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Matsu Biennial 2023 Tamasha la Sanaa na Chun Ming Wang, Hou ching Lee and Han Wu

Muundo Matsu Biennial 2023 Tamasha la Sanaa na Chun Ming Wang, Hou ching Lee and Han Wu ni mshindi mashuhuri wa tuzo ya kifahari ya 2024 Tuzo ya Chuma ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Hafla na Matukio.


ChumaHafla· 2024

Matsu Biennial 2023 Tamasha la Sanaa

na Chun Ming Wang, Hou ching Lee and Han Wu

Mteja: Lienchiang County Government and The General Association of Chinese Culture

Mshindi wa Tuzo ya Chuma ya A' Design Award katika Kategoria ya Hafla

42,145

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #155697

Rangi

Muundo

Kuhusu Matsu Biennial 2023 Tamasha la Sanaa

Matsu Biennial ni mpango wa malengo wa miaka 10, sehemu tano wa kuweka misingi endelevu kwa usanifu wa kijamii. Kazi zake 70 za sanaa ya midia mchanganyiko na uumbaji wa taaluma mbalimbali katika miradi 9 ya ukusanyaji zinashughulikia changamoto za maendeleo endelevu ya kikanda. Mapango ya kipindi cha Vita Baridi ya Matsu, hifadhi za ukanda wa vita, mila ya Eastern Min, usanifu, na lugha inaonyesha kaya 200 zinazofanya mila ya kutengeneza divai, ikihamasisha mada ya Ruby Red After Summer. Biennial inageuza sanaa kuwa chachu ya kuamsha sauti zilizokandamizwa na kubadilisha Matsu kuwa kitovu cha sanaa na usanifu.

Utambuzi

Kuhusu Tuzo ya Chuma ya A' Design Award

Matsu Biennial 2023 Tamasha la Sanaa ni mshindi wa Tuzo ya Chuma ya A' Design Award, utambuzi wenye heshima unaotolewa kwa miundo mizuri inayokidhi mahitaji ya kitaalamu na ya kiviwanda yanayotarajiwa kutoka kwa kazi zilizobuniwa vizuri. Washindi wa Chuma huonyesha ustadi mkubwa, utaalamu wa hali ya juu, uelewa wa kitaalamu na uwezo wa kibunifu wa waumbaji wao. Matsu Biennial 2023 Tamasha la Sanaa inatarajiwa kuwa kazi inayothaminiwa sana, kupendwa na kuenziwa, ambayo ni ya vitendo na bunifu. Muundo huu ulioshinda Tuzo ya Chuma ya A' Design Award unajumuisha mbinu bora za tasnia na una sifa za kiufundi zenye uwezo zilizounganishwa na ujuzi na kipaji. Matsu Biennial 2023 Tamasha la Sanaa inaheshimiwa kwa uangalifu wake na imebuniwa kutoa maboresho ya ubora wa maisha yanayosaidia kuufanya ulimwengu kuwa mahali bora zaidi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee
Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Vipimo na Ufungashaji
Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Lebo
Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Teknolojia ya Uzalishaji
Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Changamoto ya Ubunifu
The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Utafiti
The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Msukumo
UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Muda wa Mradi
The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Mtiririko wa Uendeshaji
Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Hataza
Copyrights belong to Matsu Biennial
Wanatimu
Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Haki za Picha
Matsu Biennial

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