to explore ideas, visualize concepts, and communicate with clients and collaborators more efficiently. From computer-aided design (CAD) software for drafting and modeling to virtual reality (VR) and augmented reality (AR) tools for immersive experiences, technology provides designers with a wide range of capabilities to bring their ideas to life. Additionally, advancements in technology have facilitated rapid prototyping, allowing designers to iterate and test their designs more quickly. Overall, technology enhances creativity, productivity, and collaboration in the design field.

In our work, we primarily utilize Building Information Modeling (BIM) software. These include popular BIM platforms like Autodesk Revit, ArchiCAD, and Bentley MicroStation. BIM software enables us to create intelligent 3D models that incorporate architectural, structural, and MEP (Mechanical, Electrical, and Plumbing) elements, facilitating coordination and collaboration among project stakeholders. Additionally, we leverage other design software for tasks such as 3D modeling, rendering, and visualization, including programs like Autodesk AutoCAD, SketchUp, and Adobe Creative Suite. Our equipment typically includes high-performance computers or workstations capable of running demanding design software efficiently.

Color, materials, and ambient elements work together to create a cohesive and harmonious design that not only looks aesthetically pleasing but also functions effectively and enhances the overall experience of the space.

I wish people would ask me about the process and the challenges I encountered during the design journey. Understanding the journey behind the final outcome can provide deeper insights into the thought process, creativity, and problem-solving skills involved in bringing a design to life.

When I encounter a new great design or product, I immediately think about the thoughtful process that went into its creation. I appreciate the creativity, innovation, and attention to detail that contributed to its success.

Having an ideal design partner who shares similar values, creativity, and vision is essential, and I do believe in the power of co-design. My ideal partner would be someone like my friend Paula Chahine, an artist and designer whom I deeply value. Our shared understanding, mutual respect, and complementary skills would make for a dynamic collaboration, resulting in innovative and impactful design outcomes.

The people who have had the most influence on my design are undoubtedly my team. I consider them as family, and our collaborative interactions are invaluable. We constantly exchange ideas, share insights, and challenge each other, ultimately leading to richer and more innovative design solutions.

While I haven't had much time for reading lately due to the hectic nature of life, one book that has had a significant impact on my design perspective is "Travel by Design" by Assouline. Its exploration of how travel inspires and influences design resonates deeply with me, sparking creativity and opening new avenues of thought in my approach to design.

I believe that mastering design is a continuous journey of learning and growth. Over time, I have honed my skills through hands-on experience, experimentation, and a commitment to constantly expanding my knowledge. Developing what some might call the "designer's eye" comes with practice and exposure to various design principles and contexts. It's about cultivating a keen sense of observation, attention to detail, and the ability to discern quality and excellence in design. This ongoing process of refinement enables me to continually improve and evolve as a master designer.

Zaha Hadid's pioneering work in architecture and design continues to inspire countless individuals, including myself. While it's unfortunate that she's no longer with us, I would have loved the opportunity to meet, talk, and discuss ideas with her. Her groundbreaking designs, innovative approaches, and fearless creativity have left an indelible mark on the design world, and I would have cherished the chance to learn from her insights and experiences.

I feel grateful and honored to receive awards and recognition for my work. It's validating to see that my efforts are appreciated and acknowledged by others in the field. However, I don't let fame or accolades change who I am as a person. I remain grounded and humble, just as my mother taught me. Despite any recognition, I believe in staying true to myself and maintaining a down-to-earth attitude. Ultimately, it's the passion for design and the satisfaction of creating meaningful experiences that drive me, rather than any external validation.

My favorite colors are olive green and black. Black, in particular, resonates with me because it represents the absence of color. When I wear it, I feel neutral and more receptive to my surroundings. I love the spring season, and pasta is my favorite food!

During a site visit, I made the mistake of wearing the wrong shoes. As I walked across the construction site, my shoe got stuck in the freshly poured concrete! I had to laugh at the situation as I found myself standing there with one shoe stuck in the concrete. Needless to say, I ended up leaving the site minus one shoe that day!

