Changes Cycles and Shapes Botaki ba Dijithale ka Yuko Suzuki

Moralo oa Changes Cycles and Shapes Botaki ba Dijithale ka Yuko Suzuki ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Khauta oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Tlhahiso, Algorithimi, Paramethrike le AI.

KhautaTlhahiso· 2025

Changes Cycles and Shapes Botaki ba Dijithale

ka Yuko Suzuki

Moreki: Feral File

Mohlodi oa Moputso oa Khauta oa A' Design Award Mokhahleong oa Tlhahiso

210,079

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #170864

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Changes Cycles and Shapes Botaki ba Dijithale

Mosebetsi ona o hlahloba potso ya hore, Pente ke eng? ka ho bontsha phetolelo ya dipolelo tsa pono. O tswa mehopolong ya diphetoho dipenteng tsa Mondrian, mme o theilwe hodima moralo wa dikarolo tsa pente, moo sebopego se tsamayeng pakeng tsa sa sebopego sa nnete le sa kelello, le pakeng tsa lerata le botseledi - mohopolo o sebelisetswang mmala. Mosebetsi o tsosa boemo bo fetohang ba botsona ba dijithale, o totobatsa hore dibopeho tse pakeng tsa diphetoho ke motheo. Ka ho kenyelletsa dibopeho tsa bokaholimo tse gatisitsweng ka baren, o bontsha boitsebiso ba moqapi jwaloka mogatisopaampiri ka sebopego sa dijithale.

Kamohelo

Mabapi le Moputso oa Khauta oa A' Design Award

Changes Cycles and Shapes Botaki ba Dijithale ke mohapi oa Moputso oa Khauta oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo ea maemo a pele, e ntle ka ho makatsa le e ikhethang. Bahapi ba Khauta ke lintho tse hlahisitsoeng tse nang le mehopolo e mecha haholo, tse shebileng pele le tse khanyang ka ho foufatsa, tse bontšang botsebi, bohlale le bokhoni ba baqapi ba tsona. Changes Cycles and Shapes Botaki ba Dijithale e lebelletsoe ho ba mohopolo o babatsoang haholo, o thehang mekhoa e mecha le o moholo, o tlisang boleng bo sa kang ba bonoa. Moralo ona o hapileng Moputso oa Khauta oa A' Design Award ke mosebetsi o tsosang maikutlo, o hlomphehang, o tlisang molemo o moholo le o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Changes Cycles and Shapes Botaki ba Dijithale e hlahisa maikutlo a matla a takatso, e tsosa tjantjello, e khothalletsa boqapi mme e re khahlisa.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Boholo le Phuthelo: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Lithegi: Generative Art, Coding
Theknoloji ya Tlhahiso: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Phephetso ya Moralo: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Dipatlisiso: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Kgothaletso: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Nako ya Projeke: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Tsamaiso ya Mosebetsi: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Litlotla tsa Setshwantsho: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.