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Sparkly Identity Design

Taiwan (China)Kerafikhe

Dipuisano le Sparkly Identity Design

Bala dipuisano le Sparkly Identity Design: utlwisisa filosofi ya bona, tshebetso ya boiqapelo le mosebetsi wa bona o hapileng dikgau.

Profaele ya Mohlahisi

Re na le dipuisano tse mmalwa le Sparkly Identity Design.

Di phatlalatswa ka Senyesemane feela mme di bontswa ka tlase ka puo ya tsona ya pele.

Bula leqephe la Senyesemane

Puisano le Moetsi oa Moralo oa Letsatsi

4 dipotso

I have loved drawing since I was a kid. I was trained and educated in the department of design in college and I started to work even before my graduation.

How did you become a designer?

I have loved drawing since I was a kid. I was trained and educated in the department of design in college and I started to work even before my graduation. I have worked a lot during my career and learned from all kinds of different industries. All my experiences have improved my capabilities to design and create more beautiful stories.

What particular aspects of your background shaped you as a designer?

My father, he is a craftsman of traditional orient woodcarving. He used to ask us to help him with simple crafting jobs. I suppose that being a kid raised in such an environment helps me shape my interests and passion toward design and painting, further influencing me in terms of my career.

What is your day to day look like?

I’m just like anyone else, there is actually nothing particular. I wake up in the morning with my own kids and send them to school, and then I go to the office. I am also the kind of person who values the quality of life, so I usually let my staff leave the office on time. Sometimes, I enjoy watching movies during holidays. I used to watch academic films, but I now also need to watch cartoons and superhero movies with my kids. Also, I often go to the traditional market and supermarket for my daily supplies, and I like to feel the people and get close to the world in where we are. It actually helps me to be able to foresee and understand the variance in the markets.

How do you know if a product or project is well designed? How do you define good design?

At first, my client was only limited to the certain groups, I liked to choose certain groups with characteristics that were similar to mine. In the past, I could not tell if my designs were good, I was only following my instincts. Afterwards, as I accumulated more and more experiences as well as clients, I also received a lot of feedback. From this, I was able to keep myself sharp.

To me, a good design may have different standards in different times, ages, groups or markets. Any design that can meet the demands and expectations of the market is a good design. Of course, it will be even better if this design can cross the gaps among culture, region and market.

Puisano le Sengaka sa Moralo

3 dipotso

People are always frightened of change. When we stumble into an invariable, same-old pattern, you will find it impossible to make a different move.

How could people improve themselves to be better designers, what did you do?

People are always frightened of change. When we stumble into an invariable, same-old pattern, you will find it impossible to make a different move. However, the world and time change very quickly, so designers must always know their limits and forge ahead to face the surrounding variations. In addition, designers must also develop diverse interests in many things and maintain their curiosity about everything new via sharp observation. As long as we can keep ourselves flexible, we can fearlessly meet any variation, difficulty or challenge instead of worrying about failure.

How do you define design, what is design for you?

To me, design is a sort of thinking and a representation of progress. I hope to simplify complex visual communication through design, and present the easy and interesting side of this idea to the public.

I would say that my design is in between sense and sensibility. I leave my sensibility to transmit essences of a commodity and bring out the desires inside a consumer. On the other hand, I also leave my sense to gain insight into the market and put the brand in the right position.

What is your life motto as a designer?

Actually, there is none. From my experience, there are always different hurdles to overcome during different phases. I have been a designer since I was eighteen, so I always push myself to change my thoughts in order to cope with the huge changes in the market that occur every year or two years.

Puisano le Moetsi oa Moralo

3 dipotso

We are the design firm for brand image. We come from Taipei, Taiwan. It has been ten years since our company was founded.

Can you tell us more about your company / design studio?

We are the design firm for brand image. We come from Taipei, Taiwan. It has been ten years since our company was founded. Our team members come from many places all over Taiwan, and they all have their own respective expertise. Our forte is communicating with our customers through a simple, interesting and efficient design, so we confidently provide solutions to our customers.

What is "design" for you?

Generally, I think our designs activate the market economy, even producing job opportunities. For me, design is more than a job. Based on this idea, I believe what I create makes me who I am including my education, my profile, my thoughts, my styles and my personality. Design shows how I translate the world.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

Of course, like most artists, my creative inspiration also comes from my life experience. I used to do a lot of part-time jobs, say, newspaper delivery boy, waiter, operator, sanitary worker, farmer, porter and so on. All of these work experiences became nutrients for me, making me more flexible when I think about a design. Also, these made me have more empathy toward the consumers, I will consider things like, if I were a customer who wants to use the design, what exactly would I prefer? I extend this thought to all my creations, whether it is a commercial design or package design. This sort of thought pattern truly helps me understand what my customers really want and it is very effective. So, the sources of my inspiration allow me to meet the demands of my customers. This becomes a positive cycle, bestowing on me the ideas as well as energy needed to bring the designs in my head to reality.

Tswela Pele ho Bala

Dipuisano tse Ding le Bahlahisi

Bala dipuisano tsa designers.org ho fumana filosofi, tshebetso ya boiqapelo le mosebetsi wa bahlahisi ba bang ba hapileng dikgau.

E Tshehelitsweng

Hlahloba ka Ntle ho Designers.org

Fumana dihlahiswa, ditshebeletso le menyetla ho tswa ho balekane ba rona ba papatso.

Moralo o Motle o Lokelwa ke Tlotlo e Kgolo

A' Design Award ke khau ya machaba, e ahlotsweng bakeng sa moralo o motle. Nka karolo ho A' Design Award ho fumana monyetla oa ho amohelwa ka botle ba mosebetsi oa hao, ho fumana tlotlo, botumo le phatlalatso. Khetha mosebetsi oa hao bakeng sa A' Design Award 'me o tlo phehisana bakeng sa moputso o ratehang oa A' Design Prize.

Khetha

Mohloli oa Data

Dipotso le dikarabo tsa puisano le moetsi oa moralo Sparkly Identity Design tse phatlaladitsweng leqepheng la rona la puisano li tswa ho Designer Interviews, sethala sa machaba moo baetsi ba meralo ba ka holimo lefatsheng, baetsi ba meaho ba botumo, baqapi le baiqapeli ba botswa lipotso.