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Crown of the Sea General Fungsi Utama: Instalasi Seni Umum by Yu Liang Chen

Crown of the Sea General Fungsi Utama: Instalasi Seni Umum by Yu Liang Chen is a highly esteemed winner of the very prestigious 2020 A' Design Award Perunggu in Seni Rupa Competition Category.


PerungguSeni Rupa· 2020

Crown of the Sea General Fungsi Utama: Instalasi Seni Umum

by Yu Liang Chen

Client: NewLocal Art Studio

A' Design Award Perunggu Winner in Seni Rupa Category

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Verified Award Winner

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Colors

The Design

About Crown of the Sea General Fungsi Utama: Instalasi Seni Umum

Téks Buku: Crown of the Sea General mangrupikeun instalasi seni umum anu perenahna di Kouhu Township, Kabupaten Yunlin, Taiwan. Instalasi ieu ukuranana 10 méter panjang, 3 méter lebar sareng 4 méter luhurna. Rangka baja anti karat sareng mortir sémén ngawangun bentukna, sedengkeun ubin glasir anu ngagenclang, keramik anu pecah-pecah, batu krikil sareng kaca eunteung nutupan permukaanana. Bangku-bangku di jero struktur nyayogikeun tempat teduh sareng istirahat, sarta krikil bodas di sabudeureun dasarna ngondang barudak pikeun ulin. Pola-pola tina budaya pribumi, Han sareng Jepang digabungkeun. Makuta ieu ngadorong pikeun ngahargaan kana sumber daya laut.

The Recognition

About the A' Design Award Perunggu

Crown of the Sea General Fungsi Utama: Instalasi Seni Umum mangrupa juara A' Design Award Perunggu, pangakuan anu pohara bergengsi anu dipasihkeun ka desain unggul anu dicirikeun ku kréativitas, kacerdikan jeung kawaspadaan. Para juara Perunggu téh artéfak anu lobaan kaahlian jeung kréatif pisan anu ngabuktikeun pangalaman anu lega, imajinasi jeung kacerdasan para désainerna. Crown of the Sea General Fungsi Utama: Instalasi Seni Umum diharepkeun jadi objék anu dihargaan, dikagumi jeung dipikanyaah anu profésional jeung inovatif. Desain juara A' Design Award Perunggu ieu ngalebetkeun prakték pangalusna dina seni, élmu, desain jeung téknologi, sarta unggul dina perhatian kana détail. Crown of the Sea General Fungsi Utama: Instalasi Seni Umum minuhan kabutuhan kalayan éndah, nyentuh kahayang, nyenangkeun rasa, jeung narik rasa panasaran.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
Dimensions & Packaging
The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
Tags
Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
Production Technology
We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
Design Challenge
Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
Research
The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
Inspiration
In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
Project Duration
The project finished in November, 2019 in Yunlin County, Taiwan.
Operation Flow
Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
Team Members
Yu-Liang Chen
Image Credits
Cheng-Mao Liu

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