Flaneur Sehlopha sa Diaparo tsa Boitshepiso ka Qiuyu Yang

Moralo oa Flaneur Sehlopha sa Diaparo tsa Boitshepiso ka Qiuyu Yang ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Mekgabiso.

BoronseMekgabiso· 2020

Flaneur Sehlopha sa Diaparo tsa Boitshepiso

ka Qiuyu Yang

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Mekgabiso

12,578

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #94827

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Flaneur Sehlopha sa Diaparo tsa Boitshepiso

Flaneur ke sehlopha sa diaparo tsa boitshepiso se fetolang boitsebiso ba metsamao ya motho ba mong ka mong hore e be sebopeho seo ho ka aparwang. Ntho e nngwe le e nngwe e fetolela tsela e tlalehilweng ya ho tsamaya ka maoto motseng hore e be sebopeho sa mahlakore a mararo, kahoo mo apari ka mong o fumana moralo o ikgethang. Sehlopha sena se hlahiswa ka mokgwa wa ho hatisa ka mahlakore a mararo (three-dimensional printing) mme se sebedisa tshepe e bohlokwa hammoho le opals. Diphetoho tsa mebala ya opals di supa bophelo ba motse wa London bo etsahalang motsheare le bosiu, e leng motse o sebedisitsweng jwaloka qalo. Flaneur e dumella batho ho boloka tlaleho e sa feleng ya maeto le mesebetsi ya letsatsi le letsatsi.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Flaneur Sehlopha sa Diaparo tsa Boitshepiso ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Flaneur Sehlopha sa Diaparo tsa Boitshepiso e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Flaneur Sehlopha sa Diaparo tsa Boitshepiso e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Flaneur jewellery collection offer those people who are enthusiastic for life, an opportunity to see their everyday urban life reflected directly from data visualization. In effect making treasure from their experiential millennial lifestyle. Using London as the pilot city flaneur jewellery collection can be rolled out across global cities and allows mobile urbanites to build a collection of jewellery that creates a innovative record of their life and travels.
Boholo le Phuthelo: Width 61mm x Depth 70mm x Height 14mm
Width 83.5mm x Depth 78mm x Height 24mm
Width 76mm x Depth 80mm x Height 30mm
Width 40mm x Depth 32.5mm x Height 14mm
Lithegi: big data, data visualisation, 3D print, day to day lives, route, London
Theknoloji ya Tlhahiso: 3D jewellery forms are designed to present 2D data visualisation manufactured through a 3D print technique, so that every individual has an opportunity to wear unique jewellery. Precious metal and opals are used in the collection. The colourful reflection in opals represents the colourful day and the night life of London.
Phephetso ya Moralo: 1. In mass market, it is a new concept to combine big data and daily life events as an inspiration.
2. For narrative jewellery embedded with people’s own life track meaning, it has not been widely accepted by the public. Therefore, the operation mode still needs to be improved.
3. Personalised customer service is not a rapid marketing business model, which needs certain cost in time.
4. Castable resin is not an universally available material in 3D print field world-widely; therefore it might cause difficulty during the production process.
Dipatlisiso: Primary research step 1, exploring routes, surveys, street interviews, questionnaire, over 100 women living in London, 63% of women have ecorded their walking route in the past, women are free to walk in the city like a flaneur, the project has a big market.
Primary research step 2, collecting routes, interviews, one to one interviews, email, over 30 women living and recording their walking route in London, near 50% of women's route have regular shape due to their living habit, the design form can be meaningful to the clients.
Primary research step 3, recoding routes, outdoor activities, one to one interviews, Nike+ app, 6 women living and recording their walking route in London, the route become the design reference.
Secondary Research, explore London daily lives culture, online research and outdoor activities, walking around, camera and dairies, colourful day and the night life, the London life culture become the stone choice reference.
Contextual Research step 1, background research of urbanisation, online researching book reading,URL and books, urbanisation over recent 200 years is recognised as the most important process.
Contextual Research step 2, background research of Flaneur, online researching book reading,URL and books, 21th century, Flâneur was redefined. This kind of city stroll was no longer confined in Paris and has expanded in big cities worldwide without the restriction of identity class or gender. Women also can be a flaneur doing city walk.
Contextual Research step 3, background research of city walk, online researching book reading,URL and books, with the process of urbanisation, city walk as a most common city culture has risen inevitably.
Contextual Research step 4, three perspectives of artists and designers who doing data visualisation, narrative jewellery and 3D print products, online researching and interviews, email and internet, ”Dear Data”, Jack Cunningham and Malianghang, the project can use data visualization as a design form to create narrative jewellery by 3D print.
Kgothaletso: The revolution of big data is reshaping many aspects of daily lives at a global level. Much of the excitement around data streams is not their capture but what can now be done with the data. In parallel, the advent of rapid digital production has changed the jewellery landscape. Flaneur jewellery collection is a project explores how we live our daily lives, what this offers in terms of personal data and how we might start to think about what data to store or incorporate into our lives and in what way.
Nako ya Projeke: The project started in October 2015 in London and finished in June 2017 in London, and was published in Wallpaper Magazine in January 2018.
Tsamaiso ya Mosebetsi: Flaneur jewellery collection is the route of everyone's everyday life recorded in a piece that can be worn. Voicing out Big Data.
Diphatente: Copyrights belong to Qiuyu Yang, 2017.
Litlotla tsa Setshwantsho: Image #1: Photographer Yingwei Tang, Flaneur Jewellery Collection, 2017