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Pure Infinity Hänge by Bettina Gomez-Latus

Pure Infinity Hänge by Bettina Gomez-Latus is a highly esteemed winner of the very prestigious 2020 A' Design Award i Silver in Smyckesdesign Competition Category.


SilverSmycken· 2020

Pure Infinity Hänge

by Bettina Gomez-Latus

Client: 1Karat - Atelier für Schmuck & Design - Bettina Gomez-Latus

A' Design Award i Silver Winner in Smycken Category

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The Design

About Pure Infinity Hänge

Hänget är tillverkat av 18K rödguld och en topas på 92,14 ct. Ädelstensfattningen och upphängningen är tillverkade av en enda tråd. Den löper från smal till bred i en oändlig slinga utan att röra vid korsningspunkten. Hängets montering är lutande, men detta gör att smycket hänger rakt på en kedja utan att luta bakåt eller framåt.

The Recognition

About the A' Design Award i Silver

Pure Infinity Hänge är vinnare av A' Design Award i Silver, ett utomordentligt prestigefyllt erkännande som tilldelas förstklassiga, hänförande och imponerande designverk i toppskiktet. Silvervinnare är oerhört briljanta och utomordentligt kreativa verk som illustrerar sina formgivares enastående expertis, talang och skarpsinne. Pure Infinity Hänge förväntas vara ett underbart paradexempel som är anmärkningsvärt professionellt och djupt innovativt. Detta vinnande verk i A' Design Award i Silver är en mycket uppmärksammad, beundrad uppfinning som gagnar och flyttar fram gränserna för konst, vetenskap, design och teknik. Pure Infinity Hänge är en skapelse som avundas starkt, som väcker längtan, förmedlar positiva känslor och väcker förundran och häpnad.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The pendant became Pure Infinity thanks to the clear, flowing border in red gold that runs around the stone without touching it. The gemstone setting and the loop are made of a single wire and follows an infinite line from narrow to wide. The delicate facet of the topaz is incorporated into the setting thus creating a never-ending impression. The suspension of the pendant is diagonal and allows the pendant to hang straight on a chain without tilting back or forth.
Dimensions & Packaging
Pendant length: 32,5 mm, width: 56,5 mm, 18K red gold, topaz 92,14 ct. 27,8 mm x 38,4 mm x 13,4 mm.
Tags
Pendant, Topaz, Gold, red gold, Jewelry design, jewelry, gemstones, gold, handmade, endless, infinity
Production Technology
The topaz of the pendant was scanned and its setting constructed in CAD. It was then plotted in wax and cast in 18K red gold. The setting was finished at the workbench and the gemstone was busted into the setting.
Design Challenge
The main issues while developing the pendant was in maintaining the required tension in the gold and holding the gemstone without closing the setting entirely.
Research
It was necessary to examine how much the gold would move when the gemstone was set in the pendant and whether the stone would break if tension within the setting got too high. Due to the fact that the gemstone is not completely held by the setting, it was important to find out how thick and hard the wire had to be to maintain a certain tension in the gold without the gemstone fracturing during processing.
Inspiration
Pure elegance, nothing but the radiance of the gemstone should attract attention. The clear line of metal which serves as a setting, combines purism and functionality into an object that makes the gemstone wearable as a pendant without distracting the viewer from unnecessary details. The symbiosis between metal and stone merges. Only the colour of the red gold and the sky blue of the topaz are complementary and increase their charisma through contrasts.
Project Duration
The project started in May 2019 and ended in July 2019. The pendant was produced in Steinbach (Taunus), Germany.
Operation Flow
The pendant can be worn on different precious metal chains or on a leather band. Depending on the wears preference, both sides of the jewel can be worn frontally. Each side of the pendant has its own exklusiv expression.
Image Credits
All photos by Achim Kuest

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