Endless Succession Kifaa cha Sanaa cha Umma na Jin Ying Yei Tao Pottery Ltd

Muundo Endless Succession Kifaa cha Sanaa cha Umma na Jin Ying Yei Tao Pottery Ltd ni mshindi mashuhuri wa tuzo ya kifahari ya 2024 Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Sanaa Nzuri na Usakinishaji wa Sanaa.

ShabaSanaa Nzuri· 2024

Endless Succession Kifaa cha Sanaa cha Umma

na Jin Ying Yei Tao Pottery Ltd

Mteja: Jin Ying Yei Tao Pottery Ltd

Mshindi wa Tuzo ya Shaba ya A' Design Award katika Kategoria ya Sanaa Nzuri

38,219

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #153111

Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Endless Succession Kifaa cha Sanaa cha Umma

Endless Succession ni alama ya kihistoria ya kauri iliyowekwa mlangoni pa Eneo la Burudani la Msitu wa Taifa la Neidong nchini Taiwan. Umbo lake linafanana na tarakimu nane iliyosimama wima, likidokeza alama ya ukomo (infinity), na kukumbusha mkondo wa mfano wa kiasili (parabola) wa Maporomoko ya Maji ya Xinxian. Muundo wake unaoruhusu mwangaza na hewa kupenya unafanya kazi kama lango linaloongoza wageni kuingia msituni. Nyuso za kijani zinabeba michoro ya kitamaduni ya Atayal yenye rangi nyekundu na nyeusi, pamoja na nakshi za maumbo ya viumbe vya eneo hilo, ikiwemo vipepeo, ndege na vyura wa mitini. Udongo na rangi ya glazi vimechomwa kwa joto la zaidi ya nyuzi 1,200 Selsiasi, jambo linalofanya kazi hii ya mikono kustahimili hali ya hewa, kutobadilika rangi, na kuwa salama kuguswa.

Utambuzi

Kuhusu Tuzo ya Shaba ya A' Design Award

Endless Succession Kifaa cha Sanaa cha Umma ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Endless Succession Kifaa cha Sanaa cha Umma inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Endless Succession Kifaa cha Sanaa cha Umma hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: The landmark epitomizes the diversity of local ecology. The permeable design is like an archway that leads visitors into the Forest Recreation Area surrounded by nature.
The shape of the work resembles an upright figure 8 of 'infinity'. Located on the wooden trestle at the entrance of the Neidong National Forest Recreation Area, it is green in color with red and black totems. When one gets closer, there are carves of common species in the area. The extremely realistic animal and plant totems on the column are not only photographed but also sculpted by experienced masters.
Vipimo na Ufungashaji: The height of the work is about 450cm, and the width of the space occupied is about 250cm.
This is the first time for the team to create such a huge landmark. The clay was stacked up to a height of 450cm by climbing a ladder and then carved with realistic butterflies, birds, tree frogs, and other patterns from top to bottom. Then, the clay is cut into sections and kiln-dried, and finally assembled. The entire landmark is handmade.
Mixing the glazes is also an important part of the work, as uneven proportions will affect the color rendering.
Lebo: Wulai, Neidong Waterfall, Neidong, Atayal, ceramics, Installation Art, Sightseeing Landmark.
Teknolojia ya Uzalishaji: Both the clay and the glaze of this work have been hardened at a high temperature of more than 1,200 degrees Celsius. The minerals and metals contained in the clay have been melted and transformed into stable substances. Its high hardness makes it safe and colorfast when exposed to the sun and wind or in contact with human skin. Unlike ordinary ceramics with a melting point of less than 1,000 degrees, which are susceptible to heavy metals, 'Endless Succession' allows the public to appreciate and touch the relief sculptures from a close distance.
Changamoto ya Ubunifu: Pottery requires long hours of handmade work, and humidity control was the first and foremost challenge. To maintain the humidity of the large clay, it must be constantly watered or wrapped in canvas.
Furthermore, to present the curves smoothly, it was necessary for the person leading the work to watch from the bottom and direct the masters executing the work from the top. Therefore, the masters who lead and execute the work need to have a certain tacit understanding and great patience. Each person's interpretation of the aesthetic presentation often required communication and discussion.
Utafiti: Typhoon Soudelor in 2015 damaged many facilities in the Forest Recreation Area. The Forest Recreation Area then replacement of old equipment, and improvement of the landscape. At that time, there was no distinctive entrance to the park. To create and emphasize the distinctive landscape of the Forest Recreation Area, the team integrated the local environment and created a landmark with aesthetics and consistency at its core. The artwork presents imagery of the Xinxian Waterfall and the diversity of the park's species, as well as showcasing the local Atayal culture.
Msukumo: The authorities wanted to create an entrance landmark with natural ecological imagery. Planned to visualize the beauty of the Xinxian Waterfall, presenting the special features of the landscape with the graceful parabola of the waterfall as it cascades down from the top of the mountain. The static and dynamic nature of the waterfall incorporates the common species found in Neidong and is intertwined with Atayal totems, symbolizing the inseparable integration with the environment. The overall shape also implies the meaning of the 'infinity' symbol, which symbolizes the everlasting ecology and richness of culture.
Muda wa Mradi: The project finished in August 2018 in Taiwan.
Mtiririko wa Uendeshaji: As the old saying goes, 'It could be admired from a distance but not be tampered with up close and personal.', this is the public's established impression of ceramic art. The work is scratch-resistant, non-toxic, weather-resistant, and colorfast, encouraging the public to interact with it and take photos to experience a different way of presenting 'pottery'. The design team has shown the intimate side of clay to a wider audience. The artwork combines the humanity and ecological elements of Neidong, realizing the depth and beauty of the place and localizing the artwork.
Wanatimu: Jin Ying Yei Tao Pottery Ltd
Haki za Picha: Jin Ying Yei Tao Pottery Ltd