Moralo oa Marka Setulo sa Mesebetsi e Mengata ka Adel Alserhani ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.
BoronseFenitjhara· 2025
Marka Setulo sa Mesebetsi e Mengata
Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Fenitjhara
Mohlodi oa Khau ea Netefaditsweng
Netefatsa Boemo ba Khau bakeng sa #161622Moralo
Mabapi le Marka Setulo sa Mesebetsi e Mengata
Re hlahisa Tshwaro ya Letsoho e Fetohang, tharollo ya bodulo ba batho ba babedi e fetohang habonolo hore e be setulo se se nang maoto ntle le disekeropo kapa sekgomaretsi. Moralo ona o monate o kgothaletsa ditokisetso tsa bodulo tse fetohang le bophelo bo botle. O tlhahisitswe ke sedula sa kameele se sebelisoang ke Maarabo ba bahalaleli, mme o kopanya bohwa ba setso le botle ba sejoale-joale. E loketseng tshebediso ka hare le kantle, haholo-holo dibakeng tse kang Bochabela bo Hare le Asia, ntho ena e kgothaletsa tshebedisano ya setjhaba le boiketlo, e mema basebelisi ho natefelwa ke bodulo ba sechaba ka tsela e monate le e kgahlang.
Kamohelo
Mabapi le Moputso oa Boronse oa A' Design Award
Marka Setulo sa Mesebetsi e Mengata ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Marka Setulo sa Mesebetsi e Mengata e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Marka Setulo sa Mesebetsi e Mengata e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.
Ka Mora Moralo
Sete ya Boraditaba
Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.
- Boleng bo Ikhethang
- Modular armrest for two persons could convert into legless chair without any use of screws or glue giving the user the ability to change positions in a healthy and fun way of assembling .The design is a modern floor seating inspired by camel saddle that have been use as an an armrest when bedouin nomads settle . Marka could be use as an outdoor furniture and as an indoor in another regions such as middle-east and asia where floor seating is more common.
- Boholo le Phuthelo
- - Panel (A) H:50cm - W:50
- Panel (B) H:50 - W:40
- Cover : consist of three padded section connected by hidden level adjustable joinery .
- Triangular Pillow
First position (marka) : can be slides into each other as an X shape to be floor armrest .
Second Position ( legless chair ) : insert Panel B into Panel A to have legless chair and by using the padded cover and the triangular shaped pillow you have the ability to change between various body positions - Lithegi
- Floor seating , Cultural Furniture , Modular furniture , Lightweight, recycled, recyclable, suitable, cosy , Creative, innovative,
- Theknoloji ya Tlhahiso
- Keeping the flow of organic multi uses of this ancient furniture the designer intention is to develop from natural and recycled composite materials to reserved this amazing connection and harmony between land and humanity that trace back to the main inspiration of this design . the base of the piece will be made of 100% recycled and recyclable polypropylene recovered from local furniture production waste and the local auto- motive industry.
- Phephetso ya Moralo
- Living in a massive and vast city such as Riyadh, with a population of almost 8 million, I have noticed a growing sense of loneliness among individuals. This might be due to the booming economy and rapid development across all sectors. However, it social effects have become more noticeable, with people feeling a sense of strangeness and not belonging. In our pursuit of progress, we must not forget the importance of maintaining the social fabric that binds us.To address this, we need to foster sharing and caring through genuine human interaction, reclaiming the sense of community that has always been a cornerstone of our identity. The motive behind this design challenge is not to force change but to provide a solution to this social phenomenon within an everyday product that everyone needs.
- Dipatlisiso
- The product sparks from Social and Behavioral Research that aims to explore the shift in social norms and traditions within Arab societies, focusing on the contrast between historical communal lifestyles and the contemporary situation. The study examines how these changes impact individual behavior and social well-being.the main goal is to Design an everyday object that encourages social interaction and strengthens the sharing spirit in ones life. This project should seamlessly integrate into daily life, promoting genuine connections and a sense of belonging.The research method form Marka was in Arab Literature and archived images and paintings from Orientalists on the other hand I ran few social studies on social media and public spaces and verbal interviews to have a sense of the general atmosphere among society and I noticed the following :
Economic Pressures: The pursuit of economic success and the demands of modern careers have shifted focus from communal to individual goals
Technology and Social Media: While these have connected people globally, they often contribute to physical isolation and superficial interactions.
mpact on Individuals:
Social Isolation: The weakening of traditional social networks can lead to feelings of loneliness and alienation.
Mental Health: Increased stress and mental health issues are linked to the loss of community support.
Identity and Belonging: Rapid cultural changes can lead to a crisis of identity and a diminished sense of belonging. - Kgothaletso
- In revisiting our visual memory, the bedouin lifestyle emerges as a profound influence on the concept of Marka. Constant traveling was not just a way of living it was a celebration of freedom, encapsulated by exploration and following the unknown. This Bedouin spirit manifested in the practical use of the design multipurpose, lightweight, and easy to transport.Originally, Marka used as a saddlery for camel riding. However, when bedouin communities settled, Marka transformed into a furniture piece . From this concept of multifunction and modularity I found the bridge that links this rooted product to a contemporary product all in one design .
- Nako ya Projeke
- Project started in September 2023 in Riyadh - Saudi Arabia . The prototypes started in early 2024.
- Tsamaiso ya Mosebetsi
- The First position of Marka is a call to have a dialogue with the others while the second position gives the modern need to have a moment for the individual .
E Tshehelitsweng
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