Jinglan Bay Art Puseur Penjualan by Nic Lee

Jinglan Bay Art Puseur Penjualan by Nic Lee is a highly esteemed winner of the very prestigious 2024 A' Design Award Perak in Interior Competition Category.

PerakInterior· 2024

Jinglan Bay Art Puseur Penjualan

by Nic Lee

Client: China Resources Land South China Guangxi Co.

A' Design Award Perak Winner in Interior Category

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Verified Award Winner
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Colors

The Design

About Jinglan Bay Art Puseur Penjualan

Jinglan Bay Art nyaéta interior puseur penjualan anu perenahna di Liuzhou, hiji wewengkon pagunungan anu caina ngagulidag. Interiorna ngawengku 1705 méter pasagi sarta ngawengku wewengkon resepsi, penjualan, paméran, média digital, jeung VIP. Batan niron bentang alam ku wangun-wangun, cahaya jeung kalangkang dipaké pikeun ngagambarkeun gunung anu luhur jeung cai anu jero. Terrazzo hideung digosok nepi ka mengkilap kawas eunteung, ku kituna pamandangan di luar jeung gerak para sémah bisa kagambar. Batu alam di lawang panto nyiptakeun jerona hiji lebak. Bahan séjénna ngawengku marmer anu ditatah, cét mineral, kai hideung, jeung kai oak.

The Recognition

About the A' Design Award Perak

Jinglan Bay Art Puseur Penjualan mangrupa juara A' Design Award Perak, pangakuan anu luar biasa bergengsi anu dipasihkeun ka desain kelas luhur, endah jeung matak kagum. Para juara Perak téh karya anu pohara cemerlang jeung pohara kréatif anu ngagambarkeun kaahlian, bakat jeung kapinteran para désainerna. Jinglan Bay Art Puseur Penjualan diharepkeun jadi karya anu éndah, karya andalan anu pohara profésional jeung pohara inovatif. Desain juara A' Design Award Perak ieu mangrupa panemuan anu pohara kasohor jeung dikagumi anu mangpaat sarta ngamajukeun watesan seni, élmu, desain jeung téknologi. Jinglan Bay Art Puseur Penjualan mangrupa kréasi anu pohara diirikeun anu ngahudang kahayang, ngabawa rasa positip, jeung ngahudangkeun rasa heran jeung kagum.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Dimensions & Packaging: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Tags: sales center, landscape, museum, indoor architecture, interior design
Production Technology: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Design Challenge: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Research: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Inspiration: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Project Duration: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Operation Flow: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Image Credits: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.