Starting my day with meditation helps me clear my mind and set a positive tone for the day ahead. It allows me to release any negativity and create space for inspiration and creativity to flow. Additionally, I find motivation in setting goals and envisioning the impact of my designs on the world around me. Knowing that I have the opportunity to create something meaningful and contribute to enhancing people's experiences is what drives me as a designer.

It was never obvious to me or anyone else that I would become a great designer when I was a child. My focus was always on the present, striving to improve and grow into a better version of myself each day. The path to becoming a designer unfolded gradually as I pursued my interests and discovered my passion for creativity and problem-solving.

Looking a thousand years into the future, the possibilities are endless and perhaps even unimaginable. With the rapid pace of technological advancements and the exploration of space, it's not far-fetched to envision human colonization on other planets. Who knows, maybe by then, I'll be living on another planet, exploring new frontiers as a designer!

To all my fans, I want you to know that beyond my passion for design, I also have other interests that bring me joy and fulfillment. I love practicing pilates to stay balanced and healthy, and I have a deep appreciation for exploring new cultures and experiences. Additionally, I'm a proud owner of a Ducati Scrambler, which I adore riding whenever I get the chance. Thank you for your support and enthusiasm for my work—it means the world to me!

From a young age, I was drawn to color and design, which naturally led me to pursue a career as a designer. Yes, I've always wanted to be a designer. While every job has its challenges, this field allows me to constantly be creative and think outside the box. The ability to transform ideas into tangible and impactful designs is what fuels my passion and keeps me motivated.

My design studio feels like a second home to me, as I often spend more time there than at my actual home. It's a space where creativity thrives, collaboration happens, and ideas come to life. Our team is like a family, working together to push the boundaries of design and deliver innovative solutions for our clients.

For me, design is a way of thinking. It's about approaching problems creatively and strategically to find innovative solutions. It's not just about aesthetics; it's about functionality, user experience, and making a positive impact on people's lives. Design is a holistic process that integrates imagination, practicality, and empathy.

I particularly enjoy designing hospitality projects. These projects allow me to create welcoming and memorable spaces that enhance the guest experience. The blend of aesthetics, functionality, and the opportunity to evoke emotions through design makes hospitality projects especially rewarding for me.

My favorite designs are restaurant designs, each with its own unique story behind it. I love creating spaces that not only serve delicious food but also provide a memorable dining experience. From the layout and lighting to the choice of materials and color schemes, every element is carefully considered to reflect the restaurant's concept and enhance the overall ambiance. These projects allow me to blend creativity with functionality, crafting environments where people can gather, enjoy, and make lasting memories.

The first thing I designed for a company was a chocolate store. It was an exciting project that allowed me to explore the intersection of branding, interior design, and customer experience. Creating a space where customers could indulge in delicious chocolates while immersing themselves in a visually appealing environment was a rewarding experience that sparked my passion for design.

Wood is my favorite material because of its versatility and natural beauty. It offers endless possibilities for creativity and craftsmanship. Additionally, I'm passionate about exploring new technologies and software that enhance our design process. These tools help streamline workflows, visualize concepts, and bring ideas to life with greater efficiency and precision.

I feel most creative at night, especially when the distractions of the day have quieted down and my phone stops ringing. The stillness of the night allows me to focus, dive deep into my thoughts, and let my creativity flow freely.

During the design process, I prioritize two main aspects: spaces and circulation.

Spaces: I pay close attention to how spaces are organized and their functionality. Whether it's a room layout in an interior design project or the arrangement of different zones in an urban design plan, creating well-defined and purposeful spaces is crucial for the overall success of the design.

Circulation: I also focus on circulation, ensuring that the flow of movement throughout the space is intuitive and efficient. Whether it's designing pathways in a building or planning pedestrian routes in a public space, optimizing circulation helps enhance user experience and functionality.

By emphasizing these aspects, I aim to create designs that are not only visually appealing but also practical, functional, and user-friendly.

The emotions I feel when designing can vary depending on the client, project, and stage of the design process. At times, I may feel inspired, energized, and excited, especially when working on projects that align with my creative vision and values. Other times, particularly when facing challenges or constraints, I may feel frustrated or drained. Overall, designing is a dynamic and multifaceted process that can evoke a range of emotions, from joy and satisfaction to stress and exhaustion.

