Meduse Mosebetsi wa Sehlooho: Lebone la Setšoantšo sa Bokgabane ka Ana Maria Reque

Moralo oa Meduse Mosebetsi wa Sehlooho: Lebone la Setšoantšo sa Bokgabane ka Ana Maria Reque ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Bonono bo Botle le Diketso tsa Bonono.

TšepeBonono bo Botle· 2021

Meduse Mosebetsi wa Sehlooho: Lebone la Setšoantšo sa Bokgabane

ka Ana Maria Reque

Moreki: Ana Maria Reque Art

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Bonono bo Botle

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #104827

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Meduse Mosebetsi wa Sehlooho: Lebone la Setšoantšo sa Bokgabane

Mongolo wa Buka: Meduse ke lebone la setšoantšo sa bokgabane le hlohellwang ke libaka tsa bophelo tsa lewatle. Karolo ka nngwe e kopanya Raku ceramic le maoto a khale a Murano glass a bulehileng. Lebone lena le loketse tshebediso ka hare le kantle ho ntlo, mme le theha diphello tsa leseli le moriti mabotong a haufi. Bokganya ba LED bo nang le mebala e mengata bo ka lokiswa ka sesebediswa sa hole (remote control). 'Mele wa ceramic o etswa ka letsopa le sa qhwanyeng habonolo, wa omiswa, wa chesetswa, wa kwahelwa ka glaze mme wa chesetswa hape ka mokelikeli wa dikergi tse 930 tsa Celsius, ebe o ntshwa ka har'a ono e sa le mocha. Ho fokotseha ho sesheng ho hlahang ho theha bokaho bo phatlohileng bo nang le maponesa a tshepe le a mebalabala e fetohang.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Meduse Mosebetsi wa Sehlooho: Lebone la Setšoantšo sa Bokgabane ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Meduse Mosebetsi wa Sehlooho: Lebone la Setšoantšo sa Bokgabane e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Meduse Mosebetsi wa Sehlooho: Lebone la Setšoantšo sa Bokgabane e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Global design and local identities,they are collector's pieces.
Two identities, Peru and Italy two different cultures highly integrated in the Medusa lamps, after a process of deconstruction and liberation from history for giving space to a new syncretic language.
Integration of two materials only ceramic Peru and Murano glass, harmonized thanks to the reflections of multicolored Led lighting.
Raku process during the heat shock, the flames and the oxygen reduction method at 930 degrees celsius, are decisive for both the craquelure decorative effect and metallic and iridescent reflections.
Boholo le Phuthelo: Materials: Raku ceramic, Murano glass, multicolored Led RGB
Dimensions: 36 cm (diameter) 48 cm (height)
Weight: 4 kg. each one
Lithegi: Muranoglass, madeinItaly, theveniceglassweek 2020, venicedesignweek 2016, anamariarequeart,
Theknoloji ya Tlhahiso: After the modelling with refractory clay, I begin a deconstruction process of the traditional shape, a 20 day long drying process begins. I go on with the first cooking at 950 degrees celsius, the glazing process and the second cooking into a Raku oven at 930 degrees celsius. The object is removed still white-hot from the oven. Arrangement of the Led lighting system and finally the insertion of the Murano blown glass tentacles.
Phephetso ya Moralo: Take the pieces out of the oven at 940 degrees celsius and quickly manage the thermal shock in three minutes.
The integration of the glass tentacles on the ceramic base.
Dipatlisiso: The goal is to create lamps that integrate Art and Design. The method is transversal by integrating two techniques ceramics with Murano glass; Through the Deconstruction of art, a process of liberation from the traditional historical form begins to give way to a new syncretic language. Two readings: Fusion of different techniques and cultures and Safeguarding the oceans, a tropicalization of the Mediterranean is occurring.The lamp has had a positive impact in Milan and in the VeniceGlassWeek 2020
Kgothaletso: The Marine Habitat, I conceive my works as reflections of a recreated nature, the connection between nature and culture is a constant in my work. I work across different disciplines.I began a path of alienation from the Traditional shape in order to give way to a new syncretic language by the deconstruction of the art.
The work communicates two levels of interpretation:
Fusion and integration of two cultures, Peru and Italy.
Safeguarding seas and oceans: a Tropicalization of the Mediterranean sea is occurring.
Nako ya Projeke: Modeled with clay: 12 days
Drying: 20 days
Blown glass processing: 7 days
Location: Lido of Venice and Murano,Italy
Tsamaiso ya Mosebetsi: The object can be used as an Indoor and Outdoor Lamp. The lamp is suitable for creating new atmospheres with light and shadow effects on the wall. The user can interact by changing different colors using the remote control.
Diphatente: Camara di Commercio di Venezia, Modello multiplo VE2015O000008
Litho tsa Sehlopha: Ana Maria Reque, Glassmaker Paolo Giubelli
Photographer Gino Gabrieli
Litlotla tsa Setshwantsho: Photocredit: Gabrieli Gino