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Ribbing Kazi Kuu: Chombo cha Maua by Lihsing Wang

Ribbing Kazi Kuu: Chombo cha Maua by Lihsing Wang is a highly esteemed winner of the very prestigious 2022 Tuzo ya Chuma ya A' Design Award in Usanifu wa Samani Competition Category.


ChumaSamani· 2022

Ribbing Kazi Kuu: Chombo cha Maua

by Lihsing Wang

Tuzo ya Chuma ya A' Design Award Winner in Samani Category

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Colors

The Design

About Ribbing Kazi Kuu: Chombo cha Maua

Maandishi ya Kitabu: Ribbing ni chombo cha maua kilichobuniwa kwa ajili ya kuonyesha maua na pia kutumika kama kipande cha sanamu chenye kusimama peke yake. Mistari ya wima hupitia mwili wenye mkunjo, na muonekano wake hubadilika kadri unavyofuata umbo linalobadilika. Muonekano wa kufumwa umeundwa kwa kutumia filamenti iliyojazwa chuma na kutengenezwa kwa mashine ya uchapishaji ya 3D. Kipande cha kioo kinachoweza kuondolewa hushikilia maji na kinaweza kuoshwa au kubadilishwa. Ribbing inafaa kwa mazingira ya ndani na nje ya nyumba. Kinapowekwa katika mazingira yenye unyevu kwa muda, rangi ya kutu hujitokeza polepole juu ya uso na kuongeza mvuto wa nje wa chombo hicho.

The Recognition

About the Tuzo ya Chuma ya A' Design Award

Ribbing Kazi Kuu: Chombo cha Maua ni mshindi wa Tuzo ya Chuma ya A' Design Award, utambuzi wenye heshima unaotolewa kwa miundo mizuri inayokidhi mahitaji ya kitaalamu na ya kiviwanda yanayotarajiwa kutoka kwa kazi zilizobuniwa vizuri. Washindi wa Chuma huonyesha ustadi mkubwa, utaalamu wa hali ya juu, uelewa wa kitaalamu na uwezo wa kibunifu wa waumbaji wao. Ribbing Kazi Kuu: Chombo cha Maua inatarajiwa kuwa kazi inayothaminiwa sana, kupendwa na kuenziwa, ambayo ni ya vitendo na bunifu. Muundo huu ulioshinda Tuzo ya Chuma ya A' Design Award unajumuisha mbinu bora za tasnia na una sifa za kiufundi zenye uwezo zilizounganishwa na ujuzi na kipaji. Ribbing Kazi Kuu: Chombo cha Maua inaheshimiwa kwa uangalifu wake na imebuniwa kutoa maboresho ya ubora wa maisha yanayosaidia kuufanya ulimwengu kuwa mahali bora zaidi.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Ribbing vase as a floral display medium also speaks for itself with binary visual language in any spatial setting. Its vertical ribs pattern change their contour as they adapt along the curvy shapes, creating a constant momentum on a solid surface. The woven look of the ribbing vase is made out of metal filament and manufactured with a 3D printer. When exposed outdoors over time, a rusted patina will slowly appear on the surface, also known as oxidizing, adding some nuances on the exterior layer that almost resemble a rusty sculpture.
Dimensions & Packaging
Large Vase: 140mm,167mm. Small Vase: 90mm, 102mm. Material: copper, iron and brass.
Tags
rubbing, vase, 3D printing, home decor aesthetic, fusion, computational
Production Technology
In order to manufacture ribbing vases with high-quality production, waste reduction and cost efficiency, I adapted the use of 3D printers and computational software, Grasshopper. After several rounds of testing, I figured out using default slicer software to generate G-code for print is inefficient. Instead, by utilizing G-code directly in Grasshopper allows me to fully control the 3D printer and optimize the production. More specifically, the scripted data transforming my design into a series of curves and paths have turned into the assigned route of the 3D printer. As for the material used, ribbing was made from metal-filled filament, HTPLA.
Design Challenge
The making process attains zero waste, zero emission, fully sustainable and self-reliant action by implementing additive manufacturing technology into our production pipeline. Ribbing vases need to fit in 3D printers without any support material and can be manufactured on a small scale by consumer-driven 3D printers. We would also love to support regional markets by manufacturing our products locally. Thus, the ribbing vase was fully designed, manufactured, and assembled in Brooklyn, New York.
Research
This project explores a new relationship between vases and plants. People normally think flowers come before vases, and vases seem to be pointless when the plants are gone . My research aims to reverse this vector through designing a vase with inherent voice and sculptural expression. Balancing rigidity and flexibility of the form is the key to achieve the desirable outputs, flipping the general perception of floral decor objects. Ribbing vase presents a feasible option to prove the knit-looking contour can also be made out of metal.
Inspiration
Ribbing vase challenges to yield aesthetic expression by combining two contradictory elements: rigidity and flexibility. The Ribbing is inspired from the rib knit, a soft, flimsy and stretchy fabric type. I took this feature and applied it upon the solid form; woven it by metal filament with a 3D printer that simulates a fabric-like surfacing. Ribbing vase presents a refreshing look by fusing the textured appearance, metal materiality and digital manufacturing.
Project Duration
The Ribbing started in April 2020 and finished in January 2021. Design and manufactured in Brooklyn, NY.
Operation Flow
Ribbing vase served as both flower container and diffuser. Users can easily remove the inserted glass piece from the vase to either wash or replace. Ribbing vase itself can fit into both indoor or outdoor environments as a static decor object. If the user prefers the rusted texture, it can be placed in a moisture environment over time as oxidized rust and patina slowly appear on the surface naturally.
Team Members
Lihsing Wang

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