When my designs are realized, I often feel a sense of happiness and fulfillment. Seeing a vision that started as an idea or concept come to life is incredibly rewarding. It's a validation of all the hard work, creativity, and collaboration that went into the design process. Witnessing people interact with and enjoy the spaces I've designed brings me a profound sense of satisfaction, knowing that I've contributed to creating meaningful experiences and environments.

A design is successful when it effectively responds to the needs and objectives of the client in a creative and innovative way. Additionally, a successful design establishes a strong brand identity, communicating the values, personality, and vision of the client or organization it represents. It's about creating solutions that not only function well but also resonate with the target audience, evoke positive emotions, and leave a lasting impression. Ultimately, the success of a design is measured by its ability to fulfill its intended purpose while exceeding expectations and making a meaningful impact.

When judging a design, I consider circulation, color, furniture choice, and lighting as key aspects. These elements contribute to the functionality, aesthetic appeal, and overall success of the design.

From my perspective, designers have a responsibility to prioritize sustainability and environmental consciousness in their work. This includes using sustainable materials, minimizing waste, and incorporating eco-friendly practices into the design process. By doing so, designers can contribute to creating a better environment and promoting a more sustainable future for society. Additionally, designers have the opportunity to raise awareness about environmental issues and advocate for positive change through their designs and actions.

The design field is evolving rapidly, especially with advancements in technology and changes in global circumstances like the COVID-19 pandemic. One significant trend is the increasing use of remote collaboration tools and virtual site visits. As you mentioned, the ability to conduct site visits via cameras allows designers to work on projects around the globe and assess work remotely. This not only enhances efficiency but also opens up opportunities for international collaboration and reduces the need for extensive travel, contributing to sustainability efforts.

Looking ahead, I believe the future of design will continue to be shaped by technology, sustainability, and globalization. Designers will increasingly leverage digital tools for remote collaboration, virtual reality for immersive experiences, and sustainable practices for eco-friendly designs. Additionally, the interconnectedness of the global design community will foster cross-cultural exchanges and innovative solutions to complex challenges. Overall, the future of design holds exciting possibilities for creativity, collaboration, and positive impact on society and the environment.

I don't have personal exhibitions, but I do participate in various design events and showcases through my work. My last involvement in a design event was at the Design Expo in New York City two years ago, where I showcased some of my recent projects. As for future exhibitions, I'm always looking for opportunities to share my work and connect with the design community. Depending on the circumstances, I hope to participate in another exhibition or design event in the near future.

My design inspiration comes from a variety of sources, including nature, art, architecture, travel, and everyday life. I find that immersing myself in different environments, cultures, and experiences helps stimulate my creativity and generate fresh ideas. Nature, with its colors, patterns, and forms, often serves as a rich source of inspiration for me. Additionally, I draw inspiration from contemporary design trends, historical references, and the works of other designers and artists. To feed my creativity, I enjoy exploring new places, attending art exhibitions, reading design magazines, and experimenting with different mediums and techniques. Ultimately, inspiration can be found everywhere; it's about staying curious, observant, and open to the world around us.

My design style is contemporary with a focus on minimalism and functionality. I explore this style for its timeless appeal and simplicity. My designs prioritize clean lines, geometric shapes, and a restrained color palette. I believe in balance, attention to detail, and practicality. My approach to design is iterative, collaborative, and driven by research, experimentation, and feedback.

I live in Dubai, where cultural heritage greatly influences design. The multicultural environment inspires diverse perspectives and fusion of styles in my designs. Pros include access to cutting-edge technology and global influences, fostering innovative and cosmopolitan designs. However, rapid development can pose challenges like balancing tradition with modernity and addressing sustainability concerns amidst urbanization. Overall, living in Dubai offers a dynamic backdrop for design, blending tradition with contemporary flair.

I collaborate with companies by understanding their needs, creating proposals, and executing designs. This involves concept development, feedback, and revisions. Throughout the process, I work closely with suppliers to ensure materials align with the design vision and meet quality standards. Effective communication and collaboration are essential for successful partnerships.

