Perception of the Eyes Sanaa Ya Kuvaliwa na Karina Frances Edmonds

Muundo Perception of the Eyes Sanaa Ya Kuvaliwa na Karina Frances Edmonds ni mshindi mashuhuri wa tuzo ya kifahari ya 2020 Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Mitindo, Mavazi na Nguo.

ShabaMitindo· 2020

Perception of the Eyes Sanaa Ya Kuvaliwa

na Karina Frances Edmonds

Mteja: Karina Frances

Mshindi wa Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mitindo

37,236

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #102508

Tembelea Tovuti Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Perception of the Eyes Sanaa Ya Kuvaliwa

Kila jicho linashiriki kina tofauti cha historia na uzuri. Kwangu, macho ni kama portal kwa nafsi ya mtu. Ni udanganyifu wa kina, usio na kipimo ambao jicho linatoa macho ambayo iliongoza kipande hiki. Abstractly, macho yanawakilishwa kwenye kipande hiki kupitia kuonyeshwa kijiometri kwenye matiti. Mwanafunzi huyo anaonyeshwa na kiini kibichi cha chuchu. Mistari ya maono ya laser ya mgomo, ikivuka katika maeneo yaliyohesabiwa ya makutano. Ukumbusho wa michoro za kisayansi na kinzani za mwanga, muundo wa kijiometri huunda kabla ya kuingia mawimbi ya maono yasiyofaa. Sehemu hii inazungumza juu ya macho na nguvu yao ya ushairi.

Utambuzi

Kuhusu Tuzo ya Shaba ya A' Design Award

Perception of the Eyes Sanaa Ya Kuvaliwa ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Perception of the Eyes Sanaa Ya Kuvaliwa inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Perception of the Eyes Sanaa Ya Kuvaliwa hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Vipimo na Ufungashaji: Size 6
Lebo: wearable art, eyes, vision, perception, poetry
Teknolojia ya Uzalishaji: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Changamoto ya Ubunifu: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Utafiti: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Msukumo: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Muda wa Mradi: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Mtiririko wa Uendeshaji: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Hataza: N/A
Wanatimu: Tailor 15% work with patterns-( technical element).
Haki za Picha: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019