Moralo oa Villa Gilbam Ntlo ea Bolulo ka Davood Boroojeni ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Meaho, Dikaho le Dibopego.
BoronseMeaho· 2022
Villa Gilbam Ntlo ea Bolulo
Moreki: Davood Boroojeni Office
Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Meaho
Mohlodi oa Khau ea Netefaditsweng
Netefatsa Boemo ba Khau bakeng sa #132788Moralo
Mabapi le Villa Gilbam Ntlo ea Bolulo
Villa Gilbam ke ntlo ea bolulo e leng thabeng lehlakoreng la Siahkal, karolong ea leboea la Iran. Lebala lena le akaretsa limithara tse likahare tsa 750 mme le theoha ka boholo ba diperesente tse 10 ho tloha bochabela ho ea bophirima. Ntlo e eme ka bochabela ba lebala, holim'a sekhutlo se tšoanang sa boholo ba limithara tse 8 ka tse 15, moo mohaho o mong o neng o le teng pele. Ka lebaka leo, kamano ea eona le mobu e fokotsehile. Likarolo tse peli tse hlahang joalo ka mahlaba a phaphametseng li tsoa botebong ba mohaho ho ea holimo, tsela ea fatše le ea mokato oa pele, ntle le hore li ame fatše. Likarolo tse tharo tsena li behiloe ka mokhoa oa ho theha lebala le le leng le arolelanoang bohareng, le fanang ka pono e ntle ea lithaba tse pota-potileng.
Kamohelo
Mabapi le Moputso oa Boronse oa A' Design Award
Villa Gilbam Ntlo ea Bolulo ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Villa Gilbam Ntlo ea Bolulo e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Villa Gilbam Ntlo ea Bolulo e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.
Ka Mora Moralo
Sete ya Boraditaba
Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.
- Boleng bo Ikhethang
- In the plan of Villa Gilbam, solutions have been found for issues, including the location that the villa should be established there, the impacts of climate and neighborhood on its design, and the desired quality of the shared space.
- Boholo le Phuthelo
- Due to the fact that climate and neighborhood were not the limiting factors for the location of the villa, the east of the land, which used to be a place of another building in the past, was allocated for this purpose. With the aim of minimizing intrusion and seizure of the area, the connection surface of the villa to the land was limited to the same rectangle of the old building with dimensions of about 8 × 15 meters. To meet the demands of the employer, which required 350 square meters, two console volumes were added to the initial core of the project at ground level and the first floor without connecting to the ground.
- Theknoloji ya Tlhahiso
- The project land with an approximate area of 750 square meters is located on the slopes of one of the mountains in northern Iran in the Siahkal region. The land with an unknown geometry has a slope of about 10% from east to west. In the east of the land, and in a rectangle section measuring 8 × 15 meters, intrusion and seizure were seen; as if this rectangle had been a place of a building in the past. The project’s employer has needed a place with an area of 350 square meters.
- Phephetso ya Moralo
- The two console volumes at the height have slid over each other in such a way that neither of them obstructs the proper light of the south and the proper view of the north and south for each other. The console volume located on the ground floor level is in the south and the first level console volume is located in the north. Suitable light from the south passes over the southern volume and reaches the northern volume. Also, the northern volume has a good view of the southern mountains. Below the northern volume is empty and the southern volume overlooks the northern landscape.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains. - Dipatlisiso
- The current project design is a quantitative and qualitative one. The most important goals are achieving proper functioning, creating the desired spatial quality, resuscitation of the middle courtyard as patterns of indigenous architecture, and reducing energy and construction material consumption. To achieve the goals of the project Field observation, study of the needs of the client, study of historical texts, the study of architectural standards, technical characteristic observation Of materials, the study of regional climate have been considered.
- Kgothaletso
- Factors such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project design. We believe that the beautiful innovative useful architecture of Villa Gilbam is the result of using the above-mentioned factors in the project simultaneously.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains. - Nako ya Projeke
- The design of the project started in June 2016 and finished in December 2016 in Tehran.
- Tsamaiso ya Mosebetsi
- One of our primary design goals was material disclosure. We believe that the use of exposed materials not only creates an indigenous feeling in the spaces but also causes less damage to the environment.
- Litho tsa Sehlopha
- Principal Architects: Davood Boroojeni - Saba Ammari
CG Artist: Peyman Nozari - Litlotla tsa Setshwantsho
- Image #1: Illustrator Peyman Nozari, 2021.
Image #2: Illustrator Peyman Nozari, 2021.
Image #3: Illustrator Peyman Nozari, 2021.
Image #4: Illustrator Peyman Nozari, 2021.
Image #5: Illustrator Peyman Nozari, 2021.
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