In selecting a designer, we recommend companies to first define their project needs and budget. Then, research and shortlist designers whose portfolios align with their project goals. It's essential to review portfolios, check references, and communicate openly to establish expectations. Trusting the designer's expertise and ensuring alignment with company values are also key factors. Finally, agree on terms in a written agreement to solidify the collaboration

My design process typically begins with a thorough understanding of the project requirements and client's goals. I start by conducting research, gathering inspiration, and brainstorming ideas. Once I have a clear vision, I move on to concept development, where I sketch out initial ideas and explore different design directions.

From there, I transition to the refinement stage, where I further develop the chosen concepts, considering factors such as functionality, aesthetics, and user experience. This often involves creating digital renderings or 3D models to visualize the design more accurately.

Throughout the process, I value collaboration and feedback, involving the client and other stakeholders to ensure that the design meets their needs and expectations. I iterate on the design based on feedback, making adjustments and refinements as necessary.

Once the design is finalized, I oversee the implementation phase, working closely with contractors, suppliers, and other collaborators to bring the design to life. I maintain open communication throughout this stage to address any challenges and ensure that the project stays on track.

Overall, my design process is iterative, collaborative, and focused on creating innovative and functional solutions that meet the needs of my clients and enhance the user experience.

Here are five of my favorite design items at home:

Eames Lounge Chair: This iconic piece combines comfort with timeless design, making it a standout feature in any room.

Scandinavian-inspired dining table: I love the clean lines and simplicity of Scandinavian design, and my dining table is no exception. It adds a touch of elegance to my dining area.

Mid-century modern floor lamp: A statement piece that not only provides ambient lighting but also serves as a sculptural element in the room.

Handcrafted ceramic vase: I appreciate the craftsmanship and uniqueness of handcrafted items, and this vase adds a personal touch to my home decor.

Moroccan-inspired rug: The intricate patterns and vibrant colors of this rug bring warmth and personality to my living space, while also adding texture and visual interest to the room.

A day in my life as a designer is always dynamic and filled with new experiences. I start my day by taking my child to nursery, which sets a positive tone for the morning. After a refreshing meditation session, I head to the office, where no two days are ever the same. From brainstorming sessions with my team to client meetings and design work, each day brings new opportunities and challenges. Whether I'm crafting design concepts, meeting with clients, or exploring the city for inspiration, I love the variety and excitement that comes with being a designer. It's this ever-changing nature of my work that keeps me motivated and engaged every single day

To all the young and aspiring designers out there, I have a few pieces of advice that I've found invaluable in my own journey. Firstly, embrace failure. It's through our mistakes and setbacks that we learn and grow the most. Secondly, never stop learning. The design field is constantly evolving, so stay curious and keep exploring new techniques and ideas. Next, find your unique voice. Your individual style and perspective are what make you stand out as a designer. Don't be afraid to showcase your creativity and personality in your work. Additionally, seek feedback from mentors, peers, and clients. Constructive criticism is key to refining your skills and improving your designs. Build your network, too. Networking is essential in this industry, so connect with fellow designers and professionals to expand your opportunities. And lastly, stay passionate and persistent. Design can be challenging, but passion and perseverance will carry you through. Remember, success takes time, so be patient with yourself and keep pushing forward. With dedication and determination, you can achieve your dreams as a designer.

Being a designer offers boundless creativity and growth opportunities, allowing me to bring ideas to life and continuously expand my skills. However, it can be demanding with tight deadlines and subjective feedback. Overall, the satisfaction of making a tangible impact through design outweighs the challenges

Simplicity is my golden rule in design

Creativity, attention to detail, and problem-solving skills are paramount for a designer.

My toolbox includes design software like Adobe Creative Suite, along with inspiration from books, online resources, and my surroundings

I prioritize tasks, set deadlines, and use time management techniques to stay organized.

The time to design an object varies depending on complexity, ranging from weeks to months

Clients often ask about the inspiration behind my designs and the design process itself.

Museum in Poland

Some of my clients include governmental and commercial project, some of them can be my friends. I m collaborating with different brands: Zaater W Zeit, Homer Lobster, Ferrari, Kababji, Mudon, Ritz Carlton, Rixos, Accor hotels

I enjoy hospitality design the most because it allows me to create immersive experiences for people

My future plans involve expanding my expertise in sustainable design practices and exploring opportunities to incorporate emerging technologies into my work. I also aim to collaborate on larger-scale projects that have a meaningful impact on communities. Ultimately, I'm excited to continue pushing the boundaries of design innovation and contributing positively to the field.

