The Last Blooming Multifunktionella Tyger by Qixin Wu

The Last Blooming Multifunktionella Tyger by Qixin Wu is a highly esteemed winner of the very prestigious 2023 A' Design Award i Järn in Textil-, Tyg-, Textur-, Mönster- och Vävdesign Competition Category.

JärnTextil· 2023

The Last Blooming Multifunktionella Tyger

by Qixin Wu

Client: EchoWu Design Studio

A' Design Award i Järn Winner in Textil Category

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Verified Award Winner

Verify Award Status for #108758

Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About The Last Blooming Multifunktionella Tyger

För att förstå något logiskt subversivt, för att förvandla en till synes komplex definition till en enkel utforskning av förhållandet mellan start och mål, blir de döda blommorna huvudmaterialet för att uttrycka den livliga blomningen. De fortsätter att blomma och visar den sista skönheten. Den harmoniska repetitionen och levande motiv ger layouten ett mer potentiellt uttryck. De dubbla tygerna, toppen är i chiffong och baksidan av bomull, skapar skiftet när det blåser. Chiffongens genomskinliga utseende bidrar till att The Last Blooming blir mer attraktiv och mystisk.

The Recognition

About the A' Design Award i Järn

The Last Blooming Multifunktionella Tyger är vinnare av A' Design Award i Järn, ett prestigefyllt erkännande som tilldelas bra designverk som uppfyller de professionella och industriella krav som förväntas av välgjorda skapelser. Järnvinnare visar stor skicklighet, hög specialisering, expertförståelse och skaparnas kreativa förmåga. The Last Blooming Multifunktionella Tyger förväntas vara en högt skattad, beundrad och älskad skapelse som är praktisk och innovativ. Detta vinnande verk i A' Design Award i Järn integrerar branschens bästa praxis och har kompetenta tekniska egenskaper kopplade till kunnande och talang. The Last Blooming Multifunktionella Tyger respekteras för sin grundlighet och är utformat för att åstadkomma förbättringar av livskvaliteten som hjälper till att göra världen till en bättre plats.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Dimensions & Packaging: High: 27 inches
Width: 45 inches
Tags: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Production Technology: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Design Challenge: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Research: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Inspiration: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Project Duration: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Operation Flow: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Patents: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Image Credits: Qixin Wu