Looping Flower Rohangan Budaya Ikebana ku Ni Jie Guo

Karya Looping Flower Rohangan Budaya Ikebana ku Ni Jie Guo nyaéta pamenang anu dihormat pisan tina 2024 A' Design Award Perunggu anu bergengsi dina Katégori Kompetisi Interior.

PerungguInterior· 2024

Looping Flower Rohangan Budaya Ikebana

ku Ni Jie Guo

Klién: Blankspace

Pamenang A' Design Award Perunggu dina Katégori Interior

9,902

Pamenang Panghargaan anu Diverifikasi

Verifikasi Status Panghargaan pikeun #151842

Tingali di A' Design Award Siaran Pers Lencana Panghargaan

Warna

Désain

Ngeunaan Looping Flower Rohangan Budaya Ikebana

Seni ikebana mangrupa semedi ngeunaan kahirupan dina aliran opat mangsa, kaasup néwak momen sakedapan dina éstétika Jepang, rekonstruksi kahirupan kembang jeung dahan, sarta tabrakan inovatif antara struktur jeung éstétika. Desain sakabéh rohangan dumasar kana sumanget Kusatsuki-ryu, ngékstrak unsur tina arsitéktur tradisional Jepang sarta ngarobahna jadi basa arsitéktural modéren, ngajajah hubungan antara konstruksi kontemporer jeung éstétika kalayan unsur Jepang anu abstrak.

Pangakuan

Ngeunaan A' Design Award Perunggu

Looping Flower Rohangan Budaya Ikebana mangrupa juara A' Design Award Perunggu, pangakuan anu pohara bergengsi anu dipasihkeun ka desain unggul anu dicirikeun ku kréativitas, kacerdikan jeung kawaspadaan. Para juara Perunggu téh artéfak anu lobaan kaahlian jeung kréatif pisan anu ngabuktikeun pangalaman anu lega, imajinasi jeung kacerdasan para désainerna. Looping Flower Rohangan Budaya Ikebana diharepkeun jadi objék anu dihargaan, dikagumi jeung dipikanyaah anu profésional jeung inovatif. Desain juara A' Design Award Perunggu ieu ngalebetkeun prakték pangalusna dina seni, élmu, desain jeung téknologi, sarta unggul dina perhatian kana détail. Looping Flower Rohangan Budaya Ikebana minuhan kabutuhan kalayan éndah, nyentuh kahayang, nyenangkeun rasa, jeung narik rasa panasaran.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Diménsi & Bungkusan: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Tag: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Téknologi Produksi: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Tantangan Desain: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Panalungtikan: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspirasi: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Durasi Proyék: The project started in August 2022 and finished in December 2022 in China .
Alur Operasi: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Anggota Tim: NI JIE GUO
Krédit Gambar: BLANKSPACE