Ceramics Extension Kenyelletso Ea Bonono ka Tairan Hao and Shan Xu

Moralo oa Ceramics Extension Kenyelletso Ea Bonono ka Tairan Hao and Shan Xu ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Bonono bo Botle le Diketso tsa Bonono.

BoronseBonono bo Botle· 2020

Ceramics Extension Kenyelletso Ea Bonono

ka Tairan Hao and Shan Xu

Moreki: Tairan Hao

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Bonono bo Botle

17,947

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #104079

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Ceramics Extension Kenyelletso Ea Bonono

Ho kenngoa ho etsoa ke litšoantšo tsa khale tsa letsopa tse entsoeng ka letsopa le litšoantšo tsa polasetiki tse hatisitsoeng tsa 3D. Bonono le moralo li leka ho fetisa maikutlo a matla ho bamameli hore ntho e 'ngoe le e' ngoe, motho e mong le e mong, ntho e ngoe le e ngoe e ntse e atolosoa ho sa feleng. Ka boteng ba seemahale, e ntse e hokahanya karolo ea lintho tseo ba li bonang e le tsa nnete, empa lintho tse ling ke setšoantšo sa liipone, tseo e seng tsa nnete. Tšebelisano e etsa hore batho ba nahane hore ba ea lefats'eng la litoro tse iqapetsoeng ke bona.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Ceramics Extension Kenyelletso Ea Bonono ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Ceramics Extension Kenyelletso Ea Bonono e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Ceramics Extension Kenyelletso Ea Bonono e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Boholo le Phuthelo: half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Lithegi: Installation, Art, 3D Printing, Ceramics, Sculpture
Theknoloji ya Tlhahiso: 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Phephetso ya Moralo: The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
Dipatlisiso: The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Kgothaletso: The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Nako ya Projeke: The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Tsamaiso ya Mosebetsi: When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Diphatente: Copyrights belong to Shan Xu and Tairan Hao, 2017
Litho tsa Sehlopha: Designer: Shan Xu
Artist: Tairan Hao
Litlotla tsa Setshwantsho: Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017