Plycelain Pokello ya Dipitsa tsa Tafoleng ka Yuting Chang

Moralo oa Plycelain Pokello ya Dipitsa tsa Tafoleng ka Yuting Chang ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Khauta oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dibakewere, Disebediswa tsa Tafole, Dinoelo le Disebediswa tsa Pheho.

KhautaDisebediswa tsa Kitjhine· 2021

Plycelain Pokello ya Dipitsa tsa Tafoleng

ka Yuting Chang

Moreki: Yuting Chang

Mohlodi oa Moputso oa Khauta oa A' Design Award Mokhahleong oa Disebediswa tsa Kitjhine

54,361

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #110554

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Plycelain Pokello ya Dipitsa tsa Tafoleng

Plycelain - lentsoe le hlamilweng ke Yuting Chang le kopanyang lehong le kopantsoeng le porcelein - ke pokello ya dipitsa tsa dino tse nang le mekgabiso e mengata tse entsweng ka mokgwa wa ho bopa ka tshelo. Chang o etsa mofuta wa sejajahe wa seramiki se seputsoa le se sesweu ka ho sebedisa mokgwa wa ho bopa ka tshelo, e leng mokhoa wa tlhahiso e kgolo ya seramiki. Ka ho fetola tshebetso ya ho bopa ka tshelo, mekgabiso e ema, mme mela e meputsoa e bonolo e pepesetswa mahaleng a kgaoletsweng, e totobatsang kamano e ntle pakeng tsa dikarolo tse kopantsoeng.

Kamohelo

Mabapi le Moputso oa Khauta oa A' Design Award

Plycelain Pokello ya Dipitsa tsa Tafoleng ke mohapi oa Moputso oa Khauta oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo ea maemo a pele, e ntle ka ho makatsa le e ikhethang. Bahapi ba Khauta ke lintho tse hlahisitsoeng tse nang le mehopolo e mecha haholo, tse shebileng pele le tse khanyang ka ho foufatsa, tse bontšang botsebi, bohlale le bokhoni ba baqapi ba tsona. Plycelain Pokello ya Dipitsa tsa Tafoleng e lebelletsoe ho ba mohopolo o babatsoang haholo, o thehang mekhoa e mecha le o moholo, o tlisang boleng bo sa kang ba bonoa. Moralo ona o hapileng Moputso oa Khauta oa A' Design Award ke mosebetsi o tsosang maikutlo, o hlomphehang, o tlisang molemo o moholo le o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Plycelain Pokello ya Dipitsa tsa Tafoleng e hlahisa maikutlo a matla a takatso, e tsosa tjantjello, e khothalletsa boqapi mme e re khahlisa.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Plycelain -a term coined by the designer combining plywood and porcelain- is a collection of multilayered slip casting drinkware. The designer creates a contemporary version of blue and white ware through applying slip casting, the mass-production technique of ceramics. By adapting the process of slip casting, layers form, and subtle blue lines are exposed on the cut surfaces, which emphasize the beautiful relationship between assembled parts.
Boholo le Phuthelo: Cup : 114 x 89 x 70 (mm)
Big Saucer : 133 x 133 x 13 (mm)
Bowl : 114 x 114 x 60 (mm)
Espresso Cup : 70 x 93 x 53 (mm)
Small Saucer : 114 x 114 x 13 (mm)
Lithegi: Tableware, Porcelain, Slipcasting,
Theknoloji ya Tlhahiso: Slipcasting, Porcelain
Phephetso ya Moralo: The challenge was each layer of the pieces requires precision and good timing to form a proper thickness during slip casting. Also, the assembling and fettling works before bisque firing are crucial.
Dipatlisiso: Blue-and-white ware was the most classic and influential type of Chinese porcelain before industrialization. After the invention of mass production techniques, porcelain ware can be slipcasted, and embellishments can be applied by transfer-printing. The manufacturing process is about large quantities of standardized products and unconcerned with the aesthetics of craftsmanship. The designer asked herself: how to utilize mass production techniques while keeping the genuineness of the craftsmanship spirit and create a new version of blue-and-white?

The designer tries to find the balance between tradition and modernity by transforming mass production techniques- slipcasting. She started with the idea of creating a pattern without actually painting on the clay like the traditional way. Gradually, the concept of patterning by layering casting formed.

Unlike traditional decorative blue-and-white, which embellishments are glazed on the outer surface, the patterns on Plycelain are composed of the cross-section of each functional component, such as mugs’ handles and saucers’ feet. The delicate blue lines are embedded internally during the process of slipcasting and become visible where the pieces are trimmed into shape during assembly. The subtle lines bring out the beautiful relationship between assembled parts and make this collection a unique tableware design.
Kgothaletso: The modern update of the blue-and-white porcelain is not only regarding the appearance but also about the manufacturing process. After the invention of mass production techniques, porcelain-ware can be slipcasted, and embellishments can be applied by transfer-printing. The designer tries to find the balance between tradition and modernity by utilizing mass production techniques while keeping the genuineness of the craftsmanship spirit.
Nako ya Projeke: The project started in December 2017 in Chicago and finished in 2018.
Tsamaiso ya Mosebetsi: Plycelain is a tableware collection, including a cup set (with big saucer), an espresso cup set (with small saucer), and a Bowl. The design of Plycelain tableware collection is understated and humble, yet with a second look, the meticulous and innovative craftsmanship is not quiet at all.
Litlotla tsa Setshwantsho: Image #1: Photographer Yuting Chang, Plycelain, 2019.
Image #2: Photographer Yuting Chang, Plycelain, 2019.
Image #3: Photographer Yuting Chang, Plycelain, 2019.
Image #4: Photographer Yuting Chang, Plycelain, 2019.
Image #5: Photographer Yuting Chang, Plycelain, 2019.