Muundo Ceramics Extension Ufungaji Wa Sanaa na Tairan Hao and Shan Xu ni mshindi mashuhuri wa tuzo ya kifahari ya 2020 Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Sanaa Nzuri na Usakinishaji wa Sanaa.
ShabaSanaa Nzuri· 2020
Ceramics Extension Ufungaji Wa Sanaa
Mteja: Tairan Hao
Mshindi wa Tuzo ya Shaba ya A' Design Award katika Kategoria ya Sanaa Nzuri
Mshindi wa Tuzo Aliyethibitishwa
Thibitisha Hali ya Tuzo kwa #104079Muundo
Kuhusu Ceramics Extension Ufungaji Wa Sanaa
Ufungaji huo huundwa na sanamu za jadi za kauri zilizotengenezwa kwa mikono na sanamu za plastiki zilizochapishwa za 3D. Sanaa na muundo huo unajaribu kusambaza hisia kali kwa watazamaji kwamba kila kitu, kila mtu, kila kitu kinapanuliwa sana. Kwa uwepo wa sanamu, ni kuwasiliana sehemu ya vitu wanavyoona ni kweli, lakini vitu vingine ni kuonyesha na vioo, ambayo sio kweli. Mwingiliano huo hufanya watu wafikirie kuwa wanaingia kwenye ulimwengu wa fikira ambao umeundwa na wao wenyewe.
Utambuzi
Kuhusu Tuzo ya Shaba ya A' Design Award
Ceramics Extension Ufungaji Wa Sanaa ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Ceramics Extension Ufungaji Wa Sanaa inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Ceramics Extension Ufungaji Wa Sanaa hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.
Nyuma ya Muundo
Vifaa vya Habari
Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.
- Sifa za Kipekee
- The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
- Vipimo na Ufungashaji
- half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
- Lebo
- Installation, Art, 3D Printing, Ceramics, Sculpture
- Teknolojia ya Uzalishaji
- 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
- Changamoto ya Ubunifu
- The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
- Utafiti
- The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
- Msukumo
- The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
- Muda wa Mradi
- The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
- Mtiririko wa Uendeshaji
- When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
- Hataza
- Copyrights belong to Shan Xu and Tairan Hao, 2017
- Wanatimu
- Designer: Shan Xu
Artist: Tairan Hao - Haki za Picha
- Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017
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