Karya Fujifilm Clay Studio2 Desain Interior Kantor ku Koji Aoki, Lin Su and Atsushi Fujita nyaéta pamenang anu dihormat pisan tina 2022 A' Design Award Perunggu anu bergengsi dina Katégori Kompetisi Interior.
PerungguInterior· 2022
Fujifilm Clay Studio2 Desain Interior Kantor
ku Koji Aoki, Lin Su and Atsushi Fujita
Klién: Fujifilm Corporation
Pamenang A' Design Award Perunggu dina Katégori Interior
Pamenang Panghargaan anu Diverifikasi
Verifikasi Status Panghargaan pikeun #131321Désain
Ngeunaan Fujifilm Clay Studio2 Desain Interior Kantor
Clay Studio 2 nya éta interior kantor anu dirarancang pikeun padamelan desain produk sareng visual di Tokyo. Rohangan anu legana 300 méter pasagi direncanakeun janten tempat anu tenang pikeun konsentrasi, kontras sareng kantor-kantor anu langkung museur kana komunikasi. Beton, cet, sareng papan semén kayu dibiarkeun tanpa diolah deui, ku kituna rohangan katingalina ngan diwangun ku balok sareng tihang. Panataan taman sareng pamandangan alam ngawangun latar tukang sareng nyandak parobahan usum kana rohangan. Méja-méja nyanghareupan ka luar, sareng méja anu panjangna tujuh méter ngamungkinkeun pikeun rapat singkat bari tetep ngajaga jarak antara jalma-jalma.
Pangakuan
Ngeunaan A' Design Award Perunggu
Fujifilm Clay Studio2 Desain Interior Kantor mangrupa juara A' Design Award Perunggu, pangakuan anu pohara bergengsi anu dipasihkeun ka desain unggul anu dicirikeun ku kréativitas, kacerdikan jeung kawaspadaan. Para juara Perunggu téh artéfak anu lobaan kaahlian jeung kréatif pisan anu ngabuktikeun pangalaman anu lega, imajinasi jeung kacerdasan para désainerna. Fujifilm Clay Studio2 Desain Interior Kantor diharepkeun jadi objék anu dihargaan, dikagumi jeung dipikanyaah anu profésional jeung inovatif. Desain juara A' Design Award Perunggu ieu ngalebetkeun prakték pangalusna dina seni, élmu, desain jeung téknologi, sarta unggul dina perhatian kana détail. Fujifilm Clay Studio2 Desain Interior Kantor minuhan kabutuhan kalayan éndah, nyentuh kahayang, nyenangkeun rasa, jeung narik rasa panasaran.
Di Balik Désain
Kit Pers
Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.
- Sipat Unik
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- Diménsi & Bungkusan
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- Tag
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- Téknologi Produksi
- concrete, painting, wood cement board
- Tantangan Desain
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - Panalungtikan
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - Inspirasi
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - Durasi Proyék
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - Alur Operasi
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
- Anggota Tim
- Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita
Disponsoran
Jelajah Saluareun Designers.org
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