Kinetic Chinese Characters Tipografi Kinétik by Li Xinlin

Kinetic Chinese Characters Tipografi Kinétik by Li Xinlin is a highly esteemed winner of the very prestigious 2020 A' Design Award Beusi in Géneratif Competition Category.

BeusiGéneratif· 2020

Kinetic Chinese Characters Tipografi Kinétik

by Li Xinlin

Client: Li Xinlin

A' Design Award Beusi Winner in Géneratif Category

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Verified Award Winner

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Colors

The Design

About Kinetic Chinese Characters Tipografi Kinétik

Kinetic Chinese Characters mangrupa runtuyan genep belas karya tipografi kinétik anu dumasar kana komponén aksara Cina. Unggal karya boga jejer anu béda sarta dihasilkeun murni ngaliwatan pamrograman komputer jeung algoritma, ngagunakeun Processing. Ditambahna téknologi generatif nyababkeun garis waktu aksara anu tadina tetep jadi variabel sarta hasilna teu bisa diprédiksi. Unggal karya ditambahan ku esey apresiasi anu ringkes, nuturkeun tradisi Asia dina nyanghareupkeun sajak jeung lukisan babarengan. Runtuyan ieu némbongkeun kumaha desain kinétik bisa diterapkeun kana aksara Cina.

The Recognition

About the A' Design Award Beusi

Kinetic Chinese Characters Tipografi Kinétik mangrupa juara A' Design Award Beusi, pangakuan anu bergengsi anu dipasihkeun ka desain alus anu minuhan sarat profésional jeung industri anu diharepkeun tina kréasi anu dirarancang alus. Para juara Beusi nunjukkeun kaahlian anu hébat, spésialisasi anu luhur, pamahaman ahli jeung kamampuh kréatif para kréatorna. Kinetic Chinese Characters Tipografi Kinétik diharepkeun jadi kréasi anu dihargaan, dikagumi jeung dipikanyaah anu praktis jeung inovatif. Desain juara A' Design Award Beusi ieu ngalebetkeun prakték pangalusna industri sarta ngabogaan ciri téknis anu mampuh pakait jeung pangweruh praktis jeung bakat. Kinetic Chinese Characters Tipografi Kinétik dihormat pikeun katelitianana sarta dirarancang pikeun méré paningkatan kualitas hirup anu mantuan ngajadikeun dunya tempat nu leuwih hadé.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Dimensions & Packaging: Media & Print matter
Tags: Kinetic , Typography , Generative , Chinese Characters
Production Technology: Processing and based on openprocessing.org
Design Challenge: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Research: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Inspiration: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Project Duration: 2019, College of Fine Arts, Seoul National University.
Operation Flow: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Patents: LI XINLIN
Team Members: LI XINLIN
Image Credits: LI XINLIN