I work both independently and collaboratively, depending on the project requirements.

I have several exciting projects in progress, including spa, Zattar w Zeit cafe, Joga cafe, office in Morrocco

mk@mkdesignlab.com +971544433558

No, thank you so much for the opportunity to introduce myself

The creative journey behind transforming the Norblin Factory’s main production area into Amar Beirut was rooted in the idea of honoring the site’s industrial legacy while introducing the warmth and sensory richness of Lebanese culture. For us, it was essential not to erase the past, but to reinterpret it — to allow the spirit of Warsaw’s industrial heritage to coexist with the vibrant soul of Beirut.We approached the design as a dialogue between two worlds: the raw, historic structure with its exposed brick, steel, and patina, and the refined elegance of contemporary Middle Eastern hospitality. Every design decision reflected this balance — from the preserved textures of the original factory walls to the modern interventions, such as floating flooring systems, warm lighting, and sculptural details that echo the rhythm of the old machinery lines.This fusion aimed to create an immersive journey where guests feel the layered history of the space while enjoying the sensual, emotional experience of Lebanese dining. It’s not just a restaurant — it’s a story of transformation, where Warsaw’s industrial strength meets Beirut’s poetic soul, creating a space that feels both familiar and inspiringly new.

The pixel light technology at Amar Beirut was conceived as a bridge between history and innovation — a way to reinterpret Lebanese decorative tradition through a contemporary lens. In Lebanese culture, geometric patterns and ornamental motifs play a strong symbolic role, often found in architecture, metalwork, and textiles. We wanted to preserve that essence, but in a modern, experiential way.So, we reimagined these traditional patterns as illuminated pixel modules integrated into the ceiling panels. Each LED element was programmed to create a dynamic yet refined play of light, transforming the space throughout the day — from a soft, intimate glow during dining hours to a vibrant rhythm that energizes the evening atmosphere. This approach allowed us to merge cultural authenticity with advanced technology, turning the ceiling into both a sculptural feature and a storytelling canvas that honors heritage while embracing modernity.

The suspended cutlery installation was directly inspired by the Norblin Factory’s remarkable past as one of the most prominent cutlery producers in Europe during the 1800s, crafting exquisite pieces from silver and copper. We wanted to pay tribute to this heritage in a poetic, contemporary way — not by displaying old artifacts, but by transforming the essence of the factory’s craft into an artful, floating sculpture.Each suspended element symbolizes both the precision of industrial production and the elegance of fine dining. The installation creates a visual dialogue between the building’s original purpose and its new identity as a Lebanese restaurant. It’s a gesture of respect to the craftsmen of the past, while also connecting guests emotionally to the story of transformation — from manufacturing silverware to serving culinary artistry.

From the very beginning, our research for Amar Beirut went far beyond restaurant design — we approached it with the mindset of curating an experience, much like designing a contemporary museum. We studied how museums choreograph movement, use lighting to guide emotion, and celebrate cultural artifacts without overwhelming the viewer. This influenced our entire spatial strategy for the 550-square-meter venue.We treated each zone — from the entrance to the dining halls and bar — as a sequence of “exhibits,” each telling part of the story of Beirut’s culture and craftsmanship. The materials were chosen with the same curatorial precision: raw concrete and preserved steel to honor the industrial shell, balanced with warm woods, brass, and textured stone to reflect Lebanese authenticity. This duality — industrial and artisanal — allowed us to achieve a timeless composition where every surface, pathway, and object contributes to the narrative of heritage meeting modern sophistication.

