Karya Tibetan Thangka Art Musieum ku AND Studio nyaéta pamenang anu dihormat pisan tina 2024 A' Design Award Perak anu bergengsi dina Katégori Kompetisi Arsitéktur.
PerakArsitéktur· 2024
Tibetan Thangka Art Musieum
ku AND Studio
Klién: And Studio
Pamenang A' Design Award Perak dina Katégori Arsitéktur
Pamenang Panghargaan anu Diverifikasi
Verifikasi Status Panghargaan pikeun #152344Désain
Ngeunaan Tibetan Thangka Art Musieum
Lhasa Thangka Museum nyaéta musieum pikeun seni Thangka anu perenahna di suku gunung di Lhasa. Wangunanana disusun ku cara sapertos biara Tibét sarta nyiptakeun dialog jeung gunung katut langit. Jalur luar naék di antara volume-volume wangunan sarta ngajugjug ka hiji alun-alun anu luhur, sedengkeun jalur jero nata rohangan-rohangan paméran. Témbok batu tradisional ditafsirkeun deui jadi témbok beton ganda anu diventilasi, anu ngaronjatkeun insulasi sarta ngurangan pamakéan énergi. Bahan lokal jeung tanaga gawé lokal dipaké dina ngawangunna. Ieu musieum ngamajukeun seni Thangka jeung budaya Tibét.
Pangakuan
Ngeunaan A' Design Award Perak
Tibetan Thangka Art Musieum mangrupa juara A' Design Award Perak, pangakuan anu luar biasa bergengsi anu dipasihkeun ka desain kelas luhur, endah jeung matak kagum. Para juara Perak téh karya anu pohara cemerlang jeung pohara kréatif anu ngagambarkeun kaahlian, bakat jeung kapinteran para désainerna. Tibetan Thangka Art Musieum diharepkeun jadi karya anu éndah, karya andalan anu pohara profésional jeung pohara inovatif. Desain juara A' Design Award Perak ieu mangrupa panemuan anu pohara kasohor jeung dikagumi anu mangpaat sarta ngamajukeun watesan seni, élmu, desain jeung téknologi. Tibetan Thangka Art Musieum mangrupa kréasi anu pohara diirikeun anu ngahudang kahayang, ngabawa rasa positip, jeung ngahudangkeun rasa heran jeung kagum.
Di Balik Désain
Kit Pers
Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.
- Sipat Unik
- Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
- Diménsi & Bungkusan
- The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
- Tag
- museum, thangka art, concrete, brass, glass curtain wall
- Téknologi Produksi
- The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
- Tantangan Desain
- At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials. - Panalungtikan
- At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
- Inspirasi
- Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
- Durasi Proyék
- The project started in February 2019 and finished in May 2022 in Lhasa, China
- Alur Operasi
- We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls. - Patén
- Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD - Anggota Tim
- Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk - Krédit Gambar
- Photo and Video by: Arch-Exist Photography
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