Crown of the Sea General Mosebetsi oa Sehlooho: Setšoantšo sa Bonono ba Sechaba by Yu Liang Chen

Crown of the Sea General Mosebetsi oa Sehlooho: Setšoantšo sa Bonono ba Sechaba by Yu Liang Chen is a highly esteemed winner of the very prestigious 2020 Moputso oa Boronse oa A' Design Award in Moralo wa Bonono bo Botle le Diketso tsa Bonono Competition Category.

BoronseBonono bo Botle· 2020

Crown of the Sea General Mosebetsi oa Sehlooho: Setšoantšo sa Bonono ba Sechaba

by Yu Liang Chen

Client: NewLocal Art Studio

Moputso oa Boronse oa A' Design Award Winner in Bonono bo Botle Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Crown of the Sea General Mosebetsi oa Sehlooho: Setšoantšo sa Bonono ba Sechaba

Mongolo oa Buka: Crown of the Sea General ke setšoantšo sa bonono ba sechaba se fumanehang Motseng oa Kouhu, Setereke sa Yunlin, Taiwan. Setšoantšo sena se lekana metara e 10 ka bolelele, metara e 3 ka bophara le metara e 4 ka bophahamo. Foreime ea tšepe e sa beolang le motara oa semente li theha sebopeho sa sona, ha thaele tse benyang tse nang le mokhoa oa glaze, likhang tsa dipalangoang tse robehileng, majoe a manyenyane le khalase ea seipone li koahela ka holim'a sona. Litulo tse ka hare ho sebopeho sena li fana ka moriti le phomolo, ha lithamo tse tšoeu tse pota-pota motheo li memela bana ho bapala. Mekhoa e tsoang meetlong ea batho ba matsoalloa, Han le Japane e kopantsoe. Moqhaka ona o khothalletsa tlhompho bakeng sa mehlodi ea leoatle.

The Recognition

About the Moputso oa Boronse oa A' Design Award

Crown of the Sea General Mosebetsi oa Sehlooho: Setšoantšo sa Bonono ba Sechaba ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Crown of the Sea General Mosebetsi oa Sehlooho: Setšoantšo sa Bonono ba Sechaba e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Crown of the Sea General Mosebetsi oa Sehlooho: Setšoantšo sa Bonono ba Sechaba e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
Dimensions & Packaging: The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
Tags: Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
Production Technology: We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
Design Challenge: Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
Research: The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
Inspiration: In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
Project Duration: The project finished in November, 2019 in Yunlin County, Taiwan.
Operation Flow: Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
Team Members: Yu-Liang Chen
Image Credits: Cheng-Mao Liu