The ceramic tile patterns were one of the most meaningful design layers in Amar Beirut, as they carry deep roots in Middle Eastern architecture and storytelling. Our goal was to reinterpret these traditional motifs without creating visual conflict with the industrial character of the Norblin Factory. The challenge was to let both worlds — the crafted and the raw — coexist in harmony.We selected tiles with subtle geometric rhythms inspired by Lebanese heritage but executed them in a muted, earthy palette that complements the factory’s aged brick and steel. Instead of covering large surfaces, we used them as curated highlights — framing specific areas such as the bar, floor inlays, and feature walls — almost like fragments of cultural memory within a modern industrial frame. This approach allowed the tiles to become moments of warmth and identity amid the robust structure, celebrating the dialogue between craftsmanship and history, rather than letting one overpower the other.

Designing the custom furniture for Amar Beirut was an exercise in balance — between function, comfort, and the curatorial aesthetic that defines the space. Since the overall concept carries a museum-like atmosphere, every piece of furniture had to feel intentional, almost like an exhibit in itself, yet remain inviting and comfortable for long dining experiences.We achieved this by designing bespoke pieces that merge sculptural form with ergonomic logic. The materials — a mix of solid wood, brass, and fine upholstery — were chosen for their tactile richness and timeless appeal, echoing both the warmth of Lebanese hospitality and the industrial refinement of the Norblin Factory. Each chair, table, and banquette was proportioned to respect spatial flow and visual rhythm, ensuring the furniture enhances, rather than interrupts, the architectural story. In this way, functionality became part of the narrative — discreet, elegant, and deeply human.

Transforming Amar Beirut within the historic structure of the Norblin Factory was both inspiring and technically demanding. The building’s age and industrial complexity brought many unexpected challenges — from preserving the original structural elements and ensuring proper heating, ventilation, and acoustic performance, to integrating the existing machinery into a fully functional hospitality layout.One of the greatest difficulties was adapting a space never intended for a restaurant into one that could support modern kitchen operations while maintaining the architectural integrity of the site. Every intervention required precision and respect for the original fabric — we couldn’t simply conceal the past; we had to build around it. Balancing engineering constraints with the poetic narrative of the design became a true collaboration between creativity and technical discipline. In the end, these limitations shaped the project’s character, making the final result even more authentic and deeply rooted in the building’s story.

Integrating live music into Amar Beirut was essential to capturing the spirit of Lebanese culture — vibrant, emotional, and deeply communal. However, doing so within a former industrial factory posed a major acoustic challenge. The original structure had high ceilings, hard surfaces, and metallic echoes, all of which could easily overpower the warmth we wanted to achieve.We approached the sound design with the same care as the visual composition. Acoustic panels were discreetly integrated into the ceiling and wall claddings, while soft furnishings, layered draperies, and textured materials helped absorb and diffuse sound. The performance area was positioned strategically to create a natural flow of music through the dining zones without overwhelming conversation. In the end, the acoustics became part of the design language — balancing the energy of live performance with the intimacy of fine dining, and turning the industrial space into a stage for cultural storytelling.

The rooftop of Amar Beirut was conceived as a natural continuation of the story told inside the restaurant — a place where the energy of Beirut meets the skyline of Warsaw. We wanted the experience to evolve vertically: guests ascend from the historical, industrial narrative of the main hall into a lighter, more contemporary atmosphere that still speaks the same cultural language.To achieve this, we used materials and tones that echo the interior palette — warm metals, natural stone, and soft ambient lighting — but introduced more open, breathable compositions to connect with the surrounding city. Subtle Arabic geometric patterns appear in the furniture detailing and railing designs, linking back to the Lebanese identity without overpowering the industrial context. The result is a rooftop that feels both urban and soulful, maintaining continuity with the heritage below while offering guests a new sensory chapter — one of openness, light, and cultural reflection.

Receiving the Gold A’ Design Award for Amar Beirut is both an honor and a responsibility. For me, this project represents more than a successful design — it’s a statement about how we can approach cultural preservation in a modern, relevant way. Amar Beirut shows that heritage and innovation don’t have to compete; they can coexist beautifully when treated with respect and intention.I hope this project encourages future designers to see adaptive reuse not as a constraint, but as an opportunity to tell new stories within old walls. By blending authentic cultural expression with contemporary functionality, we can create spaces that feel timeless — places where people connect emotionally with history while enjoying the comfort and creativity of modern design. My vision is that projects like Amar Beirut will inspire a new wave of design thinking — one that values identity, sustainability, and the poetry of transformation.