Iconic Designs Tšebetso ea Mantlha: Letoto la Thelevishene ka Olivier Felix Isselin and Maxime Golay

Moralo oa Iconic Designs Tšebetso ea Mantlha: Letoto la Thelevishene ka Olivier Felix Isselin and Maxime Golay ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Filimi, Vidio le Anime.

BoronseFilimi· 2026

Iconic Designs Tšebetso ea Mantlha: Letoto la Thelevishene

ka Olivier Felix Isselin and Maxime Golay

Moreki: MGOFI Production

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Filimi

11,095

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #176172

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Iconic Designs Tšebetso ea Mantlha: Letoto la Thelevishene

Iconic Designs ke letoto le lekhutšoane la thelevishene le inehetseng tlhahlobong ea sebopeho. Karolo ka 'ngoe e tsepamisitse maikutlo ho ntho e le 'ngoe e tšoaeang, e hlahloba tšimoloho ea eona, sebopeho, le tšusumetso ho bophelo ba letsatsi le letsatsi. Ka mokhoa o laoloang oa litšoantšo le ho behoa ho fokolang, letoto lena le senola moralo joaloka thuto ea ho nepahala. Ka ho hokahanya maemo a histori le ho baleha ka sebopeho, le fetolela kutloisiso ho ba temohisiso, le etsa hore moralo o fihlelehe ntle le ho nolofatsa. Tatellano ka 'ngoe e arola mela ea bohlokoa, litekanyo, le mesebetsi, e fana ka ho baleha ho hlakileng ha ntho eo.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Iconic Designs Tšebetso ea Mantlha: Letoto la Thelevishene ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Iconic Designs Tšebetso ea Mantlha: Letoto la Thelevishene e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Iconic Designs Tšebetso ea Mantlha: Letoto la Thelevishene e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Iconic Designs is a short-format audiovisual series that examines iconic objects through cinematic precision and minimalist visual language. Each episode combines artistic direction with documentary rigor to reveal the logic and construction of form. The series presents design as a cultural discipline, translating observation into understanding through image, rhythm, and composition.
Boholo le Phuthelo: Audiovisual series of ten episodes, each 150 seconds in duration. Filmed in native 8K resolution 7680 x 4320 px at 25 or 30 fps in 16:9 aspect ratio using a RED Monstro 8K VV camera with Angenieux optics. Captured in RAW workflow with controlled depth of field and precision motion control. Mastered in HDR10 with stereo and 5.1 spatial sound. Set constructed on a 6 m x 4 m cyclorama under calibrated 5600K lighting. Delivered in ProRes, MXF and MP4 broadcast formats for television, museum and digital distribution.
Lithegi: Design, Iconic Objects, Television Series, Short Format, Documentary, Minimalist, Cultural Heritage, Education, Visual Storytelling, Contemporary Culture
Theknoloji ya Tlhahiso: Filmed in 8K using a RED Monstro VV camera with Angenieux optics on an Atrax motion control robotic arm, enabling sub-millimetric precision and repeatable camera movements. The minimalist cyclorama isolates each object within a controlled spatial environment under calibrated 5600K lighting. Spatial sound is captured with Sennheiser microphones and processed through a unified post-production workflow for consistent high-fidelity image and sound integration.
Phephetso ya Moralo: The main challenge was to translate the intellectual depth of design into a short audiovisual format without reducing its complexity. This required balancing cultural accuracy, emotional resonance, and cinematic precision. Iterative testing, motion control, and precise editing enabled this balance. The limited duration of each episode demanded absolute clarity in both image and narrative.
Dipatlisiso: This research explores how design culture can be communicated through short-form audiovisual language. The objective is to combine clarity, accessibility, and emotional resonance. Methods include visual analysis, expert consultation, and audience testing. Results indicate that minimalist imagery and precise narration improve comprehension and retention, supporting design as a cultural medium.
Kgothaletso: The project is inspired by the pervasive role of design in everyday life. Beyond aesthetics, design expresses reason, proportion, and purpose. The series reveals this underlying structure through image and sound, drawing from architecture, art, and philosophy. It transforms observation into knowledge and positions design as a fundamental cultural language.
Nako ya Projeke: The project began in January 2024 in Cannes, France, with concept development and early visual research. Filming took place in 2025 across France, including the historic Tolix factory in Autun and the robotic studio Halphastudio near Paris. Post production and mastering were completed in Dublin, Ireland, in October 2025, marking the international launch of the series.
Tsamaiso ya Mosebetsi: Each episode follows a three-part structure: introduction, exploration, and reflection. The host presents the object through concise narration while the camera reveals its form in continuous motion. The viewer is guided by rhythm and image rather than explicit explanation. The short format creates an immediate and intuitive engagement, leading to both emotional and intellectual understanding.
Diphatente: Copyrights belong to Olivier Felix Isselin and Maxime Golay, 2025.
Litho tsa Sehlopha: Olivier Felix Isselin
Maxime Golay
Litlotla tsa Setshwantsho: Olivier Felix Isselin
Maxime Golay