Cadence of the Spiral Primary Function: Usakinishaji wa Kinetiki na Yusuke Kamiyama

Muundo Cadence of the Spiral Primary Function: Usakinishaji wa Kinetiki na Yusuke Kamiyama ni mshindi mashuhuri wa tuzo ya kifahari ya 2026 Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Sanaa Nzuri na Usakinishaji wa Sanaa.

FedhaSanaa Nzuri· 2026

Cadence of the Spiral Primary Function: Usakinishaji wa Kinetiki

na Yusuke Kamiyama

Mteja: Spline Design Hub Inc.

Mshindi wa Tuzo ya Fedha ya A' Design Award katika Kategoria ya Sanaa Nzuri

19,017

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #182460

Tembelea Tovuti Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Cadence of the Spiral Primary Function: Usakinishaji wa Kinetiki

Book Text: Cadence of the Spiral inachunguza wakati kama kitu chenye unyumbufu, chenye mahusiano, na hai. Ukanda wa chuma cha springi cha pua umechorwa kuwa umbo linaloendelea kubadilika kupitia mikono thelathini ya kimakanika. Mikono hii inasogea kwa midundo hafifu, iliyobadilishwa awamu. Wakati mzunguko unapopumua, kujipinda, na kujipanga upya, hakuna nyakati mbili zinazofanana. Kazi hii imehamasishwa na springi kuu ya saa ya kimakanika. Inafasiri upya chuma kilichojikunja kama chombo cha nishati iliyohifadhiwa na mtiririko wa wakati. Mwendo haurudiwi. Badala yake, mabadiliko yanafichuliwa kupitia tofauti zinazodhibitiwa. Wakati haupimwi, bali unahisiwa.

Utambuzi

Kuhusu Tuzo ya Fedha ya A' Design Award

Cadence of the Spiral Primary Function: Usakinishaji wa Kinetiki ni mshindi wa Tuzo ya Fedha ya A' Design Award, utambuzi wenye heshima kubwa ya ajabu unaotolewa kwa miundo ya hali ya juu kabisa, ya kupendeza na ya kuvutia. Washindi wa Fedha ni kazi zinazong'aa mno na bunifu kupita kiasi zinazoonyesha utaalamu bora, kipaji na busara ya wabunifu wao. Cadence of the Spiral Primary Function: Usakinishaji wa Kinetiki inatarajiwa kuwa kazi nzuri ya kuigwa ambayo ni ya kitaalamu kwa kiasi kikubwa na yenye ubunifu wa kina. Muundo huu ulioshinda Tuzo ya Fedha ya A' Design Award ni uvumbuzi unaojulikana sana na kupendwa, unaonufaisha na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. Cadence of the Spiral Primary Function: Usakinishaji wa Kinetiki ni kazi inayotamaniwa mno inayochochea hamu, huleta hisia chanya na huzua mshangao na mastaajabu.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Vipimo na Ufungashaji: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Lebo: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Teknolojia ya Uzalishaji: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Changamoto ya Ubunifu: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Utafiti: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Msukumo: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Muda wa Mradi: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Mtiririko wa Uendeshaji: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Hataza: Copyrights belong to Spline Design Hub Inc., 2025.
Wanatimu: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Haki za Picha: IMAGE CREDITS: Daisuke Ohki