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Myriad Circles Desain Interior Padumukan ku Xishun Tan

Karya Myriad Circles Desain Interior Padumukan ku Xishun Tan nyaéta pamenang anu dihormat pisan tina 2026 A' Design Award Emas anu bergengsi dina Katégori Kompetisi Interior.


EmasInterior· 2026

Myriad Circles Desain Interior Padumukan

ku Xishun Tan

Klién: Vanke

Pamenang A' Design Award Emas dina Katégori Interior

21,372

Pamenang Panghargaan anu Diverifikasi

Verifikasi Status Panghargaan pikeun #180277

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Désain

Ngeunaan Myriad Circles Desain Interior Padumukan

Myriad Circles nyaéta desain interior padumukan anu réngsé di Sichuan, Cina. Tata perenahna diideuan ku pakampungan Linpan di Sichuan Kulon jeung struktur kayu Chuandou tradisionalna. Karya kayu walnut Amérika anu dijieun husus napsirkeun deui téhnik silih kait jeung kantilever tina struktur-struktur éta. Panguat baja anu disumputkeun di jero karya kayu nahan beurat koléksi modél. Baja tahan karat jeung kaca digabungkeun jeung kayuna. Unsur walnut anu permanén méré jerona budaya ka rohangan interior, sedengkeun unsur anu fléksibel ngamungkinkeun rohangan éta dipaké pikeun rupa-rupa kaperluan anu robah-robah.

Pangakuan

Ngeunaan A' Design Award Emas

Myriad Circles Desain Interior Padumukan mangrupa juara A' Design Award Emas, pangakuan anu pohara bergengsi anu dipasihkeun ka desain kelas kahiji, ngaranjing jeung unggul. Para juara Emas téh kréasi anu pohara inovatif, visionér jeung matak ngacung anu ngagambarkeun kajeniusan, hikmah jeung kaahlian para désainerna. Myriad Circles Desain Interior Padumukan diharepkeun jadi panemuan anu pohara dipuji, pelopor tren, sarta monumental anu méré nilai anu can kungsi aya. Desain juara A' Design Award Emas ieu mangrupa proyék spéktakulér tur dihormat anu pohara mangpaatna sarta ngamajukeun watesan seni, élmu, desain jeung téknologi. Myriad Circles Desain Interior Padumukan nyiptakeun rasa hayang anu kuat, ngahudang gairah, ngadorong kréativitas, jeung ngagumkeun urang.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik
Echoing the structural elegance of "Linpan" architecture in Western Sichuan, China, this design distills traditional "Chuandou" timber systems into a contemporary narrative. Custom walnut joinery abstracts ancient cantilever techniques, creating a sculptural framework for the client’s "Retro-Futurist" collection. The space bridges eras, merging the precision of heritage carpentry with the playful spirit of the digital age to form a deeply personalized, culturally anchored sanctuary.
Tag
Retro-Futurism, Mid-Century Modern, Linpan Architecture, Residential Interior Design, Collector Workspace, Eclectic Luxury, Custom Joinery, Sichuan Vernacular, Chuandou Structure
Téknologi Produksi
To resurrect the essence of traditional "Linpan" settlements, we utilized contemporary fabrication techniques. The design synthesizes American Walnut—a nod to vernacular timber—with modern industrial materials like stainless steel and glass. By embedding concealed steel reinforcements within the joinery, we achieved the iconic "Chuandou" interlocking aesthetic without traditional limitations. This application of modern material science allows the ancient architectural form to be reborn within a "Retro-Futurist" context.
Tantangan Desain
The primary challenge lay in reconciling the solemnity of vernacular "Linpan" architecture with the vibrancy of a "Retro-Futurist" toy collection. Visually, preventing this eclectic mix from appearing chaotic required rigorous curation to balance historical weight with pop-culture playfulness. Structurally, mimicking the lightweight aesthetic of traditional "Chuandou" cantilevers while supporting heavy die-cast models imposed engineering constraints, necessitating a concealed steel skeleton within the walnut joinery.
Panalungtikan
This project is grounded in applied design research that decodes the vernacular "Linpan" settlements of Sichuan. We sought to translate their core principles of community, organic hierarchy, and material authenticity into a contemporary urban residence. Our methodology combined ethnographic field observation, spatial analysis of traditional "Chuandou" timber structures, and material prototyping. We engaged local craftsmen and used 3D scanning alongside digital and physical modeling to test modern interpretations of joinery. A key insight emerged: the "Chuandou" system functions as a "social scaffold," organizing life through a gradient of spaces from public to private. This research directly generated the project's central "permanent-temporary" framework. Its impact is threefold: it provides business value through deep cultural narrative, offers society a model for fostering neighborhood belonging in dense cities, and advances design practice by demonstrating a rigorous methodology for systemic vernacular translation, moving beyond superficial aesthetic reference.
Inspirasi
A chance journey through Western Sichuan introduced me to the mesmerizing "Linpan" settlements. This experience deeply resonated with me, and by a stroke of serendipity, I was soon commissioned for this Chengdu residence. Inspired to bring this local spirit indoors, I reinterpreted the region's traditional "Chuandou" timber structures. The design translates these ancient interlocking techniques into modern walnut joinery, grounding the space in its cultural roots.
Durasi Proyék
The project started in April 2024 in China and finished in August 2025 in Sichuan China.
Alur Operasi
The space guides visitors on a narrative journey, from the symbolic "Tree of Light" entrance into the intimate, wood-clad "Study Box." Interaction is encouraged through integrated zones where children's play is visible to adults, fostering natural community connection. Its strength lies in a "permanent-temporary" framework: the fixed walnut architecture provides cultural depth, while flexible elements allow the space to transform from a sales gallery into an active community hub. This creates not just a functional space, but one that actively builds and sustains relationships.
Anggota Tim
Design Director:FIONA LIU and Project Director:TIM TAN
Krédit Gambar
Photographer:Kong studio

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